Few "guitar shredders" of the late '80s were able to cross over into the upper reaches of the pop charts, but Joe Satriani proved to be an exception to the rule. And with over eight full-length studio albums in the shops by late 2003, Satch was ripe for a "best-of" collection – resulting in the release of the double-disc overview Electric Joe Satriani: An Anthology. If you're a newcomer and are looking for a finely balanced set of highlights from throughout Satriani's career, Electric Joe Satriani is definitely the way to go.
Along with teaching some of the top rock guitar players of the '80s and '90s, Joe Satriani is one of the most technically accomplished and widely respected guitarists to emerge in recent times. Born on July 15, 1956, in Westbury, New York, and raised in the nearby town of Carle Place, Satriani inspired by guitar legend Jimi Hendrix picked up the guitar at the age of 14 (although he was initially more interested in the drums). Quickly learning the instrument, Satriani began teaching guitar to others and found a kindred spirit in one of his students, Steve Vai. By the late '70s, however, Satriani had relocated to Berkeley, California.
G3: Live In Concert matches six-time Grammy Award nominee Joe Satriani with three-time Grammy nominee Steve Vai, and Grammy winner Eric Johnson. The group's 1996 North American tour, and features three tracks apiece by each of the guitarists as well as three no-holds-barred jams featuring all three axe-men. G3: Live In Concert is sure to please all lovers of guitar wizardry. This high-energy CD showcases the eclectic compositional skills of the three men, with tracks featuring everything from pumped-up fusion grooves to funk-infused rhythms and jazz-flavored numbers. Each tune, though, is really a vehicle for the soaring guitar pyrotechnics for which Vai, Satriani and Johnson are famous.
The second album by Petra Magoni (vocal) and Ferruccio Spinetti (bass) is another piece of an original project, unique in many respects in Italian music. The voice sharp, ironic, bad, sweet Magoni moves back to the great songs of pop music: Come Together, Never Can Say Goodbye, but also original compositions like the beautiful Io Sono Metà or Le Due Corde Vocali in which joins, for the first time, the voice of Ferruccio Spinetti. Two voices to tell a story, a dialogue that sums up well what do you look for in Musica Nuda 2: the sharp reduction to the bare essentials across with ironic depth.
They say good things come in small packages. By seamlessly joining an audience recording of In The Court to Michael Giles’ own cassette of the gig at the first night of the Fillmore East (which had been missing the bulk of that song), DGM have faithfully recreated a small slice of KC history - now audible for the first time since the gig some 37 years ago although the majority of this show will be familiar to anyone who has the KCCC25. A tired Ian McDonald records in his 1969 dairy that the band had spent the previous day rehearsing Pictures Of A City ('A Man A City') and ran through it on the afternoon of the 21st just to nail down the arrangements.