Making order on my vinyl library, I found my old copy of "In the court of the Crimson King". It is an original US pressing in textured gatefold sleeve. With great shape and pretty good sound quality (I recommend listening "I Talk To The Wind").
For better or for worse, a pretty decent argument can be mounted that progressive rock — or "prog" as we know it today — was born with the 1969 release of King Crimson's first album, In The Court Of The Crimson King. The British band's early fans included Pete Townshend and Jimi Hendrix, and it only took one listen for legendary music-exec Ahmet Ertegun to sign them to his Atlantic Records on the spot. Now, forty years later, another of King Crimson's fans, Porcupine Tree's studio wizard and resident genius Steven Wilson has overseen a 40th Anniversary deluxe edition of this landmark album, working alongside founding member Robert Fripp. Wilson is said to have revered the album as a teenager, and is also managing the analog-to-digital transfer of a number of other nuggets from the Crimson catalogue.
"In the Court of the Crimson King" is the 1969 debut album by the British progressive rock group King Crimson. The album reached #5 on the British charts, and is certified gold in the United States.
The album is generally viewed as one of the strongest of the progressive rock genre, where King Crimson largely stripped away the blues-based foundations of rock music and mixed together jazz and Classical symphonic elements. In his 1997 book "Rocking the Classics", critic and musicologist Edward Macan notes that "In the Court of the Crimson King" "may be the most influential progressive rock album ever released".
King Crimson's debut album, "In the Court of the Crimson King", was released in October 1969 on Island Records.
Fripp would later describe it as having been "an instant smash" and "New York's acid album of 1970".
In the Court of the Crimson King is the 1969 debut album by the British progressive rock group King Crimson. The album is generally viewed as one of the strongest of the progressive rock genre, where King Crimson largely stripped away the blues-based foundations of rock music and mixed together jazz and Classical symphonic elements.
Album Details Recorded over a period of 10 days in August 1969 & released on October 10th of the same year In The Court Of The Crimson King stands as one of the defining albums of British rock music & one of the finest debut albums of all time. Described at the time as "an uncanny masterpiece" by Pete Townshend, the album has achieved legendary status over the years. It is the only studio document of an extraordinary year in the life of King Crimson; a year that began with the group's first rehearsals on January 13th, included a residency at the Marquee Club, a concert in Hyde Park with The Rolling Stones, the recording and release of the album and ended with the dissolution of the lineup at the close of Crimson's 1st American tour in December. In the 40 years since its release In The Court of the Crimson King has never been out of print or unavailable in any of the world's main music markets & continues to enjoy consistently high sales. Now expanded with a completely new mix, previously unreleased tracks & a stunning 5.1 Surround Sound mix. Steven Wilson said of the mixing work "The intention is certainly not to try to replace or supersede the 1969 mix (which, like many classic albums, is what it is partly because of the limitations of the original recording circumstances), but to provide an alternate perspective to what must now be considered not only a rock masterpiece, but also the foundation stone of progressive rock."