Escape from the Shadow Garden is the 18th studio album from the rock group Magnum. Escape From the Shadow Garden was released on 19 March 2014 in Scandinavia, 21 March in Germany, Austria and Switzerland, 24 March in the rest of Europe, and 1 April in the USA and Canada. As with On the 13th Day the band were hosts to their fans at a record launch party held at the Robin 2 in Bilston on 25 March 2014, the day after the UK release. Japanese special edition including the bonus Disc «Evolution».
On the 13th Day is the 17th studio album from the rock group Magnum (including Keeping the Nite Light Burning and ignoring Evolution), which was released in September 2012, under the label of Steamhammer Records/SPV. The album entered the charts at number 3 in the UK Rock & Metal Charts, number 5 in the UK Indie Charts, number 28 in the German Album Charts, #36 Swedish Album Charts, #43 UK Album Charts during its first week, making it their most successful album since their reformation in 2002 at the time of its release. Bob Catley has stated that he considers On the 13th Day to be Magnum's rockiest album to date, with the track Dance of the Black Tattoo standing out as particularly heavy for a Magnum album.
Wings of Heaven is the seventh studio album by the English rock band Magnum, released in 1988. The original choice of producers for Wings of Heaven was Roger Taylor and Dave Richards, who had produced Vigilante. This was not realised because of conflicting schedules. Albert Boekholt was suggested at Wisseloord Studios, the Netherlands. The album was mixed at Sarm West Studios in London in January 1988. One song was announced, "That's How The Blues Must Start", but was dropped from the album. The album is certified Silver in the UK.
Sleepwalking is the ninth studio album by the English rock band Magnum, released in 1992. Following the decision to leave Polydor, Sleepwalking was recorded within six months, and is the first self-produced album by Magnum since The Eleventh Hour. Tony Clarkin was much happier acting as producer, following his working relationship with Keith Olsen on Goodnight L.A.. Learning from Olsen, Clarkin had enough experience to produce Magnum's records on his own, this also being the best option to cut production costs for future albums.