Although this instrumental fusion band has been around since 1992, they only released their first album eight years later and, my oh my, was it ever worth the wait! Imagine King Crimson, UK, The Mahavisnhu Orchestra and early Jean-Luc Ponty all rolled into one plus some discrete traditional Japanese references. Powered by the violin, KBB's music is dynamic, playful, intense and complex, yet melodic and surprisingly accessible. The band includes an exceptional violinist named Akihisa Tsuboy who also plays cellolin and guitar in addition to composing most of the material. The other members are keyboard player Toshimitsu Takahashi, bassist-guitarist Dani and drummer Shirou Sugano. All four musicians are extremely proficient.
The popular Orchestra of the Age of Enlightenment presents a fantastic and exuberantly played selection of Vivaldi. Named a ‘Choice' recording by Gramophone upon release, the OAE joyfully celebrate some of Vivaldi's finest instrumental writing. The soloists are drawn from within the distinguished ranks of the OAE including Anthony Robson (oboe), Andrew Clark (horn), Roger Montgomery (horn), David Watkin (cello), Lisa Beznosiuk (flute), Elizabeth Kenny (lute) and Catherine Mackintosh (viola). The concertos assembled on this disc afford the listener a glimpse of Vivaldi's originality, not only as a sensitive colourist and master of form, but also as a felicitous melodist whose harmonies and phraseology are charged with heady atmosphere. The dancing rhythms and distinctive characters of these concerti together with the variety of instrumental combinations and sparkling performances make this a fresh and constantly engaging listen.
11 Short Stories of Pain & Glory is the ninth studio album by American band Dropkick Murphys and was released on January 6, 2017, on the band's Born & Bred Records label. It is the band's first studio album in four years since 2013's Signed and Sealed in Blood.
Here at Ace Towers we usually have a pretty realistic advance idea of how many copies we’re likely to sell of any CD that we release. But once in a while we put out something that catches the public imagination in a manner that exceeds our expectations in terms of sales and acclaim. Such was the case with our “Special Country Edition” of our “Golden Age Of American Rock’n’Roll” series, which has already sold almost twice as many copies as we initially anticipated, and which is still selling strongly six years on from its initial release.
Ace’s flagship “Golden Age” series continues to be among our best selling and most highly respected releases. After a short hiatus, we’re pleased to announce this new volume featuring 28 country recordings that made the Billboard Hot 100 between 1955 and 1963. As “More Country Hits” is in the “Golden Age Of American Popular Music” series, the content is more melodic overall than a “Golden Age Of American Rock’n’Roll” edition might be. Nevertheless, there’s a generous helping of up-tempo hillbilly and borderline rockabilly among the straight-ahead country to give listeners a bit of light and shade. As usual, the CD comes with a generously illustrated and copiously annotated booklet.
Avant garde. Eccentric. A maniac. Wild and adventurous. Off the wall. Extraordinary. No marketing hyperbole - this is how the players of the Orchestra of the Age of Enlightenment describe Carl Philip Emmanuel Bach and his music. One of the many children of JS Bach, CPE Bach always lived in his father’s shadow, and now is an almost unknown figure at least beyond the classical cogniscenti. How can such an unknown be considered a gamechanger? A listen to his music reveals just why – it constantly shifts, wrongfooting the listener when they least expect it with wild changes of direction and colour – it is bright, effervescent, and is a fascinating link between the music of his father (and the Baroque era) and Joseph Haydn (and the Classical era).