Johann Sebastian Bach Passio

Johann Sebastian Bach - Passio secundum Johannem BWV 245 (Version II, 1725) (2000, MDG # 332 0983-2) [RE-UP]

Johann Sebastian Bach - Passio Secundum Johannem (Johannes-Passion) BWV 245, Version II (1725)
Holton / Bartosz - Kölner Kammerchor - Collegium Cartusianum - Peter Neumann
2xCD | EAC+LOG+CUE | FLAC: 500 MB | Artwork: 166 MB | 5% Recovery Info
Label/Cat#: MDG "Gold" # 332 0983-2 | Country/Year: Germany 2000
Genre: Classical, Sacred | Style: Baroque, Oratorio

"…clear diction and outstandingly responsive singing throughout is the biggest single asset of the performance. Superbly dynamic the set is obligatory for all committed Bachians." ~Fanfare
Johann Sebastian Bach - Passio Secundum Johannem (Johannes-Passion) BWV 245, Version II (1725) [MDG, 2000]

Johann Sebastian Bach - Passio Secundum Johannem (Johannes-Passion) BWV 245, Version II (1725)
Holton / Bartosz - Kölner Kammerchor - Collegium Cartusianum - Peter Neumann
EAC+LOG+CUE | 2x CD, FLAC: 500 MB | Artwork: 166 MB | 5% Recovery Info
Label/Cat#: MDG "Gold" # 332 0983-2 | Country/Year: Germany 2000
Genre: Classical | Style: Sacred, Baroque, Oratorio

“clear diction and outstandingly responsive singing throughout is the biggest single asset of the performance. Superbly dynamic the set is obligatory for all committed Bachians.” (Fanfare)
Johann Sebastian Bach - Musica Alta Ripa - Solo Concertos Vol. 1-4 (1996-1999, MDG # 309 0681/4-2) [combined RE-UP]

Johann Sebastian Bach - Musica Alta Ripa - Solo Concertos Vol. 1-4
4xCD | EAC+LOG+CUE | FLAC: 340/397/394/386 MB | Full Artwork | 5% Recovery Info
Label/Cat#: MDG "Gold" # 309 0681/4-2 | Country/Year: Germany 1996-1999
Genre: Classical | Style: Baroque

"… meets their high standard. Warmly recommended." ~Fanfare
Pierre Hantai - Johann Sebastian Bach: Variations Goldberg, BWV 988 (2003)

Pierre Hantaï - Johann Sebastian Bach: Goldberg Variations, BWV 988 (2003)
XLD | FLAC | Image (Cue&Log) ~ 510 Mb | Mp3 (CBR320) ~ 192 Mb | Scans included
Genre: Classical | Label: Mirare | # MIR 9945 | Time: 01:18:28

Bach’s Goldberg Variations have played a central role in harpsichordist Pierre Hantai’s musical life since his early youth. At 28 he recorded the work for the Opus 111 label (now available on Naïve), a highly acclaimed release that stands among the work’s choice versions. Over the past 11 years Hantai evidently has rethought and refined his interpretation, as revealed in this 2003 remake. There’s greater rhythmic freedom and variety of articulation, plus a more subjective approach to ornaments and agogics, especially in the repeats (he observes all but those in Variation 15, 25, and the Aria Da Capo; the 1992 recording honors all repeats save for Variation 25). Variations previously characterized through Hantai’s seamless legato technique (Nos. 3, 6, 8, 11, 17, and 18, for example) are further enlivened by detaché finger strokes and more inflected phrasings. The latter infuse Variations 7, 10, and 16 with greater resilience and rhythmic verve than their earlier counterparts.
Hopkinson Smith - Johann Sebastian Bach: L'Oeuvre De Luth (Works for Lute) (1987) 2CDs

Hopkinson Smith - Johann Sebastian Bach: L'Œuvre De Luth (1987) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 526 Mb | Mp3 (CBR320) ~ 252 Mb | Scans included
Genre: Classical | Label: Astrée | # E 7721 | Time: 01:41:18

The American lutenist, Hopkinson Smith, began as a teenager he began to study the classical guitar and in his early 20's, he became acquainted with the lute which he started to learn by himself. He majored in musicology at Harvard and graduated with honors in 1972. In 1973, Hopkinson Smith came to Europe to devote himself to the lute in earnest. He worked in Catalonia with Emilio Pujol, a profound pedagogue in the 19th century tradition who instilled in him a sense for higher artistic values, and in Switzerland with Eugen Dombois whose sense of happy organic unity between performer, instrument and historic period has had a lasting effect on him. From the mid 1970's, he was involved in various ensemble projects including the founding of the ensemble Hespèrion XX and a ten-year collaboration with Jordi Savall. This collaboration led to important experiences in chamber music which were a creative complement to his work as a soloist.

The Routledge Research Companion to Johann Sebastian Bach  eBooks & eLearning

Posted by ksveta6 at Aug. 3, 2017
The Routledge Research Companion to Johann Sebastian Bach

The Routledge Research Companion to Johann Sebastian Bach by Robin A Leaver
2016 | ISBN: 1409417905 | English | 592 pages | PDF | 4 MB

Harmonic Brass - Bach: Johann Sebastian Bach (2017)  Music

Posted by Pisulik at May 29, 2017
Harmonic Brass - Bach: Johann Sebastian Bach (2017)

Harmonic Brass - Bach: Johann Sebastian Bach (2017)
Classical | MP3 CBR 320 kbps | 01:03:49 | 147 MB
Label: Brass Works Munich | Release Year: 2017

The most popular pieces by Johann Sebastian Bach from all previous Harmonic Brass CDs.
Alexander Knyazev - Johann Sebastian Bach: 18 Leipzig Chorales, BWV 651-668 (2015)

Alexander Knyazev - Johann Sebastian Bach: 18 Leipzig Chorales, BWV 651-668 (2015)
EAC | FLAC | Image (Cue&Log) ~ 429 Mb | Mp3 (CBR320) ~ 254 Mb | Scans included
Genre: Classical | Label: Melodiya | # MEL CD 10 02397 | Time: 01:46:55

Equally adept with both the cello and organ, Alexander Knyazev, a graduate of the Moscow Conservatory specializing in cello and Nizhny Novgorod Conservatory specializing in organ has long focused on the organ and cello repertory of J.S. Bach. Lauded for his innate musicality and interpretative skills, Knyazevs first public acclaim came as a cellist. This collection presents the rarely performed chorale preludes composed by Bach during his stay in Leipzig in the last decade of his life and not published until after his death. Recorded in 2012 in the Riga Cathedral in Latvia renowned for its historic pipe organ.
Maurizio Pollini - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2009) 2CDs

Maurizio Pollini - Johann Sebastian Bach: The Well-Tempered Clavier, Book 1 (2009)
EAC | FLAC | Image (Cue&Log) ~ 380 Mb | Mp3 (CBR320) ~ 260 Mb | Scans included
Classical | Label: Deutsche Grammophon | # 0289 477 8078 GH2 | Time: 01:50:24

There's nothing at all wrong with Maurizio Pollini's 2009 performance of Bach's Well-Tempered Clavier, Book 1. The Italian pianist's intellectual lucidity, interpretive clarity, and technical virtuosity are apparent in every prelude and fugue, and his probing insights and penetrating analysis inform every note. However, there is almost nothing right with the sound quality of the recording. The piano sounds too distant, making it hard to hear precisely what Pollini is doing, but oddly, the ambient sound is too present, making every extraneous noise too loud. One should not hear the pedals being pressed and lifted, much less the clatter of the hammers and the twanging of the strings above the sound of the music. Worse yet, one can hear what sounds like every breath Pollini takes nearly as loudly as every note he plays. These are all grievous flaws that should have been eliminated, and their presence fatally undermines the brilliance of Pollini's performances. A reengineered version of these performances would be most welcome, but the present recording is so flawed that it virtually destroys Pollini's playing.
Anton Batagov - Johann Sebastian Bach: Die Kunst der Fuge (1993) 2CDs

Anton Batagov - Johann Sebastian Bach: Die Kunst der Fuge (1993) 2CDs
EAC | FLAC | Image (Cue&Log) ~ 462 Mb | Mp3 (CBR320) ~ 346 Mb | Scans included
Genre: Classical | Label: SoLid Records | # SLR 0001/2 | Time: 02:28:01

The Russian composer, pianist and electronic musician, Anton Batagov, graduated from the Gnessin School and the Moscow Tchaikovsky Conservatory. He was prize-winner at the International Tchaikovsky Competition (1986) and other competitions. Anton Batagov introduced the music by John Cage, Morton Feldman, Steve Reich, and Philip Glass to Russian audiences. His discographical debut was a recording of Olivier Messiaen's Vingt regards sur l'Enfant Jesus for Melodiya. From 1989 to 1996 he was one of the leaders and organizers of the Alternativa, the annual international new music festival in Moscow. Heralded as “one of the most significant and unusual figures of Russian contemporary music” (Newsweek, Russian edition, 1997) and "a Russian Terry Riley" (Mark Swed, Los Angeles Times, 2008), Anton Batagov is one of the most influential Russian composers and performers of our time. The well-known American musicologist Richard Kostelanetz characterized Batagov's 1993 piano recording of J.S. Bach’s The Art of the Fugue (BWV 1080) as "the most stunning interpretation of Bach since Glenn Gould".