Japan Shm CD Blue Note 24 Bit Remaster

Lee Morgan - Lee Morgan (Last Album) (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81075}

Lee Morgan - Lee Morgan (Last Album) (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81075}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 415 Mb | MP3 @320 -> 157 Mb
Full Artwork @ 600 dpi (png) -> 261 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81075
Jazz / Post Bop / Modal Music / Trumpet

Lee Morgan's final studio recording before he was murdered was initially released as a two-fer LP, and the original recordings without alternate takes are included here on one CD. This was a fertile creative time for Morgan, as rivals Freddie Hubbard and Woody Shaw were embracing the electrified sounds of the times and Morgan followed suit. Harold Mabern is on the Fender Rhodes piano, tenor saxophonist Billy Harper proves a formidable front-line mate, and the vibrant Bobbi Humphrey is heard on flute before she commercialized her sound.
The Three Sounds - Black Orchid (1962) {2015 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5104}

The Three Sounds - Black Orchid (1962) {2015 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5104}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 456 Mb | MP3 @320 -> 164 Mb
Full Artwork @ 600 dpi (png) -> 248 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1962, 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5104
Jazz / Post Bebop / Soul Jazz / Hard Bop / Piano Trio

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Between 1958 and 1962, the Three Sounds were one of the most prolific artists on Blue Note, recording over ten albums worth of material during those four years. During all that time, the group never changed their style much, concentrating on lightly swinging, lightly soulful mainstream jazz that balanced jazz and pop standards with bluesy originals. As time progressed, they veered closer to soul-jazz, but each of their records sounded quite similiar and were equally satisfying. Black Orchid, their last album for Blue Note in the early '60s (they would rejoin the label in another four years), was no exception to the rule.
The Three Sounds - Hey There (1961) {2015 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5096}

The Three Sounds - Hey There (1961) {2015 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5096}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 501 Mb | MP3 @320 -> 183 Mb
Full Artwork @ 600 dpi (png) -> 252 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1961, 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5096
Jazz / Post Bebop / Soul Jazz / Hard Bop / Piano Trio

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Wonderful work from the Three Sounds – a tight little combo who weren't out to break any rules in jazz, but who made some excellent albums for Blue Note in the early 60s! The groove here is hard-edge soul jazz piano at its best – similar to early Les McCann work of the same vintage, with a strong sense of rhythm on the left hand, and some wonderfully complicated lines on the right – an early example of the genius of Gene Harris.
The Three Sounds - Here We Come (1960) {2015 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5091}

The Three Sounds - Here We Come (1960) {2015 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5091}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 297 Mb | MP3 @320 -> 112 Mb
Full Artwork @ 600 dpi (png) -> 234 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1960, 2015 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5091
Jazz / Post Bebop / Soul Jazz / Hard Bop / Piano Trio

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. The Three Sounds pull away from the curb in a sweet sports car – a great cover image that really sets the tone for the entire record! The album's the epitome of early 60s class and cool that the group had to offer – as they effortlessly mix soulful groovers with mellower, more introspective pieces – all delivered by the godlike hands of Gene Harris on acoustic piano – already a giant in jazz, even at the start of his long career. The rhythm is great, too – sublime bass from Andy Simpkins, whose round, warm tone we always love – and just the right sort of work on drums from Bill Dowdy, who always keeps things on track. Titles include "Now's The Time", "Summertime", "Poinciana", "Here We Come", and "Sonnymoon For Two". Great cover too – with one of the all-time best "car jazz" images!
Larry Young - Of Love And Peace (1966) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81054}

Larry Young - Of Love And Peace (1966) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81054}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 287 Mb | MP3 @320 -> 98 Mb
Full Artwork @ 600 dpi (png) -> 253 Mb | 5% repair rar | 24-bit 192 kHz remaster
© 1966, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81054
Jazz / Post Bop / Soul Jazz / Avant-Garde Jazz / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. The most free-thinking Larry Young album of the 60s – and that's saying a lot, considering the rest of his work! The session's quite an unusual one – with two drummers in the group, grounding a sextet that features Larry on organ, James Spaulding on alto and flute, Herbert Morgan on tenor sax, and the great Eddie Gale on trumpet! The tracks are all quite long, open, and flowing – richly organic, and kind of an extension of the groove first laid down by Young on Unity – pushed into more spiritual, late-Coltrane territory. The sound is amazing – incredibly majestic, and on a par with the most far-reaching jazz on Impulse Records of the late 60s – a real standout for Blue Note, and for Young, who wouldn't record this way again until the 70s! Titles include "Falaq", "Seven Steps To Heaven", "Of Love & Peace", and "Pavanne".
Stanley Turrentine - Hustlin' (1964) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5045}

Stanley Turrentine - Hustlin' (1964) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5045}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 317 Mb | MP3 @320 -> 115 Mb
Full Artwork @ 600 dpi (png) -> 299 Mb | 5% repair rar | 24bit 192kHz remaster
© 1964, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5045
Jazz / Hard Bop / Soul Jazz / Saxophone / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. One of Stanley Turrentine's few organ-based sessions for Blue Note – recorded in the company of his lovely wife Shirley Scott, who was really a cooker on the Hammond! The album's got a much stronger sound than most of Shirley's own from the time – played by a solid group that includes Kenny Burrell on guitar, Bob Cranshaw on bass, and Otis Finch on drums. Tracks include "Trouble No 2", "Goin Home", "Ladyfingers" and "The Hustler".
Hank Mobley - Workout (1961) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5038}

Hank Mobley - Workout (1961) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5038}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 378 Mb | MP3 @320 -> 120 Mb
Full Artwork @ 600 dpi (png) -> 306 Mb | 5% repair rar | 24bit 192kHz remaster
© 1961, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5038
Jazz / Hard Bop / Saxophone

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. One of the greatest albums ever from Blue Note tenor giant Hank Mobley – a set that really explodes in all the new directions Hank was taking in the 60s! Mobley in the 50s was already the stuff of legend – a tremendous soloist on tenor, and every bit his own man – firmly focused forward with a voice that was already tremendous – but which was turned towards a lot of new ideas with records like this!
John Patton - Boogaloo (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5025}

John Patton - Boogaloo (1968) {2014 Japan SHM-CD Blue Note 24-192 Remaster UCCQ-5025}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 269 Mb | MP3 @320 -> 99 Mb
Full Artwork @ 600 dpi (png) -> 293 Mb | 5% repair rar | 24bit 192kHz remaster
© 1968, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | UCCQ-5025
Jazz / Soul Jazz / Jazz Funk / Hard Bop / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. Rare work by Hammond organ giant Big John Patton – recorded in 1968, but never issued until 1995, and even then, only briefly! The record features Patton at his finest – stretching out from his basic soul jazz roots, into a more searching use of the organ that's undoubtedly influenced by Larry Young's work at the same time. The record features great work by Harold Alexander on flute and tenor, plus trumpet by Vincent McEwan, drums by George Brown, and added conga by Richard Landrum. The groove is somewhere between 60s soul jazz and modal – and the tracks are long, with that heavy Patton swing! Title sinclude "B&J", "Boogaloo Boogie", "Milk & Honey", "Shoutin But No Poutin", and "Spirit".
Bobbi Humphrey - Dig This! (1972) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81100}

Bobbi Humphrey - Dig This! (1972) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81100}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 262 Mb | MP3 @320 -> 93 Mb
Full Artwork @ 600 dpi (png) -> 312 Mb | 5% repair rar | 24bit 192kHz remaster
© 1972, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81100
Jazz / Soul Jazz / Jazz Funk / Crossover Jazz / Flute

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. A stone killer from funky flute player Bobbi Humphrey – one of her early albums for Blue Note Records, and a set that's a perfect summation of the best sides of her talents! The album's got a slightly different feel than Bobbi's work with Larry Mizell – yet still sports a similar approach that blends her amazingly spiritual flute lines with rich larger backings – in this case arranged by Horace Ott, Alphonse Mouzon, and Wade Marcus, in a sublime blend of electric jazz and soaring strings – all with a feel that's almost like some lost blacksploitation soundtrack!
Jimmy McGriff - Black Pearl (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81098}

Jimmy McGriff - Black Pearl (1971) {2014 Japan SHM-CD Blue Note 24-192 Remaster TYCJ-81098}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 260 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 600 dpi (png) -> 309 Mb | 5% repair rar | 24bit 192kHz remaster
© 1971, 2014 Universal Japan / Blue Note | BN 75th The Masterworks | TYCJ-81098
Jazz / Soul Jazz / Jazz Funk / Hard Bop / Organ

Features the high-fidelity SHM-CD format (compatible with standard CD player) and the latest 24bit 192kHz remastering. One of the most hard-hitting Jimmy McGriff albums of the 70s – a raw live date recorded in Newark – and a set that's a perfect bridge between the sharp soul of his Sue Records sessions and his later funk to come! The whole thing's got a gritty vibe the really recalls the sound of a Hammond combo in a small club back in the day – a sense of recording that's different than the usual Blue Note record, and we mean that in a good way! Future Groove Merchants Fats Theus and O'Donel Levy are both on the record – the former on tenor, the latter on guitar – and Jimmy gets plenty of room to really open up and soar on the Hammond. The group also features the lesser-known Ronald White on trumpet and Joseph Morris on alto – and titles include "In A Mellow Tone", "Groove Alley" and "Man From Bad" – and a nice cover of "Ode to Billie Joe"!