LP

The Nice - Ars Longa Vita Brevis (1969) Immediate/Z12 52020 - US Pressing - LP In 24bit/96kHz - ONLY REPOST

The Nice - Ars Longa Vita Brevis
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Immediate/Z12 52020 | Release: 1968 | This Issue: 1969 | Genre: Symphonic-Rock

Excellent addition to any prog-rock music collection.
It is not possible to overestimate the Nice's importance to Progressive Rock. In their moment, they were prog and if the eye-opening debut Thoughts of Emerlist Davjack didn't show that, this dazzling follow-up did. Sure they're so old and dated you'd never put them on unless alone in the house.
Shadowfax - Shadowdance (1983) Windham Hill Records/WH-1029 - 1st US Pressing - LP In 24bit/96kHz - ONLY RE-POST

Shadowfax - Shadowdance
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Windham Hill Records/WH-1029 | Release: 1983 | Genre: Jazz-Fusion

Excellent addition to any rock music collection.
Shadowdance confidently strides into the Windham Hill catalog with the showstopping New Electric India, electric guitar and thundering bass resounding.
Shadowfax ‎- Shadowfax (1982) Windham Hill Records/WH-1022 - 1st US Pressing - LP In 24bit/96kHz - ONLY RE-POST

Shadowfax ‎- Shadowfax
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz | 900mb
Label: Windham Hill Records/WH-1022 | Release: 1982 | Genre: Jazz-Fusion

Excellent addition to any prog rock music collection.
SHADOWFAX. Nice name for a progressive rock band. At least that's how they started off. Named after Gandalf's a horse in Tolkien's The Lord Of The Rings. They are often classified as new age, but their first album really wasn't, it was rather quite like a more rocking version of OREGON and had a mixture of hard and soft songs. And really their latter albums weren't completely although they lost some of their harder edge and devoted themselves to more mellow fair.

24 Free LP Vinyl Records Pictures – Textures  Graphics

Posted by vadimka2009 at Dec. 8, 2010
24 Free LP Vinyl Records Pictures – Textures

24 Free LP Vinyl Records Pictures – Textures
24 JPG | around 3400×2300px | 23 Mb RAR
Barry McGuire feat The Mamas and The Papas - This Precious Time (1965) + The World's Last Private Citizen (1968) 2 LP in 1 CD

Barry McGuire featuring The Mamas and The Papas - 'This Precious Time' (1965)
+ 'The World's Last Private Citizen' (1968) 2 LP in 1 CD, 2009

EAC | FLAC | Image (Cue&Log) ~ 449 Mb | Mp3 (CBR320) ~ 166 Mb | Scans included | 01:05:40
Singer/Songwriter, Folk Rock, Pop/Rock | Label: Collector's Choice Music | # CCM-2053

Although former New Christy Minstrels singer Barry McGuire scored a fluke novelty hit with the Bob Dylan-styled folk-rock protest anthem "Eve of Destruction" in the summer of 1965, neither he nor producer Lou Adler's startup label Dunhill Records seems to have had a long-term plan for his solo career beyond trying to score another hit single. Naturally, Dunhill quickly issued an Eve of Destruction LP, filling the tracks with McGuire covers of recent folk hits and more originals by P.F. Sloan, who'd penned the hit. Sloan also wrote the follow-up singles "Child of Our Times" and "This Precious Time," neither of which made the Top 40. By the end of the year, Dunhill had another McGuire LP, This Precious Time, again mixing Sloan songs with other people's hits like "Do You Believe in Magic" and "Yesterday." That is the first of two McGuire albums combined on this two-fer CD reissue.
Martha Davis - Policy (1987) [Mini LP, Vinyl Replica Collection, Remastered 2013]

Martha Davis - Policy (1987) [Mini LP, Vinyl Replica Collection, Remastered 2013]
EAC | FLAC | Tracks (Cue&Log) ~ 345 Mb | Mp3 (CBR320) ~ 130 Mb | Scans included | Time: 00:47:03
New Wave, Contemporary Pop/Rock | Label: Culture Factory/Capitol | # CFU0304, 850703003040

"Policy" was the first solo album by Martha Davis, the lead singer in the Motels. Like many of the Motels' moody hits, most of the songs on "Policy" have a melancholic feel. Standing in contrast, however, is the hopeful and climactic "My Promise". Deluxe Vinyl Replicas by Culture Factory constitute high quality reissued compact-discs which reproduce all the components of the original LPs and are their exact replicas in compact-disc size (5.3 x 5.3 inches), with authentic single or gatefold cardboard jackets and paper sleeves. In addition to the above, each compact-disc Deluxe Vinyl Replica includes a black finish CD complete with the original label to give it the look and feel of the original record album. Culture Factory strives to achieve an authentic sound with the highest possible fidelity to the original studio masters. Our remastering process brings out the music's true dynamics and original clarity with low levels of noise. In the remastering studio the audio tracks are handled in the form of high-definition, 96Kz / 24-bit digital files for greatest preservation of fidelity.
Elton John – The Elton John ‘Live’ Collection (1979) Pickwick Records/PDA 047 – 2 LP/UK Pressing - LP/FLAC In 24bit/96kHz

Elton John – The Elton John ‘Live’ Collection
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 2gb & 500mb
Label: Pickwick Records/PDA 047 | Released: 1979 | Genre: Pop-Rock

The British label Pickwick/Hallmark, is characterized by making re-editions. This time I scored another point by purchasing this double LP’s live by Elton John many, many years ago, with two concerts recorded in the 70s decade (1970 – 1974). I say a success because the records are intact, just like their original versions and the best in a single double album! What more can I ask for?
Quarteto 1111 – Onde Quando Como... (1974) GUESS062 – SP 180g Pressing - LP/FLAC In 24bit/96kHz

Quarteto 1111 – Onde Quando Como Porquê Cantamos Pessoas Vivas
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900mb & 200mb
Label: Guerssen/GUESS062 | Released: 1974 | This Issue: 2009 | Genre: Progressive-Rock

Essential: a masterpiece of progressive rock music
As a “Tronmaniac” it was inevitable that one day I would stumble upon the album 10.000 Anos Depois Entre Vénus E Marte by singer and keyboard player José Cid, this is Mellotron Heaven on Earth! Then I discovered that José Cid once joined the Portuguese five piece band Quarteto 1111 and from that moment I was very determined to get an album. Thanks to a Portuguese PA friend (you know who you are) I got a copy and was finally able to listen to this highly acclaimed and most progressive Portuguese progrock effort.
The Early Music Consort – Renaissance Suite (1974) His Master’s Voice/HQS 1415 – 1st UK Pressing - LP In 24bit/96kHz

David Munrow & The Early Music Consort Of London – Renaissance Suite/Music From The Soundtrack Film “La Course En Tête”
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 900b & 200mb
Label: His Master’s Voice ‎– HQS 1415 | Released: 1974 | Genre: Renaissance

This album is a real rarity, not for the style of music nor its interpreters, the strange thing is that this music was produced especially for a film and not a vintage film! It was used to accompany the notable Belgian cyclist Eddy Merckx (?). It was somewhat controversial the mixture of Renaissance music and the documentary about this cyclist in those times.
The Early Music Consort Of London – Henry VIII And His Six Wives (1972) Angel Records/SF0-36895 – 1rst US LP In 24bit/96kHz

David Munrow & The Early Music Consort Of London – Henry VIII And His Six Wives: Music From The Soundtrack Film
Vinyl | LP Cover (1:1) | FLAC + cue | 24bit/96kHz & 16bit/44kHz | 950mb & 270mb
Label: Angel Records/SF0-36895 | Released: 1972 | Genre: Renaissance

You may remember a film from the early 1970s called Henry VIII & his Six Wives, starring Keith Mitchell, Donald Pleasance, and Charlotte Rampling; it was notable for its score, which not only featured authentic music of the period (nearly unheard-of at the time), but also was, according to David Munrow, “the first historical film in which the music has been scored entirely for historical instruments.” Munrow also added a few numbers of his own to satisfy the needs of the movie, patterned after 16th-century style and form. Although these days such attention to authenticity is common, even expected, Munrow was one of the pioneers in bringing musicological research and the more immediate practicalities of really old, original instruments and stylistic practice to the level of popular culture. Of course, also in these early days was planted the impression that period instruments must necessarily be somewhat clunky and (to varying degrees) not quite ideally in tune–and in some cases, just plain annoyingly squawky and prone to obnoxious buzzing noises. While this generally fine issue from Testament offers many reminders of those times, when musicians were still finding their way in unfamiliar territory (and often using very user-unfriendly instruments), this release will prove mostly a delight for early music fans–and will be a real treat for those who own the original LPs from which these tracks were drawn.