Here it is: eight CDs worth of John Coltrane's classic quartet, comprised of bassist Jimmy Garrison, pianist McCoy Tyner, and drummer Elvin Jones, recorded between December of 1961 and September of 1965 when the artist followed his restless vision and expanded the band before assembling an entirely new one before his death. What transpired over the course of the eight albums and supplementary material used elsewhere is nothing short of a complete transfiguration of one band into another one, from a band that followed the leader into places unknown to one that inspired him and pushed him further. All of this transpired in the span of only three years.
Documenting Stan Kenton's always controversial but never sleepy music, the seven-CD Complete Capitol Studio Recordings of Stan Kenton 1943-47 features the orchestra at a time when it was reaching its greatest popularity, evolving from using the artist's charts into the Pete Rugolo era. In addition to some unreleased tracks, there are also several rare sessions included that were recorded at the time strictly for radio airplay. Most of Kenton's biggest hits ("Artistry in Rhythm," "Eager Beaver," "And Her Tears Flowed Like Wine," "Tampico," "Southern Scandal," "Artistry Jumps," "Intermission Riff," "Across the Alley From the Alamo," and "The Peanut Vendor") are here, as are many concert works. A classic reissue.
The fifth and final volume in Universal's massive John Coltrane: The Impulse! Albums in the Originals series, contains five recordings, all issued posthumously between 1970 and 1973. Two of these, Transition and Sun Ship, feature Coltrane's classic quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones. Of the remaining albums, two are live recordings – Live in Seattle and Concert in Japan – the remaining one being the infamous Infinity.
Packaged together in this five-disc box set from Verve/Hip-O-Select, these titles represent the albums Impulse issued following John Coltrane's death in 1967, and remain some of the most controversial in his catalog (numerous critics thought – and many still do – that dubious choices were made in assembling them).
The superb 2016 six-disc John Coltrane box set The Atlantic Years: In Mono brings together most of the legendary jazz musician's Atlantic albums into one package, restored to their original mono sound. Beginning in 1959, Coltrane's Atlantic years were a transformative time for the saxophonist, during which he furthered his modal explorations and began incorporating aspects of the avant-garde, a vital combination that he would later bring to its pinnacle on his 1965 Impulse! classic, A Love Supreme. Included here are the landmark albums Giant Steps (1960), Bags & Trane (1959) with vibraphonist Milt Jackson, Olé Coltrane (1961) featuring trumpeter Freddie Hubbard, Plays the Blues (1960), and Coltrane's collaboration with maverick pocket trumpeter Don Cherry, The Avant-Garde (1966). Also included is a 32-page book featuring photos by Lee Friedlander and liner notes by writer Ashley Kahn.
That sound. One group conceived it. Defined it. Perfected it. The Modern Jazz Quartet was certainly one of the most distinctive voices in the history of jazz, thanks to the unique qualities of personal expression and collective vision of its members Milt Jackson, John Lewis, Percy Heath and Connie Kay (who had replaced original drummer Kenny Clarke by the time the band started recording this music). They were also exceptionally prolific during their tenure at Atlantic Records, producing 14 albums in eight years. And now, that MJQ sound gets the complete respect it deserves, thanks to our new box, The Complete 1956-1964 Modern Jazz Quartet Atlantic Studio Recordings.
The two and a half years represented in this mammoth collection made up a period of great activity and development for young John Coltrane. It was a time in which he worked in the Miles Davis Quintet, then joined Thelonious Monk for his historic Five Spot engagement, and then took his place in the legendary 1958 Miles Davis Sextet. It was a time in which he grew from a somewhat promising tenor player to a supernova about to burst upon the jazz world. It was also a span during which Trane traveled with great regularity to the original New Jersey location of the Rudy Van Gelder Studio, taking part in no less than 25 lengthy Prestige recording sessions.