Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. Lionel Hampton was always at his best in a concert setting and this 1979 performance in Haarlem, the Netherlands, is not exception. Fronting a tentet consisting of both veterans and younger musicians, the vibraphonist's energy is contagious to both his band and the audience. The opener, "Glad Hamp" is a furious reworking of the chord changes to "I Got Rhythm," showcasing trumpeter Joe Newman.
Cardboard sleeve (mini LP) reissue from Lou Reed. Part of a 9-album Cardboard sleeve (mini LP) Lou Reed reissue campaign featuring the albums "Lou Reed," "Transformer," "Berlin," "Rock and Roll Animal," "Sally Can't Dance," "Lou Reed Live," "Metal Machine Music," Coney Island Baby," and "Rock adn Roll Heart." Lou Reed's solo debut suggests that neither Reed nor his new record company were quite sure about what to do with him in 1972. It would be years before the cult of the Velvet Underground became big enough to mean anything commercially, leaving Lou pretty much back where he started from in the public eye after five years of hard work, and he seemed to be searching for a different musical direction on this set without quite deciding what it would be.
A great album recorded in 1963 for Atlantic – one of our favorite ever! Jack Wilson's one of our favorite piano players, and we rave about him all the time on these pages – and one of the reasons why we love him so much is that he was often accompanied by Roy Ayers, who started out his career playing vibes in his group! The pair together are a dream, and this album is arguably their best effort – filled with moody modal cuts, and lots of lyrical interplay that hits these beautiful high points, then dives into pits of darkness. Titles include "Harbor Freeway", "De Critifeux", "Corcovado", "Jackleg", and "Nirvana & Dana".
Reissue with the latest 2015 DSD remastering. Comes with liner notes. Not J.J. Johnson's initial public offering by any means, First Place was done with only a quartet in 1957 for Columbia Records, where other efforts by the legendary jazz trombonist were set in a larger ensemble format. Long out of print, this is now on CD with bonus tracks from 1954 featuring Charles Mingus. Playing standards and originals, Johnson assembled a mighty band with pianist Tommy Flanagan, bassist Paul Chambers, and especially on-fire drummer Max Roach, a group you'd be hard-pressed to top.
Features 24 bit remastering and comes with a mini-description. This is the music that will be playing when you die and go to heaven. Excellent original style Dixieland, George's clarinet is heaven! I don't know if any record can do justice to the live experience of the original giants of jazz creating this stuff. But the George Lewis tracks on this record come pretty close! For this alone this CD is well worth buying.
Features 24 bit remastering and comes with a mini-description. Jazz at Preservation Hall: The Eureka Brass Band features New Orleans street parade jazz with bristling horns, sousaphone, and two marching drummers. Trumpeter Percy Humphrey leads an ensemble notable for the presence of saxophonist Emanuel Paul and Percy's brother, Willie, who blows some of the best clarinet he ever recorded. What makes this an unforgettable listening experience is the dual trombone action supplied by Albert Warner and Oscar "Chicken" Henry.
Reissue with the latest remastering and the original cover artwork. Comes with a description written in Japanese. An overlooked gem from reedman Sam Rivers – and a set that's surprisingly soulful, given that most of his other work from this stretch is much more outside! The album's got a laidback groove on most numbers – with rhythm from Daryll Thompson on guitar, Rael Wesley Grant on bass, and Steve McCraven on drums – often in this midtempo mode that has the electric currents providing a subtle bounce, which opens up as Rivers solos on tenor, soprano sax, and flute! The style's a few steps down from funky fusion, but not that far away, either – and Sam proves to be an expressive soloist in the setting, in ways we really wouldn't have expected. Titles include "Swirl", "Chant", "Coral", "Lazuli", "Ripples", "Dandelions", "Devotion", "Beatrice", and "Sprung".