Jordi Savall's exemplary performance of Handel's Water Music and Music for the Royal Fireworks is among the finest available on disc: refined and precise, but very big, with blood-stirring grandeur. This is just the kind of extroverted, rousing presentation that best highlights the music's open-air ceremonial function. Savall's Le Concert des Nations is essentially a chamber orchestra with double or triple winds, but the sound he elicits from the group is majestic and surprisingly powerful. The playing is crisp and the rhythmic articulation bracing, but the sound is never brash. In fact, more often than not it is seductively sensual, a heady integration of precision and supple, shapely phrasing. Handel left no authoritative edition of the score of Water Music and it has traditionally been divided into three suites, but Savall reorders the material into two suites, a decision that makes more sense in terms of key relationships and that sounds entirely satisfying.
Monteverdi's madrigals were the laboratory in which he sought the connections between music and the emotions, and none are more moving and evocative than those of his eighth and final book, the "Madrigali Guerrieri et Amorosi," (1638). This release offers only a selection, but puts the music's drama in gratifyingly high relief. It's a beautifully sung, ravishingly played and lushly recorded collection, "Madrigali Guerrieri et Amorosi," by Jordi Savall and La Capella Reial de Catalunya (Astree E 8546). Dynamics are supple, coloration is flexible and expressive dissonances are pointed up in a way that gives works like "Lamento della Ninfa" and "Gira il nemico" an unusually vivid edge.
This 68-minute program–a compilation of recordings made by Jordi Savall, Montserrat Figueras & Co. during the years 1976 and 2008 (including several selections originally released on dhm and Virgin Classics)–proved one of those purely pleasurable, effortlessly rewarding listening sessions that only rarely come along. We don't often review compilations drawn from multiple recordings made in different venues and over many years–they're so often programmatically disjointed and sonically varied; but in this case it doesn't matter. The music is compatible stylistically and these performers are so consistent in the quality and care and vitality of their performances that, well, what's 30 years or so?
Ostinato is an anthology which brings together the most representative works of the art of improvisation and of a musical form based on a unique concept of the basso, which is repeated sequentially throughout the compositions.
Jordi Savall, once more time, shares with us a beautiful program of instrumentals and chorals pieces from the middle age. Alfons X El Sabio Cantigas are the most popular music pieces about this period, but also really majestic. The sound of this album is really magic. A very good choice for a first approach…
Sixteenth-century Spanish composer Francisco Guerrero is featured in a reissued disc of motets for four, five, six, eight and 12 voices, with and without instruments. They come from a handful of collections published between 1555 and 1597 and show Guerrero’s skill in evoking a wide range of moods, joyful, sombre and contemplative in turn. Jordi Savall’s ensemble is well-equipped to project the skilfully wrought structures and expressive allure of the music. Some of the pieces fare better than others in respect of vocal texture and ensemble. Tenors and basses occasionally lack tonal refinement but, at their strongest the performances provide a radiant conspectus of Guerrero’s masterly motets.
"By the end of Middle Ages the monks of Montserrat had assembled a distiguished library. Unfortunately this was largely destroyed in 1811 during the Napoleonic wars. The most precious surviving medieval manuscript in the Scriptorium at Montserrat is undoubtedly the famous Ms. No. 1, known as the Llibre Vermell or Red Book of Montserrat, from the colour of the late 19th century velvet which covers the binding of the codex. The manuscript completed in 1399, originally contained about 172 double pages, or folios, of which 35 have been lost. Included in the Llibre Vermell are ten musical works - possibly more originally - by a number of unknown composers."
The Ensalada (musical salad) is a poetical work which combines lines in different languages, as well as instrumental sonatas. It is rooted in the medieval practice of singing different texts simultaneously, and incorporates well-known romances and madrigalist elements. Generally based on stories from Christ birth, ensaladas a big portrait, a la Janequin, occupying a midway position between art and folk music.
During the final years of his life, Johann Sebastian Bach (1685-1750) created the monumental body of music that can be considered his “Testament”, comprising the Musical Offering, the Art of Fugue and the B minor Mass. This latter work is a perfect synthesis of all his skill and flair in the art of composition (and essentially in that of counterpoint), as well as his gift for invention and his extraordinary sense of form, structure and number.