This 2004 survey of modern settings of the medieval sequence Stabat Mater Dolorosa is part of conductor Marcello Viotti's project to record the little-known but worthy sacred works of the twentieth century, in conjunction with the Munich Radio Orchestra and the Bavarian Radio Chorus for their concert series Paradisi gloria. The four works by Francis Poulenc, Karol Szymanowski, Krzysztof Penderecki, and Wolfgang Rihm are dramatically different in conception and musical content, and may be regarded more as reflections of personal faith than as practical works for ecclesiastical purposes.
The instrumental concerto occupies a very prominent place in the music of Krzysztof Penderecki. This fact is related to the great life force exhibited by this genre in twentieth century and in contemporary music. It is stimulated by commissions from virtuosos and by audience expectations; also favourable is the composers’ flexibility in approaching the form, whose chief idea continues to be the juxtaposition of the solo instrument and the orchestra. The violin and viola works presented on this CD are not only interesting, concrete realizations of the concertare idea in Penderecki’s music, but also examples of this composer’s sonic language and style in the period of his creativity which Mieczyslaw Tomaszewski called a "time of dialogue with the regained past".
To celebrate the 80th birthday of the composer, DUX Recordings presents Krzysztof Penderecki symphonies conducted by the maestro himself. Penderecki’s symphonies have a special place in composer’s legacy as they have never been recorded in a series before under the artistic direction of the maestro. Penderecki said that the DUX recordings present the best performances of his works and therefore making the series even more appealing. This very special project is presented for the first time as a box set, at a very special price.
Art Therapy is a first solo album by Krzysztof Lepiarczyk, also know as leader and keyboardist Polish progressive rock band Loonypark.
The young Polish musician Krzysztof Meisinger (b. 1984) is one of the most fascinating and charismatic guitarists of his generation. With the legendary Academy of St Martin in the Fields under the direction of the Brazilian conductor José Maria Florêncio, he has recorded the famous Guitar Concerto of Heitor Villa-Lobos. In this work of 1951, Villa-Lobos paid eloquent homage to the guitar’s qualities as a concert instrument. The recording also includes the Five Preludes for solo guitar, and an arrangement of Melodia Sentimental for guitar, violin, and string orchestra. This programme – recorded at Abbey Road Studios in London! – ideally displays the flexibility of a young soloist ready to conquer the world with his bewitching playing.
The two works on this recording are separated by 35 years, during which time Penderecki made a decisive break with the post-war European avant-garde. In the Magnificat, chilling instrumental clusters, spectral sounds and impassioned rhetoric unite with tonality and counterpoint to deliver a work of monumental emotional power. Written to mark the 65th anniversary of the end of the Jewish ghetto in Łódź, Kadisz is among the most distinctive of Penderecki’s later choral works in the stark contrasts between drama and sombre reflection of its individual sections.