In the 1960s, San Francisco’s KQED produced an innovative thirty-minute jazz program hosted by local music critic, Ralph J. Gleason. The "Jazz Casual" shows featured a variety of well-known musicians. Koch Jazz has reprised these recordings using two thirty-minute sets, including interviews by Mr. Gleason. This "Jazz Casual" edition initially focuses on a 1962 session featuring blues vocalist Jimmy Witherspoon. The first song, "Times Getting Tough," is a strong whiff of urban pathos that say "Money’s getting’ cheaper, prices are getting’ steeper and times gettin’ tougher than tough, things getting’ rougher than rough."
Jimmy Burns, Born in 1943 near the Delta town of Dublin, Mississippi, embodies that increasingly rare combination of blues roots deep enough to tap into 'the real thing', while still possessing the youth and vitality to present his music with plenty of life and real excitement. He honed his vocal skills singing with vocal groups in the '50s, and over the years has perfected an appealingly melodic, vocal-inflected contemorary guitar style to complement the down-home picking he'd learned in his youth. In the studio Jimmy and his regular band played off one another with a musical empathy that comes only from countless nights of proving themselves on the bandstand. With Leaving Here Walking, Jimmy pays tribute to his earliest musicla inspirations, revisits the era of classic R&B, and presents well-crafted originals covering all the facets of his long and varied life in music.
Singer, songwriter, and guitar virtuoso Jimmy Thackery has carved an enviable niche for himself in the world of electric blues. Known for his gritty, blue-collar approach and marathon live shows, Thackery was for many years part of the Nighthawks, one of the hardest-working blues bar bands in North America. Included here are tracks from 1992 through 2000 and special guests Duke Robillard, Lonnie Brooks, and Reba Russell.
Features 24 bit remastering and comes with a mini-description. One of the most sublime Jimmy Giuffre albums of all time – and a perfect realization of his piano-less/bass-less trio style! The approach here is really revolutionary, especially for the time – as the group simply features Bob Brookmeyer on trombone, Jim Hall on guitar, and Giuffre on reeds – working with no other rhythm at all, and coming up with this incredible approach to music that's as breathtaking as it is groundbreaking! Notes hang in mid-air, slowly sliding around one another, flying freely from the players, yet still managing to swing in a beautiful way. The titles are a mix of standards and originals – but all tracks sound completely unique, with a sound unlike anything else we can describe.
Joe Williams' debut as the featured vocalist in Count Basie's band was one of those landmark moments that even savvy observers don't fully appreciate when it occurs, then realize years later how momentous an event they witnessed. Williams brought a different presence to the great Basie orchestra than the one Jimmy Rushing provided; he couldn't shout like Rushing, but he was more effective on romantic and sentimental material, while he was almost as spectacular on surging blues, up-tempo wailers, and stomping standards. Basie's band maintained an incredible groove behind Williams, who moved from authoritative statements on "Every Day I Have the Blues" and "Please Send Me Someone to Love" to brisk workouts on "Roll 'Em Pete" and his definitive hit, "All Right, OK, You Win".
This limited-edition three-CD set will be hard to acquire but it is a gem. Tenor saxophonist Stan Getz and guitarist Jimmy Raney had very complementary cool-toned but hard-swinging styles. Their gig at Storyville in Boston resulted in some classic music that, along with five studio sessions, is included in this box. The supporting cast includes pianists Al Haig, Horace Silver, Duke Jordan, and Hall Overton; the music was originally recorded for Roost, Clef, Norgran, and Prestige. This essential set is filled with exciting performances from Stan Getz when he was first becoming a highly influential force in jazz.