This CD features great postwar Blues guitar work from Rockin' Johnny, a young man who has spent most of his 20's slinging his Rickenbacker in juke joints around Chicago. This is 180 degrees away from the Stevie Ray Vaughn rocked-out pseudo-Blues. There is no Jimi Hendrix influence here. Johnny's guitar is clean, thoughtful, & melodic. He really makes that Rickenbacker talk. The three guest vocalists (Robert Plunkett, Tail Dragger & Sam Lay) are all west-side veterans who add a lot of flavor to this fantastic disc……
"Yes It's You Lady" is a 1982 album by American singer Smokey Robinson. As 1981's Being with You it was produced by George Tobin in association with Mike Piccirillo and recorded and mixed at Studio Sound Recorders, North Hollywood, California. It was released on the Motown sub-label Tamla. The album was peaking at #33 in Billboard pop charts, and at #6 on the R&B charts. The two follow-up singles to 1981's chart success' "Being with you" were strangely no Robinson compositions: "Tell Me Tomorrow" peaked at #33 Billboard and #3 R&B charts, "Old Fashioned Love" at #60 Billboard and #17 R&B charts. The third and final single, Robinson's "Yes It's You Lady" only peaked at #107 Billboard, without entering the R&B charts.
Produced by Hooker's slide guitarist Roy Rogers–who knows what's right for him–this is Hooker's best 1990s effort. Rogers guides him through arrangements that recapture his past glories ("Boom Boom," with guest Jimmie Vaughan), sets him up for a giddy jam with the late Telecaster master Albert Collins ("Boogie at Russian Hill"), and teams him with Charlie Musselwhite for the guitar-voice-harmonica duet "Thought I Heard"–a performance as sad and eerie as disembodied moans in a Delta graveyard. There's also Hooker's first recorded performance on National steel guitar, the solo "Hittin' the Bottle Again". This album gets right to the heart of Hooker's music and stays there. A blues-lover's delight.
What is one of the most challenging aspects of creating original art? It doesn’t matter if you work with oils, acrylics, watercolor or pastels. Every artist in every medium has at one point struggled with color.