Recorded at his home studio in 1986, the double album No End illuminates hitherto undocumented aspects of Keith Jarrett's music. He is heard on electric guitars, electric bass, drums and percussion, overdubbing tribal dances of his own devising: "Somehow something happened during these days in the 80s that won't ever be repeated," he writes in his liner notes. "There was really, to my knowledge, no forethought or composition - in the typical sense - going on; just a feeling or a rhythmic idea or a bass line concept or melody. None of this was written down."
2011 two CD release from the Jazz pianist On April 9, 2011 Keith Jarrett returned to South America for the first time in decades to perform three solo concerts. The third and final concert found him in Rio de Janeiro in front of a packed house and enthralled audience. Inspired by the electrifying atmosphere, the pianist pulls a broad range of material from the ether: thoughtful/reflective pieces, abstract sound-structures, pieces that fairly vibrate with energy.
Keith Jarrett's numerous volumes of improvised solo piano recordings are all treasure troves of spontaneous music making. Documented since the 1970s, they reveal the opening of his music as it readily embraces classical and sacred music influences, filters out what is unnecessary in his technique, and encounters the depth and breadth of the jazz tradition and his own unique abilities as a composer. The four discs in A Multitude of Angels were recorded in as many Italian cities during the last week of October 1996 – some 20 months after the concert captured on La Scala.
The legendary Keith Jarrett Trio, playing live at NDR Funkhaus, Hamburg. The trio with Haden and Motian – formed in 1966 – was Jarrett’s first great band, his choice of players a masterstroke. With the bassist who had learned his craft in Ornette Coleman’s band, and the drummer from Bill Evans’s ground-breaking trio, Jarrett was able to explore the full scope of modern jazz, from poetic balladry to hard-swinging time-playing to ferocious and fiery free music, the improvisation including episodes with Keith on soprano sax. The interaction between the three musicians is uncanny throughout, reaching a peak in an emotion-drenched performance of Charlie Haden’s “Song for Che”. ECM set up the 1972 tour of the Jarrett Trio, including the German radio concert from which this album is drawn. Manfred Eicher returned to the original tapes, remixing the music for this edition in Oslo in July 2014, together with Jan Erik Kongshaug.