Marshall Stearns

Jazz Dance: The Story Of American Vernacular Dance by Marshall Stearns  eBooks & eLearning

Posted by thingska at April 18, 2015
Jazz Dance: The Story Of American Vernacular Dance by Marshall Stearns

Jazz Dance: The Story Of American Vernacular Dance by Marshall Stearns
English | Mar 22, 1994 | ISBN: 0306805537 | 508 Pages | PDF | 43.4 MB
Street Fighters: The Last 72 Hours of Bear Stearns, the Toughest Firm on Wall Street (Repost)

Kate Kelly, "Street Fighters: The Last 72 Hours of Bear Stearns, the Toughest Firm on Wall Street"
2009 | ISBN: 1591842735, 1591843189 | English | 256 Pages | EPUB | 1.45 MB

The Story of Jazz (Repost)  eBooks & eLearning

Posted by bookwyrm at June 19, 2016
The Story of Jazz (Repost)

The Story of Jazz By Marshall W. Stearns
1970 | 370 Pages | ISBN: 0195012690 | scanned PDF | 143 MB
Street Fighters: The Last 72 Hours of Bear Stearns, the Toughest Firm on Wall Street (Repost)

Kate Kelly, "Street Fighters: The Last 72 Hours of Bear Stearns, the Toughest Firm on Wall Street"
English | 2009 | ISBN: 1591842735 | CHM | pages: 256 | 1,2 mb
Steve Roach, Kevin Braheny, Michael Stearns - Desert Solitaire (1989)

Steve Roach, Kevin Braheny, Michael Stearns - Desert Solitaire (1989)
EAC | FLAC | Image (Cue&Log) ~ 302 Mb (incl 5%) | Mp3 (CBR320/Stereo) ~ 204 Mb (incl 5%) | Scans included
Genre: Ambient, Progressive Electronic | Label: Fortuna Records | # 17070-2 | Time: 01:05:38

The second of two collaborations with Kevin Braheny inspired by the desert, this album pays homage to the Edward Abbey book of the same title. It inadvertently became a memorial to that Southwestern nature writer when Abbey died shortly after the music was recorded. Featuring some powerful work by Michael Stearns, this album taps into the psychological depths of stark Southwestern landscapes through a subtle set of soundscapes depicting the hidden dangers, unseen gifts, and intoxication that the desert promises.

Michael Stearns & Ron Sunsinger - Sorcerer (2000)  Music

Posted by gribovar at April 9, 2014
Michael Stearns & Ron Sunsinger - Sorcerer (2000)

Michael Stearns & Ron Sunsinger - Sorcerer (2000)
EAC Rip | FLAC (tracks+.cue+log) - 270 MB | MP3 CBR 320 kbps (LAME 3.93) - 134 MB | Covers (7 MB) included
Genre: Ambient | RAR 3% Rec. | Label: Spotted Peccary (SPM-D1101)

After being silent for six years, Michael Stearns returned with the full-length experimental ambient album Sorcerer in September of 2000. The album was inspired by spiritual writing from Carlos Castaneda, resulting in a dark, abstract world created by Stearns and Ron Sunsinger using environmental sounds, bowed metal, and acoustic instruments. The result: Sorcerer is a highly abstract piecing together of noises, absent of beats or melodies.

Michael Stearns - Sacred Site (1993)  Music

Posted by gribovar at April 5, 2014
Michael Stearns - Sacred Site (1993)

Michael Stearns - Sacred Site (1993)
EAC Rip | FLAC (tracks+.cue+log) - 285 MB | MP3 CBR 320 kbps (LAME 3.93) - 147 MB | Covers (5 MB) included
Genre: Ambient | RAR 3% Rec. | Label: Hearts of Space (HS11038)

Michael Stearns is an electronic wizard, sound designer and master of analog synth space music. To a certain extent, Michael Stearns can be considered as the founding father of the Californian sacred space music scene next to Steve Roach and Robert Rich. Sacred Site marks the return of Michael Stearns as a solo artist after five busy years creating spectacular soundtrack music. Stearns saw the dawn of the 90's while traveling to Indonesia, Thailand, Egypt, Costa Rica, Brazil and the Galapagos Islands to record indigenous music and sound effects for film assignments…

Michael Stearns - The Light in the Trees [EP] (1996)  Music

Posted by gribovar at April 3, 2014
Michael Stearns - The Light in the Trees [EP] (1996)

Michael Stearns - The Light in the Trees [EP] (1996)
EAC Rip | FLAC (image+.cue+log) - 103 MB | MP3 CBR 320 kbps (LAME 3.93) - 48 MB | Covers - 32 MB
Genre: Ambient | RAR 3% Rec. | Label: Amplexus (XUS08)

Michael Stearns is an electronic wizard, sound designer and master of analog synth space music. To a certain extent, Michael Stearns can be considered as the founding father of the Californian sacred space music scene next to Steve Roach and Robert Rich. Numbered edition of 1000 copies packaged in an A5 (150x200mm) wraparound folder. All music composed, recorded, mixed and mastered at Earth Turtle Studio, Santa Fe, New Mexico.

Michael Stearns - The Storm (2001)  Music

Posted by gribovar at March 31, 2014
Michael Stearns - The Storm (2001)

Michael Stearns - The Storm (2001)
EAC Rip | FLAC (tracks+.cue+log) - 298 MB | MP3 CBR 320 kbps (LAME 3.93) - 137 MB | Covers (7 MB) included
Genre: Ambient | RAR 3% Rec. | Label: Spotted Peccary (SPM 1102)

The Storm is an excursion into deep, often un rooted ambience. Stearns can completely transform a space with his swirling layers of sounds. Environments cascade atop each other as the Balinese "Ketjak" chante merges from a white noise of rain and barber-pole glissando, but he also leavens The Storm with welcome respites of minimally drawn melody. The Last Feeling is a techno-tribal trance work of plaintive flute melody and hypnotic hand percussion, while The Light in the Trees illustrates the deep melancholy Stearns can evoke with just a few well-placed chords.

Michael Stearns - M'Ocean (1984)  Music

Posted by gribovar at March 29, 2014
Michael Stearns - M'Ocean (1984)

Michael Stearns - M'Ocean (1984)
EAC Rip | FLAC (image+.cue+log) - 221 MB | MP3 CBR 320 kbps (LAME 3.93) - 119 MB | Covers - 40 MB
Genre: Ambient | RAR 3% Rec. | Label: Sonic Atmospheres (CD 309)

"M’Ocean" was originally released in 1983 on cassette by the Continuum Montage label under the title "Light Play" and re-released for the first time on CD by the Sonic Atmospheres label a year later. Hearing the first notes of "M’Ocean", you can immediately hear Michael’s massive and distinguished sound with which he received world fame a couple of years later with classics like "Planetary Unfolding", "Chronos" and "Encounter". This piece, "Sirens", was written and performed entirely on an Oberheim OB8-synth immediately Michael took it out of its box…