Set just after the American civil war, businessman and inventor Victor Barbicane invents a new source of power called Power X. He plans to use it to power rockets, and to show its potential he plans to send a projectile to the moon. Joining him for the trip are his assistant Ben Sharpe, Barbicane's arch-rival Stuyvesant Nicholl, and Nicholl's daughter Virginia. Nicholl believes that Power X goes against the will of God and sabotages the projectile so that they cannot return to earth, setting up a suspenseful finale as they battle to repair the projectile.
Originally broadcast in April and May of 1998, hosted by executive producer Tom Hanks, the miniseries tackles the daunting challenge of chronicling the entire history of NASA's Apollo space program from 1961 to 1972. For the most part, it's a rousing success. Some passages are flatly chronological, awkwardly wedging an abundance of factual detail into a routine dramatic structure. But each episode is devoted to a crucial aspect of the Apollo program. The cumulative effect is a deep and thorough appreciation of NASA's monumental achievement. With the help of a superlative cast, consistent writing, and a stable of talented directors, Hanks has shared his infectious enthusiasm for space exploration and the inspiring power of conquering the final frontier.
Produced in partnership with the Smithsonian, this fascinating and visually-stunning course opens brand new doors onto the 4.54 billion-year history of our world.
Forrest Gump (1994) is one of the most successful films ever made, winning Tom Hanks his second successive Best Actor Oscar (he won the previous year for Philadelphia) as well as claiming the Best Picture Oscar and many other awards and nominations, including several for music. A unique fable of American life from the 1950s to the 80s, the film blends comedy, drama, war, romance and groundbreaking special effects into a social and political portrait of the passing years, all seen through the eyes of the intellectually challenged but immensely likeable Forrest Gump. The soundtrack is a double album featuring 31 classic pop tunes plus a suite from Alan Silvestri's rich orchestral music, represented more completely on the companion score album. Opening with Elvis Presley's "Hound Dog", this is a fine anthology of three decades of American music, taking in everything from Joan Baez's "Blowin' In The Wind" to Aretha Franklin's "Respect", The Mammas and The Papas' "California Dreamin'" and Simon & Garfunkel's "Mrs. Robinson". Here also is Scott McKenzie with "San Francisco", plus Jefferson Airplane, the Supremes, Lynyrd Skynrd and many more. Like American Graffiti (1973), this is one of the great pop soundtracks, happily at home in just about any music collection.