The original soundtrack to Steven Soderbergh's striking drug war drama Traffic features Cliff Martinez's sparse, evocative score, classical pieces, and electronica, resulting in a collection of music that's nearly as complex and diverse as the film it accompanies. Martinez, who has scored virtually all of Soderbergh's films (except Erin Brockovich), proves once again why they work together so often: the score's atmospheric drones and understated rhythms build a restrained, implosive tension far better than blaring orchestral pieces.
“Here's a Barbiere light of heart and light of touch, graceful in style, with fresh, youngsounding voices (where appropriate), well schooled so as to make those forbiddingly difficult vocal flights sound like flights of fancy, quick as thought and natural as intuition.
It's a concert performance and carries with it a real sense of enjoyment. The Overture moves with relish as from one good thing to another, and movement is the motto for most of the first act. Fiorello and the chorus are no clod-hoppers and the Count is no show-off. 'Ecco ridente' has the assurance of a young aristocrat who has practised his scales and scorns the use of aspirates.( Gramophone )