Pachacamac is a French group that plays Andean Folk music, led by Alain Geoffroy and Jean-Pierre Bluteau.
Verities & Balderdash is a very strange and wonderful album. “Cat’s in the Cradle” was the driving force behind the album’s sales, but there’s a lot more to appeal to listeners, along with enough personal, topical material to make it seem a bit didactic at the time, but Chapin was cultivating a politically committed audience. Verities & Balderdash walked several fine lines, between topical songwriting and an almost (but not quite) pretentious sense of its own importance, humor and seriousness, and balladry and punditry, all intermingled with catchy, highly commercial ballads such as “I Wanna Learn a Love Song” (which is about as pretty a song as he ever wrote).
Matthews Southern Comfort is a transitional album for Matthews. Having recently exited Fairport Convention, this record pays tribute to that period of his career in both material ("A Castle Far") and in the choice of musicians who back him (many of them from Fairport Convention). At the same time, songs like "A Commercial Proposition" indicate where Matthews' future work is headed. With Second Spring, the other album included on this two-fer, Southern Comfort is a real band, and in addition to Matthews also includes Roger Swallow (ex-Marmalade) and Marc Griffiths (ex-Spooky Tooth). Although there is really nothing that makes this a memorable record, it's still quite nice overall.
Essential: a masterpiece of progressive rock music
A beautiful, dreamy album by German folk rockers Emtidi! This one belongs to Pilz catalogue (where have been signed all the best of German “acid” folk at the beginning of the 70’s).
Ritchie Valens was only 17 when he died in 1959 in the same plane crash that claimed the lives of Buddy Holly and the Big Bopper, and he had only been working in a recording studio for about seven months when the tragedy occurred; thus, his musical legacy rests on about an album-and-a-half of completed studio material, a poorly recorded high school concert, and a handful of demos and rehearsal tapes. This set combines Ritchie Valens, Valens' first album for Bob Keane's Del-Fi label (essentially the only truly finished work Valens recorded), with his second, Ritchie, which was cobbled together from demos, rehearsal sessions, and other odds and ends, and ended up with an internal coherence that is pretty remarkable given the circumstances. The set then adds in eight additional tracks, mostly solo demos and live tracks, to present a pretty complete look at Valens' woefully short career. Virtually everything is here.