Although Chet Baker's recordings from late in his life varied dramatically in quality, this series of studio sessions is a high point in his career. After having his trumpet stolen, he plays beautifully with a borrowed flügelhorn throughout most of these songs with a powerful tone, especially on "Baby Breeze" and Hal Galper's intense "This Is the Thing." Baker delivers some strong vocals on the session led by pianist Bobby Scott, though Scott's huge hit "A Taste of Honey" is marred somewhat by his odd honky tonk piano in the background.
Sonny Stitt goes Latin – and the results are tremendous! The set's still got all the soulful feel of the best Stitt sessions for Roost, but it brings in some nice Latin rhythms too – inflecting things with that blend of soul jazz and congas you might find over at Prestige or Blue Note, yet also taking things further, too – given the Roost/Roulette connection to the New York Latin scene! Sonny plays both alto and tenor, and gets jazzy accompaniment from Thad Jones on trumpet – but the rhythm section is the real charmer here – and features a young Chick Corea on piano, Larry Gales on bass, and the trio of Willie Bobo, Patato Valdes, and Chihuaua Martinez on percussion! Most tunes are originals – a great change from the usual Latinized standards you might find on a set like this – and Stitt's got this nicely exotic tone in his reeds which is a further highlight of the record – almost a Yusef Lateef inflection at points.
Within a refined setting of easy listening pop ballads and lightly funky up-tempo selections produced by Al McKay, Henderson proves himself an assured vocalist with mastery of clarity and phrasing. The problem here is the material isn't challenging enough – it's often formulaic and derivative of other early-'80s releases. Even a contribution from Stevie Wonder, "Crush on You," wanders into oblivion. But the singer's debonair tone and elegant, polished diction makes the weaker sound stronger. A perfect example is the mid-tempo "I'd Rather Be Gone," which suffers from a sleepy melody and clichéd rhythm arrangement.
‘Ichigo Ichie’: “Treasure every encounter for it will never recur.” Two hours of live Camel from the tour no one thought would ever happen! ‘Ichigo Ichie’ was recorded in Tokyo at the Ex-Theatre in Roppongi during May 2016, the line-up of this event was: Andrew Latimer (guitars / vocals / flute / recorder), Colin Bass (bass / vocals), Denis Clement (drums / recorder) and new member Peter Jones from Tiger Moth Tales (keyboards / vocals / penny whistle). Released on 25th January 2017.