This album is a tribute to selected composers in the 1950s who wrote Jazz and Pop tunes and has pre-sold 1000 albums. Produced by Kenny Werner and recorded by Al Schmitt at Capitol Recording Studios in Hollywood and Avatar Studios in NYC, the album offers some of the finest jazz musicians on both East and West coasts supporting Lyn Stanley's captivating voice that is unique, haunting and mesmerizing.
If ever there were a record that both fit perfectly and stood outside the CTI Records' stable sound, it is Sugar by Stanley Turrentine. Recorded in 1970, only three tracks appear on the original album (on the reissue there's a bonus live version of the title track, which nearly outshines the original and is 50 percent longer). Turrentine, a veteran of the soul-jazz scene since the '50s, was accompanied by a who's who of groove players, including guitarist George Benson, Lonnie Liston Smith on electric piano, Freddie Hubbard on trumpet, bassist Ron Carter, organist Butch Cornell, and drummer Billy Kaye, among others.
Alyn Cosker has quickly established a reputation as a formidable jazz drummer and is an exciting new talent in the vibrant Scottish jazz scene. Alyn has poured his experience and chameleon-like taste into the original compositions on “Lyn's Une”, his debut album, and jazz, rock, funk, latin and celtic styles are all in evidence.
A cracking, take-no-prisoners version of The Great Deceiver opens this defining, much bootlegged performance from 1974. For those who prefer a pastoral Crim, look no further than the sublime improv Daniel Dust that quells a boisterous crowd (including yelled requests for Ladies of the Road) and elegantly sets up a reflective Night Watch. This is desert island stuff indeed.