In September of 1979, John Hammond went into Vanguard Records' 23rd Street Studio in New York with the Nighthawks – Jimmy Thackeray, guitar; Mark Wenner, harmonica; Jan Zukowski, bass; Pete Ragusa, drums – and cut this record, one of his best (and which might've sold better with maybe some better cover art)…..
Remastered collection of John Hammond's early electric guitar work on Vanguard Records, with Charlie Musselwhite, members of The Band, Mike Bloomfield, Duane Allman, Spooner Oldham and others. Robbie Robertson, Levon Helm, and Garth Hudson can be heard on tracks from the two '60s Vanguard releases.
1999 album from Britain's godfather of blues rock. 13 tracks, including 'White Line Fever' and 'Bad Dream Catcher'. Features guest appearances from John Lee Hooker, Ernie Watts and Coco Montoya.
Road Dogs is a studio recording by British Bluesman John Mayall with the Bluesbreakers. With 71 minutes of Mayall's sturdy blues rock, the album's 15 tracks cover a wide variety of ground, from the slow, deliberate pace of 'Road Dogs' to the shuffle of 'Burned Bridges' to the laid back 'Beyond Control'.
After releasing and touring the intense This Year's Model, Elvis Costello quickly returned to the studio with the Attractions to record his third album, Armed Forces. In contrast to the stripped-down pop and rock of his first two albums, Armed Forces boasted a detailed and textured pop production, but it was hardly lavish. However, the more spacious arrangements – complete with ringing pianos, echoing reverb, layered guitars, and harmonies – accent Costello's melodies, making the record more accessible than his first two albums. Perversely, while the sound of Costello's music was becoming more open and welcoming, his songs became more insular and paranoid, even though he cloaked his emotions well…