While Sergey Rachmaninov is justly celebrated for his piano concertos and symphonies, his sets of variations shouldn't be overlooked, for they are among his most inventive and satisfying works. Russian pianist Danil Trifonov plays the Rhapsody on a Theme of Paganini, the Variations on a Theme of Chopin, and the Variations on a Theme of Corelli on this 2015 Deutsche Grammophon release, and he offers his own special tribute to the composer in his solo piano suite, Rachmaniana. For the Rhapsody, Trifonov is joined by Yannick Nézet-Séguin and the Philadelphia Orchestra, an ensemble that counts historic performances with Rachmaninov as part of its heritage, and plays with its characteristic lush sound and passionate expression…
One of the strengths of vocalist Tierney Sutton and her long time team of Christian Jacob/p, Kevin Axt-Trey Henry/b and Ray Brinker/dr is that they know how to select themes for their projects. Sutton and company have successfully created homages to Sinatra, Joni Mitchell and even the American Folk Book. This time around, she focuses on the pen of Gordon Matthew Thomas Summer, aka “Sting”, with material from The Police and solo career joining together through the puree of Sutton’s deliver.
This release sees Murray Perahia returning to Brahms after a significant series of excellent Bach recordings for Sony Classical. His 1991 Sony recording of the Sonata No.3 has an assortment of Intermezzos and Rhapsodies as a filler, but this new disc sees Perahia taking the later opus numbers head-on, working up to them chronologically via the Handel Variations and Rhapsodies Op.79 which, as Katrin Eich says in her booklet notes, each represent an ‘end point’ at certain stages in Brahms’ compositional output.
A peerless conception and realization of Bach's Goldberg Variations. Perhaps the most telling aspect of listening to Perahia's recording for me is that when it is finished, I want to start again at the beginning. It is as if a "world" is contained in this piece, and I am reluctant to leave it.
For his first disc, Bobby Mitchell, ‘Alpha winner’ of the legendary Bruges Competition, proposes a programme devoted to Joseph Haydn. His interpretation, juvenile yet based on solid musicological research, lets us rediscover all of Haydn’s humour as well as the depth of his feelings. It also reveals an unusual musical personality and an absolutely remarkable pianist.