Jimmy Giuffre may not have gotten his due with American audiences outside very specific kinds of jazz circles, but he was loved and respected by other musicians and the audiences of Europe and Asia. His reputation among those groups of listeners and players is well deserved for the radical, if quiet and unassuming path he walked throughout his seven-decade career. These sides, recorded between 1956 and 1959 with guitarist Jim Hall, his most symbiotic collaborator and foil, are at the heart of his reputation as a pioneer – even more so than his killer early-'60s sides (à la Free Fall) with Paul Bley and Steve Swallow.
I have a collection of 135 titles (142 CDs) issued by Goldmine/Soul Supply record company. This is not a box set but rather it is a collection of albums that are similar in that they all are rare soul compilations by the same company. There are some tracks that are on more than one album but considering the scope and magnitude of this collection, the number of duplicated tracks is small. Some CDs have good artwork, some have none, most have some artwork of varying quality. All are 320 CBR MP3 and are fully tagged. Original post now has added CDs.
2011 album from the Jazz guitarist, a release that its creator cites as his most realized project to date. Friends finds Jordan in challenging company: fellow strummers Charlie Hunter, Russell Malone, Bucky Pizzarelli and Mike Stern; saxmen (and label mate) Kenny Garrett and Ronnie Laws; N'awlins trumpeter Nicholas Payton and the renowned violinist Regina Carter. Another label mate, Christian McBride, guests on bass when not handled by Stanley's long-time trio bassist Charnett Moffett. Kenwood Dennard of his trio holds down the drum chair. Truly, a collection of Friends whose benefit push Stanley into a heightened musical reality.