In the 60s and early 70s it was common for Grand Prix drivers to be killed while racing, often televised for millions to see. Mechanical failure, lethal track design, fire and incompetence snuffed out dozens of young drivers. They had become almost expendable as eager young wannabes queued up at the top teams' gates waiting to take their place. This is the story of when Grand Prix was out of control. Featuring many famous drivers including three times world champion Sir Jackie Stewart OBE, twice world champion Emerson Fittipaldi and John Surtees OBE, this exciting but shocking film explores how Grand Prix drivers grew sick of their closest friends being killed and finally took control of their destiny. After much waste of life, the prestigious Belgian and German Grands Prix would be boycotted, with drivers insisting that safety be put first. But it would be a long and painful time before anything would change, and a lot of talented young men would be cut down in their prime.
After a serial killer named Red John murdered Patrick Jane's wife and daughter, Jane dedicated his life to hunting down and killing Red John. To that end he gave up his lucrative pretense of being a psychic and joined the California Bureau of Investigation (CBI) as a consultant to the team responsible for investigating the Red John case, led by Senior Agent Teresa Lisbon.
A trawl through the wonderful career of the hugely underrated Harry Nilsson takes a chronological look at his back catalogue. Pretty much every classic you would ever need is here - Everybody's Talkin', Me and My Arrow, Without Her, Without You, One… the list goes on. Naturally there is a concentration on Harry's most successful work Nilsson Schmilsson with all but one track of the entire album included. There are some delightful hidden classics too with hard to find tracks included, but perhaps too little concentration on his later career. Nevertheless, this is a superb retrospective.
Recorded just before the band began cranking out their earliest hits on classic albums like Lovedrive and Animal Magnetism, Virgin Killer is the first of four studio releases that really defined the Scorpions and their urgent metallic sound that was to become highly influential…
Tupelo, Mississippi's Paul Thorn has a knack for synthesis. His father was a Pentecostal preacher, so Thorn grew up with gospel, but he noticed that, in his own words, "white people sang gospel like it was country music, and the black people sang it like it was rhythm & blues," and a mix of the two gospel styles – with some gutbucket blues, old-time rock & roll, a sharp pop sense, and a gift for good old storytelling thrown in – pretty aptly describes Thorn's own brand of inspirational roots rock. Like the professional boxer he once was, he drives his music home with patience, skill, and purpose, putting his own restless energy at the heart of things. This set of originals, which follows 2012's What the Hell Is Goin' On?, an album of covers, finds Thorn at his best, and no song here even comes close to being filler. Thorn writes about his native South and its characters with incisiveness, and that old Saturday night/Sunday morning split between the secular and the sacred has always been his favorite theme, the notion that you can mess up, fall from grace, and then still find some kind of personal redemption is what makes Thorn's blend of gospel country rock and R&B sound so naturally joyous.