Johann Sebastian Bach – Six Suites For Solo Violoncello

Murray Perahia - Johann Sebastian Bach: The French Suites (2016)  Music

Posted by tomashass at Oct. 9, 2016
Murray Perahia - Johann Sebastian Bach: The French Suites (2016)

Murray Perahia - Johann Sebastian Bach: The French Suites (2016)
MP3 320 kbps CBR | 01:06:47 | 154 MB
Genre: Classical, Piano | Label: Deutsche Grammophon

One of the piano's most lyrical contemporary proponents, Murray Perahia was born in New York City. After first sitting down at the piano at the age of four, he entered Mannes College at 17, later graduating with degrees in conducting and composition. At the same time, Perahia spent his summers in Marlboro, Vermont, collaborating with musicians including Rudolf Serkin, Pablo Casals and the members of the Budapest Quartet; he also studied with Mieczyslaw Horszowski. Upon winning the Leeds International Piano Competition in 1972, Perahia gave his first concert at the Aldeburgh Festival a year later, where he met and worked with Benjamin Britten and Peter Pears, subsequently accompanying the latter in many lieder recitals. Perahia became co-artistic director of the Aldeburgh Festival in 1981, a position he held for eight years; his recordings include the complete concertos of Mozart, Beethoven and Chopin.
Kristof Barati - Johann Sebastian Bach: Sonatas & Partitas for solo violin, BWV 1001-1006 (2009) 2 CDs, Reissue 2013

Kristóf Baráti - J.S. Bach: Sonatas & Partitas for solo violin, BWV 1001-1006 (2009)
EAC | FLAC | Image (Cue&Log) ~ 634 Mb (incl 5%) | Scans included | Time: 01:53:33
Genre: Classical | Label: Brilliant Classics | # 94667

The star of the young Hungarian violinist Kristóf Baráti is quickly rising. Having won several important international competitions (the most recent first prize at the prestigious Paganini Competition in Moscow) he plays with important orchestras and conductors, like Charles Dutoit, Kurt Masur, Iván Fischer, Yuri Temirkanov and Marek Janowski. His recent recording of Beethoven’s complete violin sonatas with Klára Würtz received rave reviews: “5 stars…a great duo, comparable with Perlman/Ashkenazy, Grumiaux/Haskil, Ferras/Barbizet’ (Diapason), “A talent that comes along once in a decade, perhaps once in a generation, I don’t say it lightly, but once you’ve heard Baráti and Würtz you’ll never listen to anyone else again” (Fanfare). This recording of the great solo Bach was issued on Berlin Classics in 2009, and shows the sovereign command over the matter, and a deep understanding of the spirit of these masterworks.
Johann Sebastian Bach - Sonatas & Partitas for Solo Violin - Jaap Schröder

Johann Sebastian Bach - Sonatas & Partitas for Solo Violin - Jaap Schröder
Baroque | flac - cue - log | EAC rip | Covers & booklet (HQ) | 2 CD | ≈ 740 MB | RS + Fsonic
NAXOS 8.557563-64 | DDD | RAR 5% Rec. | 2005

"The present recording was made in 1984 and 198S, using a Dutch baroque violin and a baroque bow. The location was the village church of Oltingen in the canton of Basel in Switzerland, a space that seemed particularly favourable to the sound and atmosphere of Bach's music."
Jaap Schroder
Johann Sebastian Bach - Goldberg-Variations (arr. for String Trio) - Swiss Chamber Soloists

Johann Sebastian Bach - Goldberg-Variations (arr. for String Trio)
Classical, Baroque | 1 CD | EAC | FLAC, CUE, LOG | Scans | 423 MB | TT: 78:56 | Rapidshare
Swiss Chamber Soloists | Recording: 30-31 Mar. 2007, Stadthaus Winterthur/Switzerland | Released: 2008 | Label: Neos 30801

Version for string trio by Dmitry Sitkovetsky taking into account the Urtext of the New Bach Edition, Bärenreiter 1977 - Played on original instruments by Jacobus Stainer.
David Watkin - Johann Sebastian Bach: Cello Suites, BWV 1007-1012 (2015)

David Watkin - Johann Sebastian Bach: Cello Suites, BWV 1007-1012 (2015)
EAC | FLAC | Image (Cue&Log) ~ 620 Mb (incl 5%) | Mp3 (CBR320) ~ 360 Mb (incl 5%) | Scans included
Genre: Classical, Baroque | Label: Resonus Classics | # RES10147 | Time: 02:24:58

GRAMOPHONE AWARD WINNER 2015 - BAROQUE INSTRUMENTAL RECORDING OF THE YEAR. This recording is the first time that the five-stringed Amati has been used to record the 6th suite and it is the only original five-string cello in existence in the UK and unique in being the only one by this maker. The Cello Suites are performed on two gut-string cellos Suite Nos. 1-5 on a Francesco Ruggieri from 1660 and Suite No. 6 the five-stringed Cremona cello by A. & H. Amati from c.1600, both tuned to Baroque pitch. Bachs cello suites are renowned as the pinnacle of the instruments repertoire and are performed here in period performances by the internationally acclaimed cellist, David Watkin. David Watkin has been performing Bachs Cello Suites in concert for 35 years, and Bachs unaccompanied cello repertoire has taken him all over Europe, from the Palace of Frederick the Great at Potsdam to the Prague Spring Festival, and, as part of Sir John Eliot Gardiner's Bach Cantata Pilgrimage, included performances sitting by the font in which Bach was baptised.
Markku Luolajan-Mikkola - Johann Sebastian Bach: Sonatas and Partitas, BWV 1001-1006 (2015)

Markku Luolajan-Mikkola - J.S. Bach: Sonatas and Partitas, BWV 1001-1006 (2015)
EAC | FLAC | Image (Cue&Log) ~ 738 Mb (incl 5%) | Scans included | Time: 02:38:00
Genre: Classical, Baroque | Label: Linn Records | # CKD 548

Markku Luolajan-Mikkola has a reputation for excellence and already has two Gramophone Awards. With a fan base to match, Luolajan-Mikkola is at the top of his game. In Luolajan-Mikkola’s Linn debut, he tackles the pinnacle of Bach’s productions for violinists: the Partitas and Sonatas. Luolajan-Mikkola transcribed these works for cello. His goal with this recording has been to encapsulate expression and emotion according to the character of each movement. A historically informed musician, he performs on baroque cello.
Ivo Pogorelich - Johann Sebastian Bach: English Suites 2 & 3; Domenico Scarlatti: 4 Sonatas (1996)

Ivo Pogorelich - J.S. Bach: Englische Suiten 2 & 3; D. Scarlatti: 4 Sonaten (1996)
EAC | FLAC | Image (Cue&Log) ~ 285 Mb (incl 5%) | Mp3 (CBR320) ~ 188 Mb (incl 5%) | Scans included
Genre: Classical | Label: Deutsche Grammophon | # 445 573-2 | Time: 01:15:31

While Ivo Pogorelich established his reputation performing mainly Romantic repertoire, his few forays into the Baroque reveal him to be an equally engaging- if not eccentric musician here as well. In quicker movements, such as the opening Preludes of the English Suites for instance Pogorelich's rhythmic control and contrapuntal clarity are simply amazing. Slower movements likewise are handled with remarkable intensity and delicacy. Pogorelich's performances of four Scarlatti sonatas concluding the program as well are wonderfully animated and knowing.

Rafal Blechacz - Johann Sebastian Bach (2017)  Music

Posted by SERTiL at Feb. 10, 2017
Rafal Blechacz - Johann Sebastian Bach (2017)

Rafal Blechacz - Johann Sebastian Bach
Classical | MP3 CBR 320 kbps | 65:40 min | 152 MB
Label: Deutsche Grammophon | Tracks: 23 | Rls.date: 2017

A new statement from Rafa Blechacz, one of the finest young pianists of his generation
Angela Hewitt - Johann Sebastian Bach: The Art of Fugue (2014) 2CDs

Angela Hewitt - J.S. Bach: Die Kunst der Fuge (The Art of Fugue) (2014) 2CDs
EAC | FLAC | Tracks (Cue&Log) ~ 275 Mb (incl 5%) | Scans included | Time: 01:29:40
Genre: Classical | Label: Hyperion | # CDA67980

Even though Angela Hewitt's repertoire is quite extensive and diverse, encompassing the Baroque, Classical, Romantic, and modern eras, her true specialty is the music of J.S. Bach, which she has recorded almost exclusively for Hyperion since the 1980s. With this recording of The Art of Fugue, Hewitt completes her long-running series of piano renditions of the solo keyboard works, and while not everyone is convinced that Bach composed this study of fugal techniques for the keyboard, Hewitt's performance is credible and satisfying. She controls the often unwieldy counterpoint by regarding the lines as if they were vocal parts, and her phrases are shaped by natural breathing points, as well as the different emotional qualities she brings to each fugue and canon. The Art of Fugue can be daunting for both performer and listener because its persistent tonality of D minor and monothematic material can be quite tedious in the wrong hands.
Colin Tilney - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 & 2 (1990) 4CDs

Colin Tilney - Johann Sebastian Bach: Das Wohltemperirte Clavier (1990) 4CDs
EAC | FLAC | Image (Cue&Log) ~ 1.8 Gb (incl 5%) | Scans included | Time: 05:04:36
Genre: Classical | Label: Hyperion | # CDA66351/4

In his recording of Bach's 48 Colin Tilney, unlike his fellow competitors in the same repertory, plays both a clavichord (Book 1) and a harpsichord (Book 2). Why not? Bach's title for the first book of 24 preludes and fugues, The Well-tempered Clavier leaves both this issue and that of tuning wide open. The clavichord was a favourite instrument of Bach's, so was the harpsichord and the organ; indeed, I am sorry that Tilney does not include a chamber organ since some of the pieces, the E major Prelude and Fugue (Book 2), for instance, seem well-suited to it. Tilney's performance of the 48 differs again from almost if not all others in the sequence which he adopts in playing the preludes and fugues. But an apparently random approach is in fact nothing of the kind, but one that is directly linked with tuning. We know that Bach himself was a master in matters of tuning as he was in all other aspects of his craft. What we do not know is the exact nature of his tuning.