This is a three classic albums CD box set with the original artworked 'mini LP' CD wallets in deluxe packaging. It contains the albums "Pressure Cookin'", "Nightbirds" and "Phoenix".
Back to Now is the seventh and latest studio album by American R&B female group Labelle, released on October 21, 2008. The album is the group's first in over thirty years though they had sung on songs together on occasion. Sounding every bit as sassy, fresh and edgy as in their heyday, Patti, Nona and Sarah have brought together some of the powerhouse talents of today & yesterday to create a true event. The first single 'Rollout' prominently features Wyclef Jean on an upbeat contemporary anthem that will expose Labelle to a whole new audience. Lenny Kravitz plays all over the three tracks he produced combining unique R&B retro sounds with his natural rock edge. The Masters of Philly Soul Kenneth Gamble & Leon A. Huff bring their magic to four of the album's ten tracks. The album closes with a recording of 'Miss Otis Regrets' from 1969. Produced by Kit Lambert.
Originally the quartet Patti LaBelle & The Bluebelles (Sarah Dash, Nona Hendryx and Cindy Birdsong – before Birdsong’s departure made it a trio), the transformation from bouffant wigs and the reworking on standards such as “Over The Rainbow” and “You’ll Never Walk Alone” to a futuristic, space-age-clad trio of high-powered vocalists finally took hold with the 1973 release of Labelle’s sole album for RCA Records, PRESSURE COOKIN.’
Philip Glass’ Concerto Fantasy for Two Timpanists and Orchestra, composed in 2000 and transcribed for wind ensemble by Mark Lortz in 2004, is a significant addition to the repertoire of large-scale works for timpani. The work is rhythmically galvanizing, sonically alluring, and features virtuoso cadenzas for both soloists. Symphony No 4 ‘In the Shadow of No Towers’ is Mohammed Fairouz’s first major work for wind ensemble, and its inspiration is the provocative comic book by Art Spiegelman, written shortly after the terrorist attacks on September 11, 2001. Spiegelman himself has commented: “I’m moved by [this] scary, somber, and seriously silly symphony…I’m honored that the composer found an echo in my work that allowed him to strike a responsive chord and express his own complex responses to post 9/11 America. He emerges from the rubble with a very tony piece of high-brow cartoon music.”
Biber's 'Rosary Sonatas' for violin and basso continuo stand alone in the violin literature and in music history, offering a unique combination of programmatic material and the use of scordatura. The cycle consists of fifteen sonatas for violin and basso continuo, and a closing Passacaglia for solo violin, composed c.1687. Through the copper engravings inserted at the head of each sonata in the manuscript depicting key moments in the lives of Christ and the Virgin Mary, the music has become associated with the Catholic Mysteries of the Rosary.