Features 24 bit remastering and comes with a mini-description. A beautiful fusion of Joe Zawinul's roots in the groups of Miles Davis and Cannonball Adderley – a set with some of the far-reaching jazz ideas of the former, and much of the soulful subtleties of the latter! The album features Joe on electric piano throughout, playing alongside Herbie Hancock in a twin-piano style that's quite spacious, and filled with slow-building, long-flowing lines! Other players include Woody Shaw on trumpet, Earl Turbington on soprano sax, George Davis on flute, Miroslav Vitous and Walter Booker on drums, and Joe Chambers, Billy Hart, and David Lee on a range of percussion.
Mode for Joe is the fifth studio album by American jazz saxophonist Joe Henderson, recorded and released in 1966. It would be the last Blue Note studio album to feature Henderson as a leader. Mode for Joe has been reissued on CD several times over; the 2004 Blue Note reissue remastered by Rudy Van Gelder is recommended, although the difference in sound is minimal and the bonus version of "Black" has been placed at the bottom track list instead of as an alternate in the middle.
' As the Chambers Brothers' albums could be erratic and/or excessive, this 16-track best-of, covering their 1966-70 prime, is a most welcome distillation of their career highlights. Focusing mostly on their late-'60s singles (some of them non-LP), it also includes a live rendition of "Wade in the Water" and a rejected, even more psychedelicized, 1966 version of their signature tune, "Time Has Come Today." By concentrating on the band's most economic and soulful outings, this disc is the most effective compilation of their gospel-soul-psychedelia. ' Richie Unterberger at AMG
"Zawinul", released just prior to the first Weather Report LP, gives us a chance to observe this music as originally envisioned by its composer, while still remaining firmly in the early psychedelic fusion sound that characterized both the Miles release and the first Weather Report release.
Paul Chambers finally receives the Mosaic Select treatment and there's a surprise tossed in with his catalog for fans and connoisseurs: his material recorded for the Transition label. Also included on the Paul Chambers set are the albums Chambers' Music and Whims of Chambers from 1956 and Bass on Top and The Paul Chambers Quintet from 1957. Musicians on these dates ran the gamut from Elvin Jones to Donald Byrd, Clifford Jordan, Horace Silver, Kenny Burrell, Hank Jones, and Art Taylor – an overwhelming number of fellow Detroiters. There are some other odds and ends as well, but most importantly, the Transition material will be of prime interest to John Coltrane fans.