Johann Sebastian Bach Passio

Johann Sebastian Bach - Passio secundum Johannem BWV 245 (Version II, 1725) (2000, MDG # 332 0983-2) [RE-UP]

Johann Sebastian Bach - Passio Secundum Johannem (Johannes-Passion) BWV 245, Version II (1725)
Holton / Bartosz - Kölner Kammerchor - Collegium Cartusianum - Peter Neumann
2xCD | EAC+LOG+CUE | FLAC: 500 MB | Artwork: 166 MB | 5% Recovery Info
Label/Cat#: MDG "Gold" # 332 0983-2 | Country/Year: Germany 2000
Genre: Classical, Sacred | Style: Baroque, Oratorio

"…clear diction and outstandingly responsive singing throughout is the biggest single asset of the performance. Superbly dynamic the set is obligatory for all committed Bachians." ~Fanfare
Johann Sebastian Bach - Passio Secundum Johannem (Johannes-Passion) BWV 245, Version II (1725) [MDG, 2000]

Johann Sebastian Bach - Passio Secundum Johannem (Johannes-Passion) BWV 245, Version II (1725)
Holton / Bartosz - Kölner Kammerchor - Collegium Cartusianum - Peter Neumann
EAC+LOG+CUE | 2x CD, FLAC: 500 MB | Artwork: 166 MB | 5% Recovery Info
Label/Cat#: MDG "Gold" # 332 0983-2 | Country/Year: Germany 2000
Genre: Classical | Style: Sacred, Baroque, Oratorio

“clear diction and outstandingly responsive singing throughout is the biggest single asset of the performance. Superbly dynamic the set is obligatory for all committed Bachians.” (Fanfare)

Rafal Blechacz - Johann Sebastian Bach (2017)  Music

Posted by SERTiL at Feb. 10, 2017
Rafal Blechacz - Johann Sebastian Bach (2017)

Rafal Blechacz - Johann Sebastian Bach
Classical | MP3 CBR 320 kbps | 65:40 min | 152 MB
Label: Deutsche Grammophon | Tracks: 23 | Rls.date: 2017

A new statement from Rafa Blechacz, one of the finest young pianists of his generation
David Watkin - Johann Sebastian Bach: Cello Suites, BWV 1007-1012 (2015)

David Watkin - Johann Sebastian Bach: Cello Suites, BWV 1007-1012 (2015)
EAC | FLAC | Image (Cue&Log) ~ 620 Mb (incl 5%) | Mp3 (CBR320) ~ 360 Mb (incl 5%) | Scans included
Genre: Classical, Baroque | Label: Resonus Classics | # RES10147 | Time: 02:24:58

GRAMOPHONE AWARD WINNER 2015 - BAROQUE INSTRUMENTAL RECORDING OF THE YEAR. This recording is the first time that the five-stringed Amati has been used to record the 6th suite and it is the only original five-string cello in existence in the UK and unique in being the only one by this maker. The Cello Suites are performed on two gut-string cellos Suite Nos. 1-5 on a Francesco Ruggieri from 1660 and Suite No. 6 the five-stringed Cremona cello by A. & H. Amati from c.1600, both tuned to Baroque pitch. Bachs cello suites are renowned as the pinnacle of the instruments repertoire and are performed here in period performances by the internationally acclaimed cellist, David Watkin. David Watkin has been performing Bachs Cello Suites in concert for 35 years, and Bachs unaccompanied cello repertoire has taken him all over Europe, from the Palace of Frederick the Great at Potsdam to the Prague Spring Festival, and, as part of Sir John Eliot Gardiner's Bach Cantata Pilgrimage, included performances sitting by the font in which Bach was baptised.
Angela Hewitt - Johann Sebastian Bach: The Art of Fugue (2014) 2CDs

Angela Hewitt - J.S. Bach: Die Kunst der Fuge (The Art of Fugue) (2014) 2CDs
EAC | FLAC | Tracks (Cue&Log) ~ 275 Mb (incl 5%) | Scans included | Time: 01:29:40
Genre: Classical | Label: Hyperion | # CDA67980

Even though Angela Hewitt's repertoire is quite extensive and diverse, encompassing the Baroque, Classical, Romantic, and modern eras, her true specialty is the music of J.S. Bach, which she has recorded almost exclusively for Hyperion since the 1980s. With this recording of The Art of Fugue, Hewitt completes her long-running series of piano renditions of the solo keyboard works, and while not everyone is convinced that Bach composed this study of fugal techniques for the keyboard, Hewitt's performance is credible and satisfying. She controls the often unwieldy counterpoint by regarding the lines as if they were vocal parts, and her phrases are shaped by natural breathing points, as well as the different emotional qualities she brings to each fugue and canon. The Art of Fugue can be daunting for both performer and listener because its persistent tonality of D minor and monothematic material can be quite tedious in the wrong hands.
Markku Luolajan-Mikkola - Johann Sebastian Bach: Sonatas and Partitas, BWV 1001-1006 (2015)

Markku Luolajan-Mikkola - J.S. Bach: Sonatas and Partitas, BWV 1001-1006 (2015)
EAC | FLAC | Image (Cue&Log) ~ 738 Mb (incl 5%) | Scans included | Time: 02:38:00
Genre: Classical, Baroque | Label: Linn Records | # CKD 548

Markku Luolajan-Mikkola has a reputation for excellence and already has two Gramophone Awards. With a fan base to match, Luolajan-Mikkola is at the top of his game. In Luolajan-Mikkola’s Linn debut, he tackles the pinnacle of Bach’s productions for violinists: the Partitas and Sonatas. Luolajan-Mikkola transcribed these works for cello. His goal with this recording has been to encapsulate expression and emotion according to the character of each movement. A historically informed musician, he performs on baroque cello.
Colin Tilney - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 & 2 (1990) 4CDs

Colin Tilney - Johann Sebastian Bach: Das Wohltemperirte Clavier (1990) 4CDs
EAC | FLAC | Image (Cue&Log) ~ 1.8 Gb (incl 5%) | Scans included | Time: 05:04:36
Genre: Classical | Label: Hyperion | # CDA66351/4

In his recording of Bach's 48 Colin Tilney, unlike his fellow competitors in the same repertory, plays both a clavichord (Book 1) and a harpsichord (Book 2). Why not? Bach's title for the first book of 24 preludes and fugues, The Well-tempered Clavier leaves both this issue and that of tuning wide open. The clavichord was a favourite instrument of Bach's, so was the harpsichord and the organ; indeed, I am sorry that Tilney does not include a chamber organ since some of the pieces, the E major Prelude and Fugue (Book 2), for instance, seem well-suited to it. Tilney's performance of the 48 differs again from almost if not all others in the sequence which he adopts in playing the preludes and fugues. But an apparently random approach is in fact nothing of the kind, but one that is directly linked with tuning. We know that Bach himself was a master in matters of tuning as he was in all other aspects of his craft. What we do not know is the exact nature of his tuning.
Johann Sebastian Bach - Kantaten zum Osterfestkreis (1993) (4CD) (Helmuth Rilling) {Haenssler}

Johann Sebastian Bach - Kantaten zum Osterfestkreis (1993) (4CD) (Helmuth Rilling)
EAC Rip | FLAC (tracks+.cue, log) | 1362 mb | MP3 CBR 320kbps | RAR | 648 mb
Classical, Choral | Label: Hänssler Classic - 98837

"Johann Sebastian Bach: Kantaten zum Osterfestkreis (Easter Cantatas - Cantates Pour La Fête De Pâques - Bach-Ensemble Helmuth Rilling)" is a 4-disc set with 87 songs by Johann Sebastian Bach was released May 01, 1993 on the Hänssler Classic label.
The Creative Development of Johann Sebastian Bach, Volume II: 1717-1750: Music to Delight the Spirit (repost)

The Creative Development of Johann Sebastian Bach, Volume II: 1717-1750: Music to Delight the Spirit by Richard D. P. Jones
English | 2013 | ISBN: 0199696284 | 450 pages | PDF | 3,4 MB
Marcel Worms - Johann Sebastian Bach: Goldberg Variations; Philip Glass: Metamorphosis (2012)

Marcel Worms - Bach & Glass (2012)
EAC | FLAC | Image (Cue&Log) ~ 301 Mb (incl 5%) | Mp3 (CBR320) ~ 200 Mb (incl 5%) | Scans ~ 61 Mb
Genre: Classical, Minimalism | Label: Zefir Records | # ZEF 9629 | Time: 01:19:46

The CD combines Bach's Goldberg Variations with the Metamorphosis of Philip Glass and offers a confrontation between two completely different musical worlds.