Johann Johannsson

Johann Johannsson - Arrival (Original Motion Picture Soundtrack) (2016)

Johann Johannsson - Arrival (Original Motion Picture Soundtrack) (2016)
Soundtrack | MP3 CBR 320 kbps | 00:56:11 | 131 MB
Label: Deutsche Grammophon

Deutsche Grammophon is excited to announce the November release of Arrival (Original Motion Picture Soundtrack) with music composed and produced by Johann Johannsson.

Johann Johannsson - Orphee (2016)  Music

Posted by SERTiL at Sept. 15, 2016
Johann Johannsson - Orphee (2016)

Johann Johannsson - Orphee
Contemporary Classical | MP3 CBR 320 kbps | 46:27 min | 114 MB + 5% Recovery
Label: Deutsche Grammophon | Tracks: 15 | Rls.date: 2016

Prolific and critically acclaimed composer Jóhann Jóhannsson releases his DG debut album.
ORPHÉE is his highly anticipated new studio album the first in 6 years!

Johann Johannsson - The Miners' Hymns (2011)  Music

Posted by mark70 at May 22, 2011
Johann Johannsson - The Miners' Hymns (2011)

Johann Johannsson - The Miners' Hymns
MP3 320 kbps CBR | 51:17 min | 117 MB
Soundtrack, Ambient, Classical | FatCat Records 22 May 2011

Jóhann Jóhannson's FatCat debut is the haunting product of a collaboration between the Icelandic composer and acclaimed American avant-garde filmmaker Bill Morrison (Decasia). The Miners' Hymns is the score for Morrison's film of the same name, a collection of richly evocative imagery treating the plight of coalminers in Northeast England. The Miners' Hymns is performed by a 16-piece brass ensemble led by noted Icelandic conductor Gudni Franzson and features the Durham Cathedral organ and organist Robert Houssart.

Röyksopp - LateNightTales (2013) [Japanese Edition]  Music

Posted by v3122 at Oct. 10, 2016
Röyksopp - LateNightTales (2013) [Japanese Edition]

Röyksopp - LateNightTales (2013)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
LateNightTales, ALNCD3 | ~ 436 or 134 Mb | Scans(png) -> 361 Mb
Downtempo, Electronic, Indie Dance, Nu Disco, Synthpop

The LateNightTales series is an easy gateway for those interested in finding where an artist's influences lie – with volumes that are curated by Jamiroquai, MGMT, Belle & Sebastian, and Lindstrøm, among many others – and Röyksopp's contribution showcases the Norwegian duo's love of analog synthesizer tones…

Olivier Alary - Fiction / Non-Fiction (2017)  Music

Posted by delpotro at May 8, 2017
Olivier Alary - Fiction / Non-Fiction (2017)

Olivier Alary - Fiction / Non-Fiction (2017)
EAC Rip | FLAC (tracks+log+.cue) | 00:53:47 | 222 Mb
Modern Classical, Ambient, Jazz | Label: Fat Cat Records

Montreal-based Frenchman Olivier Alary is a highly talented composer, who has previously collaborated with Bjork and released albums on FatCat and Aphex Twin's Rephlex label under the name Ensemble, Over the past five or six years Olivier has moved away from that song-based project to focus on composing material for a stream of films and artistic collaborations. In 2007, Olivier's director friend Yung Chang asked him to score his feature-length debut, 'Up the Yangtze' which premiered at Sundance. The film was critically acclaimed and became a reference in the field, opening up a natural transition into film music for Olivier. Since then he has soundtracked more than twenty feature-length fiction films and documentaries, several of which have received prestigious awards and screenings worldwide (Cannes, Berlinale, Sundance, TIFF, Locarno). As the album title alludes, 'Fiction / Non-Fiction' is a compilation of this film music, dating from from the past five years, none of which has been previously released.

Marc Almond - Trials Of Eyeliner (10CD Box Set) (2016)  Music

Posted by Pisulik at Jan. 16, 2017
Marc Almond - Trials Of Eyeliner (10CD Box Set) (2016)

Marc Almond - Trials Of Eyeliner (10CD Box Set) (2016)
EAC Rip | FLAC (Tracks) +cue, log, artworks - 5.26 GB | 12:59:51
New Wave, Pop, Adult Alternative Pop | Label: Island Records | Release Year: 2016

Trials Of Eyeliner is the definitive overview of Marc Almond's career, and the fact that Almond himself has personally curated the collection, allied to the 189-strong track listing, suggests that this is no exaggeration. Neal X, Almond's longstanding writing partner/musical director (and former Sigue Sigue Sputnik guitarist), supervised mastering of the tracks recorded over five decades between 1979 and 2016. This anthology is divided into three themed sections.
Barbara Bonney, Bernarda Fink, Musica Antiqua Köln, Reinhard Goebel - Johann Adolf Hasse: Salve Regina (1997)

Barbara Bonney, Bernarda Fink, Musica Antiqua Köln, Reinhard Goebel - Johann Adolf Hasse: Salve Regina (1997)
EAC | APE (image+.cue, log) | Covers Included | 01:12:00 | 394 MB
Genre: Baroque, Vocal | Label: Archiv Produktion | Catalog: 0289 453 4352 5

“During this visit, these young ladies were so obliging as to sing me a Salve regina, lately set by their father, in duo. It is an exquisite composition, full of grace, taste and propriety.” What more could one ask of an antiphon than that which Charles Burney found in an impromptu performance by Hasse’s daughters during a visit to their father in Vienna in 1772? Hasse composed several settings of the Salve regina of which Reinhard Goebel has chosen two for his interesting programme of vocal and instrumental pieces by the composer.
Anton Batagov - Johann Sebastian Bach: Die Kunst der Fuge (1993) 2CDs

Anton Batagov - Johann Sebastian Bach: Die Kunst der Fuge (1993) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 462 Mb | Mp3 (CBR320) ~ 346 Mb | Scans included
Genre: Classical | Label: SoLid Records | # SLR 0001/2 | Time: 02:28:01

The Russian composer, pianist and electronic musician, Anton Batagov, graduated from the Gnessin School and the Moscow Tchaikovsky Conservatory. He was prize-winner at the International Tchaikovsky Competition (1986) and other competitions. Anton Batagov introduced the music by John Cage, Morton Feldman, Steve Reich, and Philip Glass to Russian audiences. His discographical debut was a recording of Olivier Messiaen's Vingt regards sur l'Enfant Jesus for Melodiya. From 1989 to 1996 he was one of the leaders and organizers of the Alternativa, the annual international new music festival in Moscow. Heralded as “one of the most significant and unusual figures of Russian contemporary music” (Newsweek, Russian edition, 1997) and "a Russian Terry Riley" (Mark Swed, Los Angeles Times, 2008), Anton Batagov is one of the most influential Russian composers and performers of our time. The well-known American musicologist Richard Kostelanetz characterized Batagov's 1993 piano recording of J.S. Bach’s The Art of the Fugue (BWV 1080) as "the most stunning interpretation of Bach since Glenn Gould".
V.A. - Johann Strauss II: The Complete Orchestral Edition (52CDs, 2011)

V.A. - Johann Strauss II: The Complete Orchestral Edition (52CDs, 2011)
Classical | MP3 CBR 320 kbps | 8,15 Gb
Label: Naxos

The most famous and enduringly successful composer of nineteenth-century light music, Johann Strauss II captivated not only Vienna but the whole of Europe and America with his abundantly tuneful waltzes, polkas, quadrilles and marches. This unique collection brings together for the first time ever his entire orchestral output. The Strauss Edition, originally fifty-two separate releases on the Marco Polo label, represented a milestone in recording history. It is celebrated by this beautiful box-set.
Iestyn Davies, Arcangelo, Jonathan Cohen - Johann Sebastian Bach: Cantatas Nos 54, 82 & 170 (2017)

Johann Sebastian Bach: Cantatas Nos 54, 82 & 170 (2017)
Iestyn Davies, countertenor; Arcangelo; Jonathan Cohen, conductor

EAC | FLAC | Image (Cue&Log) ~ 341 Mb | Mp3 (CBR320) ~ 154 Mb | Artwork included
Genre: Classical, Vocal | Label: Hyperion | # CDA68111 | Time: 01:04:51

Gramophone Magazine Editor's Choice - January 2017. Ich habe genug is a timeless, transcendental masterpiece: a profound expression of Christian faith at the very end of life. It demands artistry of a special order, and Iestyn Davies now joins the likes of Dietrich Fischer-Dieskau and Lorraine Hunt Lieberson in the work’s distinguished discography. The couplings are equally ravishing performances of two other great solo cantatas, while the two orchestral sinfonias which complete the album will prove refreshingly familiar.