R&B singer Lorraine Ellison had exactly three entries in the R&B charts, but she was far more prolific than that would indicate. In addition to two 1965 Mercury singles, she recorded 48 sides and three albums for Warner Bros. Records between 1966 and 1973. With an incredible vocal power, range, and intensity that was perhaps too heavy for the record-buying masses, Ellison never made it big, except of course in the hearts of committed soul fans-and the occasional rock and pop buyer.
is the eighth studio album by , released in 1981 on the label. was their fourth record with producer and yielded the #2 pop hit . The fourth single release, , reached #13 in the spring of 1982, making the first album to yield two Top Twenty hits. was certified Gold in September 1981.
On Blue Day, veteran soul and gospel singer Howard Tate lays down a set so utterly crackling with energy, vitality, and sheer grit one could be forgiven for forgetting that, at the turn of this century, he hadn't recorded in nearly 30 years and had been virtually forgotten and left for dead – a victim of his own excesses. Tate was quite literally rediscovered by his former producer Jerry Ragovoy and brought back into the recording studio to work his vocal magic on tracks written for him by a stellar cast of songwriters in 2003. In 2006, he recorded A Portrait of Howard backed by the Carla Bley Band as well as a host of guests including Lou Reed, Leonard Cohen band vocalist Perla Batalla, and cellist Jane Scarpantoni. But Blue Day leaves that record in the dust, quite literally. At the age of 70, Tate is in absolutely top form as a singer and song interpreter…..
Original Album Series album by Bonnie Raitt was released Aug 23, 2011 on the Warner Bros. label. UK-only five CD set containing a quintet of albums from the American singer/songwriter. Original Album Series songs Each album comes in a mini-LP sleeve with all housed in attractive slipcase. Original Album Series album Includes the albums Streetlights, Home Plate, Sweet Forgiveness, The Glow and Green Light…
Whenever he was asked to name his own personal favorite within his long and distinguished oeuvre, Jerry Goldsmith inevitably cited his work on 1977's obscure Ernest Hemingway adaptation Islands in the Stream. A lush, often melancholy score evoking both the serenity and the treachery of the sea, it is undoubtedly Goldsmith's most intimate effort, eschewing the larger-than-life drama and suspense of his best-known soundtracks. Islands in the Stream is above all a showcase for the composer's consummate ability to vividly communicate both the physical and emotional landscape in such simple yet precise strokes – employing little but a lone French horn, Goldsmith's main theme captures the immense loneliness and solitude of George C. Scott's protagonist, while gentle woodwinds suggest the ocean waves lapping the shore of his island home.