Looking at the cover, which shows Michael and none of his four brothers, one wouldn’t get the idea that this three-disc set is two-thirds Jackson 5 material. While Michael obviously features prominently in the Jackson 5 songs on The Motown Years, he gets one disc to himself. Altogether, this box collects all the essential J5 and Michael singles and more, including 'ABC', 'Never Can Say Goodbye', 'I Found That Girl', 'I Am Love', 'The Love You Save', 'Ben', 'Rockin’ Robin', and 'I Wanna Be Where You Are'. Released in the U.K., it retails for the price of a single disc and is a convenient way to scoop up a large quantity of high-quality ‘70s pop-soul.
Part of the Backlot series from A&M featuring newly-designed artwork, digital remastering, unreleased tracks and extensive liner notes. Tracks include “Is She Really Going Out with Him?,” “Look Sharp!,” “Sunday Papers,” “Steppin’ Out,” “Nineteen Forever” and more, plus live versions of “A Slow Song” and “Memphis.”
The Man With The Golden Voice, best known for fronting Ritchie Blackmore's Rainbow, presents this excellent collection of his studio work recording supercharged versions of rock classics! Features guest appearances by Michael Schenker (UFO), Steve Lukather (Toto), Steve Morse, Phil Collen (Def Leppard), Brad Gillis (Night Ranger), and more!
1982 will forever be known as the year that the punks got class – or at least when Joe Jackson and Elvis Costello, rivals for the title of Britain's reigning Angry Young Man – decided that they were not just rockers, but really songwriters in the Tin Pan Alley tradition. (Graham Parker, fellow angry Brit, sat this battle out, choosing to work with Aerosmith producer Jack Douglas instead.) Both had been genre-hopping prior to 1982, but Jackson's Night and Day and Costello's Imperial Bedroom announced to the world that both were "serious songwriters," standing far apart from the clamoring punkers and silly new wavers. In retrospect, the ambitions of these two 27-year-olds (both born in August 1954, just two weeks apart) seem a little grandiose, and if Imperial Bedroom didn't live up to its masterpiece marketing campaign (stalling at number 30 on the charts without generating a hit), it has garnered a stronger reputation than Night and Day, which was a much more popular album, climbing all the way to number four on the U.S. charts, thanks to the Top Ten single "Steppin' Out".
A brilliant, accomplished debut, Look Sharp! established Joe Jackson as part of that camp of angry, intelligent young new wavers (i.e., Elvis Costello, Graham Parker) who approached pop music with the sardonic attitude and tense, aggressive energy of punk. Not as indebted to pub rock as Parker and Costello, and much more lyrically straightforward than the latter, Jackson delivers a set of bristling, insanely catchy pop songs that seethe with energy and frustration.