Laurent Cugny Yesternow

Laurent Cugny & Orchestre National De Jazz  - Yesternow (1994) {Verve 522 511-2} (Miles Davis related)

Laurent Cugny & Orchestre National De Jazz - Yesternow (1994) {Verve 522 511-2} (Miles Davis related)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 301 Mb | MP3 @320 -> 135 Mb
Full Artwork @ 300 dpi (jpg) -> 15 Mb | 5% repair rar
© 1994 Verve / Phonogram/Polygram | 522 511-2
Jazz / Modern Big Band / Contemporary Jazz / Fusion

I'm very fond of Miles' '70s "electric" period, especially the dark, deep live albums he recorded during this time (namely Dark Magus and Agharta). This disc, which gives MD the big-band treatment, offers many pleasures of its own, although, for my money, neither Cugny nor anyone else (save maybe Bill Laswell) has ever reached the same primal place that Miles did during this time. Excellent album! This album is something special. Great atmosphere, 60 minutes of pure enjoying.
Laurent Cugny & Orchestre National de Jazz - Merci, Merci, Merci (1997) {Verve Official Digital Download}

Laurent Cugny & Orchestre National de Jazz - Merci, Merci, Merci (1997) {Verve Official Digital Download}
FLAC (tracks) - 44kHz/16 bit - Official Digital Download (qobuz.com) -> 411 Mb | MP3 @320 -> 164 Mb | Cover | 5% repair rar
© 1997 Verve / Universal | 534 945-2
Jazz / Modern Big Band / Progressive Jazz

Gil Evans was his spiritual father, and when the pianist and composer Laurent Cugny took charge of the ONJ en 1994. He already had big-band experience: for more than ten years he’d been leading the Big Band Lumière. For Laurent Cugny, the ONJ would be an extension of that rewardind experience, and it was enhanced by great encounters.
Gil Evans & Laurent Cugny Big Band Lumiere - Golden Hair (1989) {EmArcy 838 773-2}

Gil Evans & Laurent Cugny Big Band Lumiere - Golden Hair (1989) {EmArcy 838 773-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 317 Mb | MP3 @320 -> 139 Mb
Full Artwork @ 300 dpi (jpg) -> 11 Mb | 5% repair rar
© 1989 EmArcy / PolyGram | 838 773-2
Jazz / Modern Big Band / Progressive Jazz / Post Bop / Contemporary Jazz

The second of two album to come out of the Nov 1987 sessions featuring the great Gil Evans with Laurent Cugny's Big Band Lumiere. The first album is RHYTHM-A-NING. Laurent Cugny was born in 1955, he is one of the best French jazz musician and known as a specialist of Gil Evans' music. Laurent wears two hats: he is, on one side, a musician and, on the other, a musicologist and a professor at the Paris-Sorbonne University. Self-taught musician, he started playing the piano when he was ten and played in amateur groups at the age of eighteen. He created several groups while he was studying economics and film studies. In 1979, he created the Big Band Lumiere and won the same year the third prize of piano at the National Jazz Competition in La Defense. In 1980, he also received prizes for its compositions and for the Big Band Lumiere.
Gil Evans & Laurent Cugny - Big Band Lumiere - Rhythm a Ning (1987) {EmArcy 836 401-2}

Gil Evans & Laurent Cugny - Big Band Lumiere - Rhythm a Ning (1987) {EmArcy 836 401-2}
XLD rip (secure mode) | FLAC (tracks)+CUE+LOG -> 310 Mb | MP3 @320 -> 128 Mb
Full Artwork @ 300 dpi (jpg) -> 36 Mb | 5% repair rar
© 1987 EmArcy / PolyGram | 836 401-2
Jazz / Modern Big Band / Progressive Jazz / Contemporary Jazz

This is a very interesting recording. Aging arranger/pianist Gil Evans agreed after much persuasion to come to Paris and play his music at a few concerts with Laurent Cugny's Orchestra. After only one rehearsal, the first event took place, and it gratified Evans to realize that the young French musicians were not only excellent players but big Gil Evans fans. Their interpretations of Thelonious Monk's "Rhythm-A-Ning," "London" and "La Nevada" rank with the best versions of Evans's regular Monday Night Band, and Cugny's "Charlie Mingus' Sound of Love" (an answer to Mingus' "Duke Ellington's Sound of Love") is also excellent. Few of the sidemen, other than tenor-saxophonist Andy Sheppard and percussionist Marilyn Mazur, are known in the U.S., but they did an excellent job of bringing Gil Evans's music to life.
Laurent Cugny - La Tectonique des Nuages (2011) {2CD Signature-Harmonia Mundi SIG 11180/81}

Laurent Cugny - La Tectonique des Nuages (2011) {2CD Signature-Harmonia Mundi SIG 11180/81}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 693 Mb | MP3 @320 -> 269 Mb
Full Artwork @ 300 dpi (png) -> 204 Mb | 5% repair rar
© 2010, 2011 Signature / Harmonia Mundi | SIG 11180/81
Jazz / Jazz-Opera / Modern Big Band / Contemporary Jazz

To a backdrop of the apocalypse, torrential flooding and the threat of earthquake, a simple man embraces a curious nymph-like créature, pregnant and désirable, who stops clocks and awakens long-forgotten languages. Adapted from the work of José Rivera, "Cloud Tectonics" represents a singular approach to jazz-opera, masterfully written and performed by Laurent Cugny.
Laurent Cugny & Orchestre National de Jazz - In Tempo (1996) {Verve 532 438-2}

Laurent Cugny & Orchestre National de Jazz - In Tempo (1996) {Verve 532 438-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 340 Mb | MP3 @320 -> 135 Mb
Full Artwork @ 300 dpi (jpg) -> 35 Mb | 5% repair rar
© 1996 Verve / PhonoGram / PolyGram | 532 438-2
Jazz / Modern Big Band / Contemporary Jazz / Progressive Jazz

Produced by Laurent Cugny and Daniel Richard for L'orchestre National de Jazz. Laurent Cugny - Bandleader. Ranks alongside George Gruntz as prime European contemporary composer, leader. His large orchestra is remniscent of Gil Evans big band in final stages; his pieces have quirky, unpredictable quality, as do his recordings.
Laurent Cugny Big Band Lumiere - Santander (1991) {EmArcy 838 266-2}

Laurent Cugny Big Band Lumiere - Santander (1991) {EmArcy 838 266-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 321 Mb | MP3 @320 -> 113 Mb
Full Artwork @ 300 dpi (jpg) -> 9 Mb | 5% repair rar
© 1991 EmArcy / Phonogram / PolyGram | 838 266-2
Jazz / Modern Big Band / Contemporary Jazz / Progressive Jazz

This is a sensational album that seemlessly merges big band conceptions with progressive electric instrumentation, without sacrificing any of the artistic values that can be found in either when in the right hands. This is absolutely a must own for anyone who appreciates sublimely crafted intelligently played music, and especially for anyone who appreciates jazz in the least, though pegging the project as jazz misses the point.

Laurent Gaudé, "Ecoutez nos défaites"  eBooks & eLearning

Posted by TimMa at Nov. 22, 2016
Laurent Gaudé, "Ecoutez nos défaites"

Laurent Gaudé, "Ecoutez nos défaites"
Thélème | 2016 | ISBN: 1025600092 | French | MP3 192 Kbps | Lenght: 07:16:00 | 596.4 MB

Un agent des services de renseignements français gagné par une grande lassitude est chargé de retrouver à Beyrouth un ancien membre des commandos d’élite américains soupçonné de divers trafics. Il croise le chemin d’une archéologue irakienne qui tente de sauver les trésors des musées des villes bombardées. …

Laurent de Sutter, "Théorie du kamikaze"  eBooks & eLearning

Posted by TimMa at Nov. 17, 2016
Laurent de Sutter, "Théorie du kamikaze"

Laurent de Sutter, "Théorie du kamikaze"
PUF | 2016 | ISBN: 2130749941 | French | EPUB | 108 pages | 0.23 MB

Et si nous nous trompions ? Et si les attentats-suicides n’avaient rien à voir avec la guerre ? Et s’ils n’avaient rien à voir avec la religion ? Et si, même, ils n’avaient rien à voir avec quelqu’idéologie que ce fût ? Que se passerait-il si, en réalité, ce dont les kamikazes se voulaient les terrifiants acteurs était une simple surenchère appartenant au domaine des images ? …

Éloi Laurent, "Nos mythologies économiques"  eBooks & eLearning

Posted by TimMa at Nov. 16, 2016
Éloi Laurent, "Nos mythologies économiques"

Éloi Laurent, "Nos mythologies économiques"
Les Liens qui libèrent | 2016 | ISBN: 1020903235 | French | EPUB | 200 pages | 0.07 MB

L’économie est devenue la grammaire de la politique : elle encadre de ses règles et de ses usages la parole publique, à laquelle ne reste plus que le choix du vocabulaire, de la rhétorique et de l’intonation. Or, pas plus que l’économie n’est une science, la grammaire économique n’est un savoir. Elle relève plutôt de la mythologie : une croyance en un ensemble de représentations collectives aussi puissantes que faussesdécryptés avec brio dans cet ouvrage de l'économiste Éloi Laurent.