Japan Shm CD Blue Note 24 Bit Remaster

Lee Morgan - Lee Morgan (Last Album) (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81075}

Lee Morgan - Lee Morgan (Last Album) (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81075}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 415 Mb | MP3 @320 -> 157 Mb
Full Artwork @ 600 dpi (png) -> 261 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81075
Jazz / Post Bop / Modal Music / Trumpet

Lee Morgan's final studio recording before he was murdered was initially released as a two-fer LP, and the original recordings without alternate takes are included here on one CD. This was a fertile creative time for Morgan, as rivals Freddie Hubbard and Woody Shaw were embracing the electrified sounds of the times and Morgan followed suit. Harold Mabern is on the Fender Rhodes piano, tenor saxophonist Billy Harper proves a formidable front-line mate, and the vibrant Bobbi Humphrey is heard on flute before she commercialized her sound.
Elvin Jones - Coalition (1970) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Elvin Jones - Coalition (1970) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 252 Mb | MP3 @320 -> 92 Mb
Full Artwork @ 600 dpi (png) -> 321 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1970, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81096
Jazz / Post Bop / Modal Music / Groove / Drums / Saxophone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A stunning early set as a leader from Elvin Jones – both a tremendous demonstration of the free energy he let loose after the passing of John Coltrane, and a set that's also still got some key Coltrane-esque elements! As with other Jones albums to follow, Elvin's got some key reedmen on hand – George Coleman on tenor, and Frank Foster on tenor, alto, and bass clarinet – both given plenty of room to run around with long solos on the open space of the record – yet without ever blowing off their heads as much as some of the younger players who'd work with Jones. There's no piano at all on the set – just the rock-slid bass of Wilbur Little, and additional congas from Candido next to Elvin's drums. The tracks have a haunting quality that mixes modal grooving with spare moments, and titles include "Simone", "5/4 Thing", "Shinjitu", and a nice version of "Yesterdays".
Duke Pearson - Now Hear This (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Duke Pearson - Now Hear This (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 279 Mb | MP3 @320 -> 103 Mb
Full Artwork @ 600 dpi (png) -> 340 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81064
Jazz / Hard Bop / Progressive Jazz / Piano

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Duke Pearson returned to a big band setting for Now Hear This!, once again proving his agility and inventiveness as an arranger and leader. Working with a larger band than before – the total number of musicians weighs in at 17 – Pearson nevertheless keeps things clean and uncluttered. His compositions, as well as the songs he covers, cover a broad range of emotions, styles, and tonal colors, with lush ballads taking the center stage. Even if much of this music is beautiful, Pearson's arrangements take chances and are unconventional, which means it rewards close listening as well.
Andrew Hill - Grass Roots (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Andrew Hill - Grass Roots (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 452 Mb | MP3 @320 -> 162 Mb
Full Artwork @ 600 dpi (png) -> 327 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81063
Jazz / Post Bop / Soul Jazz / Piano

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A real stroke of genius from pianist Andrew Hill – and a surprising one too! After an initial legacy of groundbreaking experimental sides for Blue Note, Hill returns to his "grass roots" on this excellent session of straight ahead, fairly funky, soul jazz piano tunes! In the notes, Hill claims a desire to get back to the people – and in a really unusual turn, he shakes off his previous modernist trappings and goes for territory that's much more in the mode of Lee Morgan, Horace Silver, or Hank Mobley on Blue Note!
Big John Patton - Blue John (1963) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Big John Patton - Blue John (1963) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 501 Mb | MP3 @320 -> 173 Mb
Full Artwork @ 600 dpi (png) -> 310 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5008
Jazz / Hard Bop / Soul Jazz / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Insanely wonderful – and pretty darn rare! This album by John Patton was cut during the 60s, but never issued until the 80s – and even then, only briefly – yet it's easily one of our favorite records ever by this legendary Hammond player, thanks to lots of weird twists and turns! Although the record's led by Patton, it's more in the mad style of George Braith – who plays some wonderful sax on the session, in the manner of his excellent Laughing Soul album – a Prestige Records session cut with Patton and Grant Green around the same time.
Ronnie Foster - Two Headed Freap (1972) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Ronnie Foster - Two Headed Freap (1972) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 250 Mb | MP3 @320 -> 88 Mb
Full Artwork @ 600 dpi (png) -> 314 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5055
Jazz / Jazz Funk / Soul Jazz / Groove / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Amazing stuff by Ronnie Foster – a sweet little album of slow funky keyboard tones, much more loosely arranged than his later work, with a dope groove that was years ahead of its time! The album's in some ways a blueprint for some of our favorite jazz-based hip hop – and although Ronnie's playing organ, on most of the cuts, he handles the instrument more like it's a Fender Rhodes! Funky jazz with a sinister, soulful groove – with players including Gene Bianco on harp, Arthur Jenkins on congas, George Duvivier and Gordon Edwards on bass, Jimmy Johnson on drums, Gerorge Dvens on vibes and Gene Gertoncini on guitar. Includes the massive cut "Mystic Brew", which is a tasty Tribe sample, plus lots of other goodies like "Chunky", "Summer Song", and "Don't Knock My Love".
Jack Wilson - Something Personal (1966) {2015 Japan SHM-CD Blue Note 24-192 Remaster}

Jack Wilson - Something Personal (1966) {2015 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 281 Mb | MP3 @320 -> 107 Mb
Full Artwork @ 600 dpi (png) -> 217 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5122
Jazz / Hard Bop / Soul Jazz / Jazz Funk / Piano / Vibes

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A real treasure through and through – one of the most unusual Blue Note albums you'll ever hear, and a set that's one of the best-remembered from the team of pianist Jack Wilson and vibist Roy Ayers! Long before Roy struck out on his own in the world of funky soul, he worked often in the 60s with Wilson – and the pair have this unique way of blending vibes and piano that's completely fresh, and still unmatched all these many years later!
Reuben Wilson - On Broadway (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Reuben Wilson - On Broadway (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 231 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 600 dpi (png) -> 317 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81061
Jazz / Soul Jazz / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Hammond hero Reuben Wilson's on Broadway – and he hits a massively soulful groove that's light years from the cliched sounds of the great white way! The set's one of the tightest cookers from Wilson's early years on Blue Note – and has a vibe that's a bit different than the rest, thanks to some compelling rhythmic elements that push things past a Lou Donaldson groove, and more into that chunky approach to organ jazz that Wilson would explore later on the Groove Merchant label.
Don Wilkerson - Preach Brother! (1962) {2015 Japan SHM-CD Blue Note 24-192 Remaster}

Don Wilkerson - Preach Brother! (1962) {2015 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 281 Mb | MP3 @320 -> 88 Mb
Full Artwork @ 600 dpi (png) -> 171 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5097
Jazz / Hard Bop / Soul Jazz / Saxophone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. An excellent album by this lusty tenor player – and one of the rarest Blue Notes ever! Brother Don plays lean and mean, in a nice tight group that features Grant Green on guitar, Sonny Clark on piano, and Billy Higgins on drums – all of whom give Wilkerson a freer setting than he ever got working with his more famous bandleader, Ray Charles! The groove has a freer edge than on some of Wilkerson's other albums, with touches that almost reach a Latin sound at times – an influence most likely from Green's exotic work on guitar, and Higgins' wonderfully free rhythms. Titles include "Pigeon Peas", "Camp Meetin", "Jeanie Weanie", and "Dem Tamborines".
Andrew Hill - Compulsion (1965) {2015 Japan SHM-CD Blue Note 24-192 Remaster}

Andrew Hill - Compulsion (1965) {2015 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 254 Mb | MP3 @320 -> 98 Mb
Full Artwork @ 600 dpi (png) -> 182 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5118
Jazz / Post Bop / Avant-Garde Jazz / Piano

Features SHM-CD format and the latest 24bit 192kHz remastering. One of the most dynamic albums that Andrew Hill ever cut for Blue Note – a record of long tracks, played by a largeish group who seem perfectly suited to Hill's most creative musical ideas! There's an approach here that almost predates some of the more righteous soul jazz ensemble sides of the 70s – as Hill's piano leads a octet that features Freddie Hubbard on trumpet, John Gilmore on tenor and bass clarinet, Cecil McBee and Richard Davis on basses, Joe Chambers on drums, and Nedi Quamar and Renaud Simmons on percussion. The percussionists roll out with quite a bit of presence in the set – not so much as on some of the Art Blakey percussion sides for Blue Note, but more with a pronounced sense of "bottom" that you might not always hear from Hill – an earthy, sometimes organic way of riffing that then allows freer solo work from the horns and piano on the top!