Japan Shm CD Blue Note 24 Bit Remaster

Lee Morgan - Lee Morgan (Last Album) (1971) {2014 Japan SHM-CD Blue Note 24-bit Remaster}

Lee Morgan - Lee Morgan (Last Album) (1971) {2014 Japan SHM-CD Blue Note 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 425 Mb | MP3 @320 -> 160 Mb
Full Artwork @ 600 dpi (png) -> 261 Mb | 5% repair rar | 24-bit remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81075
Jazz / Post Bop / Modal Music / Trumpet

Lee Morgan's final studio recording before he was murdered was initially released as a two-fer LP, and the original recordings without alternate takes are included here on one CD. This was a fertile creative time for Morgan, as rivals Freddie Hubbard and Woody Shaw were embracing the electrified sounds of the times and Morgan followed suit. Harold Mabern is on the Fender Rhodes piano, tenor saxophonist Billy Harper proves a formidable front-line mate, and the vibrant Bobbi Humphrey is heard on flute before she commercialized her sound.
John Coltrane - Blue Train (1957) {2014 Japan SHM-CD Blue Note 24-bit Remaster}

John Coltrane - Blue Train (1957) {2014 Japan SHM-CD Blue Note 24-bit Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 516 Mb | MP3 @320 -> 159 Mb
Full Artwork @ 600 dpi (png) -> 262 Mb | 5% repair rar | 24-bit remaster
© 2014 Universal Japan / Blue Note / Capitol | BN 75th The Masterworks | TYCJ-81001
Jazz / Hard Bop / Saxophone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and 24bit remastering. Includes an alternate take of "Blue Train" for the first time in the world. Although never formally signed, an oral agreement between John Coltrane and Blue Note Records founder Alfred Lion was indeed honored on Blue Train – Coltrane's only collection of sides as a principal artist for the venerable label. The disc is packed solid with sonic evidence of Coltrane's innate leadership abilities. He not only addresses the tunes at hand, but also simultaneously reinvents himself as a multifaceted interpreter of both hard bop as well as sensitive balladry – touching upon all forms in between.
The Three Sounds - Black Orchid (1962) {2015 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5104}

The Three Sounds - Black Orchid (1962) {2015 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5104}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 456 Mb | MP3 @320 -> 164 Mb
Full Artwork @ 600 dpi (png) -> 248 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1962, 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5104
Jazz / Post Bebop / Soul Jazz / Hard Bop / Piano Trio

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Between 1958 and 1962, the Three Sounds were one of the most prolific artists on Blue Note, recording over ten albums worth of material during those four years. During all that time, the group never changed their style much, concentrating on lightly swinging, lightly soulful mainstream jazz that balanced jazz and pop standards with bluesy originals. As time progressed, they veered closer to soul-jazz, but each of their records sounded quite similiar and were equally satisfying. Black Orchid, their last album for Blue Note in the early '60s (they would rejoin the label in another four years), was no exception to the rule.
Reuben Wilson - Blue Mode (1969) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Reuben Wilson - Blue Mode (1969) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 271 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 600 dpi (png) -> 303 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81092
Jazz / Jazz Funk / Soul Jazz / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Heavy funk from the mighty Reuben Wilson – one of his first few albums for Blue Note, and a solid soulful groover that's right up there with Lou Donaldson's work for the label at the time! Tracks are nice and long, and pretty open – often with that kicking drum sound at the bottom that you'd normally associate with Idris Muhammad, but which is handled here by Tommy Derrick on drums. Melvin Sparks plays some mighty mean guitar – in that great lean early style of his – and the group's completed by John Manning on tenor, a player we don't know at all – but whose lines here are a great counterpart to Wilson's heavy Hammond! Titles include "Orange Peel", "Blue Mode", "Bambu", "Knock On Wood", "Twenty Five Miles", and "Bus Ride".
Art Blakey - Drums Around The Corner (1959) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Art Blakey - Drums Around The Corner (1959) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 495 Mb | MP3 @320 -> 173 Mb
Full Artwork @ 600 dpi (png) -> 290 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5028
Jazz / Hard Bop

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Pounding! This is the long-awaited re-release of a lost session that Blakey recorded in 1958, with a triple-drum rhythm group that included himself, Philly Joe Jones, and Roy Haynes – plus some additional conga work by Ray Barretto. Unlike other Blakey "drum orgy" sessions, though, this one's got a much straighter jazz feel – with plenty of solo space for trumpeter Lee Morgan and pianist Bobby Timmons.
Reuben Wilson - On Broadway (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Reuben Wilson - On Broadway (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 231 Mb | MP3 @320 -> 95 Mb
Full Artwork @ 600 dpi (png) -> 317 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81061
Jazz / Soul Jazz / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Hammond hero Reuben Wilson's on Broadway – and he hits a massively soulful groove that's light years from the cliched sounds of the great white way! The set's one of the tightest cookers from Wilson's early years on Blue Note – and has a vibe that's a bit different than the rest, thanks to some compelling rhythmic elements that push things past a Lou Donaldson groove, and more into that chunky approach to organ jazz that Wilson would explore later on the Groove Merchant label.
Andrew Hill - Compulsion (1965) {2015 Japan SHM-CD Blue Note 24-192 Remaster}

Andrew Hill - Compulsion (1965) {2015 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 254 Mb | MP3 @320 -> 98 Mb
Full Artwork @ 600 dpi (png) -> 182 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5118
Jazz / Post Bop / Avant-Garde Jazz / Piano

Features SHM-CD format and the latest 24bit 192kHz remastering. One of the most dynamic albums that Andrew Hill ever cut for Blue Note – a record of long tracks, played by a largeish group who seem perfectly suited to Hill's most creative musical ideas! There's an approach here that almost predates some of the more righteous soul jazz ensemble sides of the 70s – as Hill's piano leads a octet that features Freddie Hubbard on trumpet, John Gilmore on tenor and bass clarinet, Cecil McBee and Richard Davis on basses, Joe Chambers on drums, and Nedi Quamar and Renaud Simmons on percussion. The percussionists roll out with quite a bit of presence in the set – not so much as on some of the Art Blakey percussion sides for Blue Note, but more with a pronounced sense of "bottom" that you might not always hear from Hill – an earthy, sometimes organic way of riffing that then allows freer solo work from the horns and piano on the top!
Elvin Jones - The Ultimate (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Elvin Jones - The Ultimate (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 221 Mb | MP3 @320 -> 88 Mb
Full Artwork @ 600 dpi (png) -> 240 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81086
Jazz / Hard Bop / Post Bop / Drums

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. An incredible trio album – not just for the powerful drums of the great Elvin Jones, but also for amazing work on reeds by a young Joe Farrell! Farrell's in his pre-CTI years here, and really lets loose in the space of the album's open setting – a trio that just features Jones on drums and Jimmy Garrison on bass – soaring to the skies on these freewheeling solos on tenor, soprano sax, and even a bit of flute – all played with the kind of creative fire that we always find in Joe's best records! The album's a great illustration of the fresh directions that Elvin Jones was taking after the passing of John Coltrane – and the whole thing sparks with fire and brilliance – on bold tracks that include "In The Truth", "What Is This", "Sometimes Joe", and "Ascendant".
''Big'' John Patton - Oh Baby! (1965) {2015 Japan SHM-CD Blue Note 24-192 Remaster}

''Big'' John Patton - Oh Baby! (1965) {2015 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 280 Mb | MP3 @320 -> 97 Mb
Full Artwork @ 600 dpi (png) -> 187 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5113
Jazz / Soul Jazz / Hard Bop / Jazz Funk / Organ Hammond B-3

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Oh Baby is right – as the album's one of the best John Patton albums for Blue Note – a perfect mix of funky organ and burning hardbop! The tracks hare are all originals penned for the album – mostly by Patton, but also by other group members – the kind of fresh grooves that made John's organ work for Blue Note really stand out from the rest of the 60s Hammond generation – very creative stuff, with occasional modern touches, and a rhythmic conception that's not only unusual, but which also really lets the soloists stretch out on their grooves! Players include Harold Vick on tenor, Blue Mitchell on trumpet, Ben Dixon on drums, and Grant Green on guitar – and the album's about as sharp as you can get for a Blue Note organ session. Titles include "Fat Judy", "Each Time", "One To Twelve", and "Night Flight".
Blue Mitchell - Heads Up! (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster}

Blue Mitchell - Heads Up! (1967) {2014 Japan SHM-CD Blue Note 24-192 Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 303 Mb | MP3 @320 -> 117 Mb
Full Artwork @ 600 dpi (png) -> 238 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81078
Jazz / Hard Bop / Trumpet

Reissue. Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. One of the first albums to feature the trumpet of Blue Mitchell in a larger group – a really great move that let his soulful horn really come to the lead! Blue sounds wonderful here – soaring out in front of larger charts from Duke Pearson, Jimmy Heath, Don Pickett, and Melba Liston – all talents who start to bring in a bit of funk to Mitchell's music – which Blue responds to with a mighty nice kick! The group also features Pepper Adams on baritone, Jerry Dodgion on alto, Julian Preister on trombone, and Junior Cook on tenor – and titles include "Heads Up Feet Down", "Togetherness", "Good Humor Man", "Len Sirrah", and "People in Nassau".