While Lou Christie's shrieking falsetto was among the most distinctive voices in all of pop music, he was also one of the first solo performers of the rock era to compose his own material, generating some of the biggest and most memorable hits of the mid-'60s. This is an excellent collection of his hits.
Although he is best known for scoring hits like "Lightning Strikes" and "Rhapsody in the Rain" during the mid-1960s, Lou Christie continued to record long after that time and a valuable chunk of his recording legacy is captured on Glory River: The Buddah Years 1968-1972. Only a handful of the songs contained in this compilation achieved chart success (the most notable hit being "I'm Gonna Make You Mine"), but the other songs are much more than just failed pop-chart fodder. Christie wrote much of his own material, so the songs presented here have a much more personal touch and tend to be more adventurous than a lot of pop music being produced around this time.
Christie is an British rock band that formed in 1969 by Jeff Christie (guitar, vocals, keyboards), Vic Elmes (guitar) and Michael Blakley (drums, piano). They are best remembered for their UK chart-topping hit single "Yellow River", released in 1970. In 1971 Blakley was replaced by Bob Fenton and in 1972 Lem Lenton joined them as bass player. The band was reformed in 1974 with Roger Flavell (bass), Danny Krieger (guitar) and Terry Fogg (drums).
This is a great collection of rare and hard to find tunes compiled by Jeffrey Glenn. Hundreds of odds & ends by little known groups, famous singers, and famous singers before they became famous.
0PN’s Cannes Award ’17-winning OST for Good Time - a soon come crime thriller by NYC’s Sadie brothers - unfurls in all its future-classic glory on Warp to coincide with the film’s release date. Adding to Daniel Lopatin aka 0PN's increasingly impressive soundtrack portfolio - now counting four major films since work on 2013’s Bling Ring (although IMDB has some prior credits) - this one is arguably his most refined and memorable from first impressions. It appears that before the film was even started he’d established a symbiotic relationship with the directors, sharing their vision of how the music would inspire, score and relate to their visual aspect.
As volume 1 of the series "The Jazz Guitar Trio" is recovered a disc recorded 5 years ago by Ximo Tébar: "Hello Mr. Bennett". There are several reasons why this album, the relaxed atmosphere of a jazz club (in this case the infamous Cafe Populart in Madrid), the role of the master of the organ Lou Bennett, and the outstanding presence of the blues (Which opens and closes the disc), a language that few dominate like Ximo and Lou knew its most pure essences.
Live stage performance of Lou Reed's 1973 album, recorded at St. Ann's Warehouse in Brooklyn, New York over five nights in 2007. When it was first released, 'Berlin', Reed's third solo outing, received a critical mauling, especially since it followed his earlier triumph, 'Transformer', with its hit single 'Walk On The Wild Side'…
Foreigner vocalist Lou Gramm's 1987 solo album Ready or Not is a winner. It came at a precarious time for Foreigner, despite coming off the success of 1985's Agent Provocateur and the band's first number one single, "I Want to Know What Love Is." Ready or Not is rich with melody and snap, but its sound does vary just enough from Foreigner that Gramm can't really be accused of stealing from himself. The production by Gramm and Pat Moran definitely has that bright 1980s style. Gramm's main sidemen include guitarist Nils Lofgren, keyboardist Philip Ashley, bassist/guitarist/keyboardist Bruce Turgon, and drummer Ben Gramm. Side one absolutely sizzles. "Ready or Not" is a strong, hard-rocking leadoff track and it was a minor hit single. The melodic, lyrical, and vocal hooks on "Heartache" are massive and Lofgren's guitar solo adds an edgy bite. The Top Five hit "Midnight Blue" is a terrific pop/rock song; despite its hit status, it's one of the decade's truly underappreciated singles. Lofgren's rolling, effective guitar riffing and a captivating chorus make "Time" one of the best cuts.