Larsen Feiten Band

Larsen - Feiten Band (1980)  

Posted by egar62 at May 5, 2010
Larsen - Feiten Band (1980)

Larsen - Feiten Band (1980)
Rock │ Flac + Cue No Log │ 219 Mb │ Covers scans HQ included

Various Artists - Too Slow To Disco Vol. 2 (2015)  Music

Posted by vItOrrEs2009 at June 16, 2015
Various Artists - Too Slow To Disco Vol. 2 (2015)

V. A. - Too Slow To Disco Vol. 2 (2015)
Label: How Do You Are? | MP3 320 kbps CBR | 58:55 min | 135 mb
Disco, Funk

It took us one year to finally come back with VOLUME 2 of TOO SLOW TO DISCO. This time we dug even deeper into the sundrenched, relaxed-funky, smooth and megalomaniac Westcoast-sound of the late 70s / early 80s: from Singer/Songwriter-Funk, Yacht-Pop, Blue Eyed Soul to AOR-Disco. Tracks somewhere between delusion of grandeur and a mountain of Soul.

Yonder Mountain String Band - Love. Ain't Love (2017)  Music

Posted by Pisulik at June 26, 2017
Yonder Mountain String Band - Love. Ain't Love (2017)

Yonder Mountain String Band - Love. Ain't Love (2017)
Bluegrass, Folk, Jam Band | MP3 CBR 320 kbps | 00:52:34 | 121 MB
Label: Frog Pad Records

For nearly 20 years, Yonder Mountain String Band has redefined bluegrass music, expanding the traditional acoustic genre beyond its previously established boundaries by steadily pushing the envelope into the realms of rock n roll and improvisation. Yonder has always played music of their own design, in the process attracting a devout coterie of fans that often resembles a tight knit family on an epic musical journey as Yonder traverses the country with an ever-rigorous tour schedule. Yonder is a quintessential ensemble honing its craft night after night on the road, and the fans are there to experience it in real time. The result is music that doesn t stand still, it s always progressing and breaking unprecedented ground.

Fat Cat Big Band - Angels Praying For Freedom (2008)  Music

Posted by Pisulik at June 22, 2017
Fat Cat Big Band - Angels Praying For Freedom (2008)

Fat Cat Big Band - Angels Praying For Freedom (2008)
EAC Rip | FLAC (Tracks) +cue, log, m3u, artworks - 280 MB | MP3 CBR 320 kbps - 101 MB | 00:43:47
Jazz, Post Bop, Big Band | Label: Smalls Records

he basement of 75 Christopher Street was a jazz impresario’s dream. The underutilized 10,000 square feet of the sleepy Fat Cat billiards had enough space to build an entire jazz club within it. For Mitch Borden, whose tiny Smalls club had people lining up down the street to get in, a spillover club seemed like just the thing. He struck a deal with Fat Cat’s owners, got some acoustic panels and a bank of box fans, and took the "square" out of the square-feet by populating the space with some of the best tchochkes ever salvaged from a dumpster. The resulting club played host to some of the scene’s greatest acts and some of our best recordings.
The Beatles - Sgt. Pepper’s Lonely Hearts Club Band (1967) [2017, 6 Discs Box Set]

The Beatles - Sgt. Pepper’s Lonely Hearts Club Band (1967)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
4CD | Apple Records, PCS 7027 | ~ 1058 or 483 Mb | Scans(png) -> 2.21 Gb
DVD9: NTSC 16:9 (720x480) VBR, Auto Letterboxed
DTS, 6 ch, 755 kbps / Dolby AC3, 6 ch, 448 kbps / LPCM, 2 ch, 1536 kbps -> 7.22 Gb
Blu-Ray: MPEG-4 AVC 32980 kbps, 1080i, 29,970 fps, 16:9, High Profile 4.1
LPCM 2.0, 2304 kbps / DTS-HD MA 5.1, 96 kHz, 24-bit / TrueHD 5.1, 96 kHz, 24-bit -> 36.17 Gb
Pop Rock / Classic Rock

~ 50 Anniversary Super Deluxe Edition Box Set ~
Robert Cray Band with Stevie Ray Vaughan - Live... Texas '87 (2016) [Unofficial]

Robert Cray Band with Stevie Ray Vaughan - Live… Texas '87 (2016)
EAC | FLAC | Tracks (Cue&Log) ~ 470 Mb | Mp3 (CBR320) ~ 177 Mb | Scans included
Modern Electric Blues | Label: Air Cuts | # ACCD8015 | Time: 01:15:49

Robert Cray finally made his commercial breakthrough with the release of Strong Persuader, his fifth studio album, in late 1986. He toured extensively to support it, both in his own right and opening for stars such as Eric Clapton, Tina Turner and Huey Lewis. This superb live set, broadcast on Q102 Radio, captures him on the cusp of stardom, and includes blistering performances of almost all the album (including the hit single, Smoking Gun), as well as a guest appearance from the great Stevie Ray Vaughan. It's presented here together with background notes and images.
The Steepwater Band - Diamond Days: The Best Of The Steepwater Band 2006-2014 (2014)

The Steepwater Band - Diamond Days: The Best Of The Steepwater Band 2006-2014 (2014)
EAC | Flac(Image) + Cue + Log
Sun Pedal, SRN1-90005 | ~ 324 Mb | Scans(jpg) -> 31 Mb
Blues Rock / Classic Rock

Formed in Chicago back in 1998, The Steepwater Band’s signature sound is a nod to early British blues, combined with a modern, raw and gutsy musical approach. Founding members Jeff Massey (Vocal, Guitar), Tod Bowers (Bass), and Joseph Winters (Drums) have a synergy that comes from years of playing together. In early 2012, the long-time trio was joined by Eric Saylors (Guitar, Backing Vocal) who brought an added depth to the live sound…

Bix Beiderbecke - Volume 2: At The Jazz Band Ball (1990) {Columbia}  Music

Posted by TestTickles at June 5, 2017
Bix Beiderbecke - Volume 2: At The Jazz Band Ball (1990) {Columbia}

Bix Beiderbecke - Volume 2: At The Jazz Band Ball (1990) {Columbia}
EAC Rip | FLAC with CUE and log | scans | 269 mb
MP3 CBR 320kbps | RAR | 177 mb
Genre: jazz, big band, dixieland, swing

Volume 2: At The Jazz Band Ball is a 1990 compilation album by Leon Bismark Beiderbecke, who was known as Bix Beiderbecke. This was released by Columbia Records as part of the label's Columbia Jazz Masterpieces series.
The Allman Brothers Band - Live At Ludlow Garage 1970 (1991) 2CDs [Re-Up]

The Allman Brothers Band - Live At Ludlow Garage 1970 (1991) 2CDs
EAC | APE | Image (Cue&Log) ~ 275 Mb | Mp3 (CBR320) ~ 225 Mb | Scans included | 01:31:11
Southern Rock, Blues Rock, Hard Rock, Slide Guitar Blues | Label: Polydor | # 843260-2

Live at Ludlow Garage 1970 features 91 minutes of the Allman Brothers Band in concert at a Cincinnati venue that they loved, nearly a year before their legendary Fillmore shows. The acoustics are good, though a little shaky – the tape was made at seven-and-a-half IPS, the bare minimum professional standard, which leaves more hiss than one might like and a bit less clarity than a fully professional live album might show. On the other hand, the group's sound imparts its own punch and clarity, and it was done in stereo, and if not for the existence of the Fillmore tapes, and the fact that the albums they yielded sold a kajillion copies, this show might well have been released in the 1970s. It isn't as intense as the Fillmore shows, but it does capture the group as a little-known working band with but a single album out and building a reputation – and with Dickey Betts yet to emerge as either a singer or composer and their sound still being worked out ("Statesboro Blues" gets a startlingly subdued performance, anticipating the acoustic version of "In Memory of Elizabeth Reed" from the '90s recording An Evening with the Allman Brothers Band: 2nd Set).
The Allman Brothers Band - An Evening with The Allman Brothers Band: 2nd Set (1995) [Re-Up]

The Allman Brothers Band - An Evening with The Allman Brothers Band: 2nd Set (1995)
EAC | FLAC | Tracks (Cue&Log) ~ 518 Mb | Mp3 (CBR320) ~ 181 Mb | Scans included | 01:11:55
Southern Rock, Blues Rock, Hard Rock, Boogie Rock | Label: Epic | # EK 66795

The Allman Brothers Band's fifth live release in 25 years, cut during 1994 in Raleigh, NC, and at the Garden State Arts Center in New Jersey, is a high-water mark in their Epic Records catalog. If anything, they're even better here than they were on the earlier Evening with the Allman Brothers Band, the old material getting fresh new approaches – the band was on for both nights, and presented sets, including an acoustic version of "In Memory of Elizabeth Reed" and "Jessica" (which won a Grammy Award), that soared and flowed, especially Dickey Betts and Warren Haynes' guitars. What's more, the clarity of the recording and the volume at which it was recorded make this a most rewarding 70 minutes of live music on a purely technical level – you can practically hear the action on the guitars during the acoustic set. It won't replace Live at Fillmore East or the live portions of Eat a Peach, but it deserves a place on the shelf not very far from them.