This imaginative staging of Berlioz's dramatic symphony for chorus, soloists and orchestra relies heavily on the moving of massed choirs across a large stage. It has vivid lighting effects–rather too many of them using strobes–and monolithic multi-purpose sets, in particular a revolving glass drum which functions both as cinema screen and rostrum for singers, so that the final ride to Hell, for example, is sung by Mephistopheles and Faust above a cavalcade of projected horses, like the inside of a zoetrope. The three main soloists have voices on a scale that can compete with these flashy production values–White and Kasarova, in particular, sing at a level of intensity that would swamp anything less; the climactic seduction trio has rarely been sung so well or with such an overpoweringly polymorphous eroticism. Cambreling marshals his forces effectively, giving full rein to the work's showstoppers like the "Hungarian March" but not neglecting the subtler less kinetic Gluckian side of Berlioz's vocal writing. (Roz Kaveney)
Evolución is the name of a Chilean Progressive rock band. Although founded and active since the Eighties, keyboards player Pedro Muñoz' group had to wait for more than twenty years before its works were eventually published, thanks to the good care of the Musea and Mylodon labels. "La Era De Piscis" is thus a collection of pieces recorded between 1982 and 1986. As for the music, it is halfway between the Progressive rock of Camel ("Music Inspired By The Snow Goose" period) and Eighties-like fusion jazz-rock, the whole with an innate melodic sense. The quality of the whole album is simply so remarkable that you finally wonder why such music was never officially released earlier!
Castaneda a fait découvrir au grand public les enseignements des chamans mexicains qui ont pour origine la tradition toltèque, gardienne des connaissances de Quetzacoatl, le serpent à plumes.
Dans ce livre, Don Miguel révèle la source des croyances limitatrices qui nous privent de joie et créent des souffrances inutiles. …