The Passion according to St John as recorded here is a rather simple work. The Passions written by Italian composers are in no way comparable to the Passions which were written in Germany. This was the direct result of the reforms of the Council of Trent (1545-1563) which ordered settings of the Passion story to be simple, using only the text of the Gospels without any free poetic addition. So this Passion isn't much different from the Passions written in the renaissance. It is also part of a tradition in Naples, performing the St John Passion on Good Friday. The best-known example is Alessandro Scarlatti's St John Passion, written about 100 years earlier.
ACRONYM's release is the first recording devoted entirely to the instrumental music of Giovanni Valentini (1582/3-1649), who for more than twenty years was Hofkapellmeister of the Holy Roman Empire before fading into obscurity. Oddities & Trifles pairs selections from Valentini's published 1609 canzonas with nearly all of his extant manuscript sonatas (many of them containing strange chromaticism and metric eccentricities), and it consists almost entirely of premiere recordings.
After the success of Così fan tutte and The Marriage of Figaro, René Jacobs' CD recording of this centrepiece of the Mozart/Da Ponte trilogy offered us his reflections on Classical opera and garnered serious acclaim worldwide. Performed at the Innsbruck festival in August 2006 and filmed in Baden-Baden, this production is nourished by his thoughts on Don Giovanni as taboo-breaker but still respects Mozart's intentions as closely as possible.
In the documentary Looking for Don Giovanni, the director Nayo Titzin follows the creation of this production in the search for musical truth.