Mayr David in Spelunca Engaddi

Mayr - David in spelunca Engaddi (Hauk) (2008)  Music

Posted by ArlegZ at Sept. 26, 2010
Mayr - David in spelunca Engaddi (Hauk) (2008)

Mayr - David in spelunca Engaddi (Hauk) (2008)
APE, IMG+CUE, LOG, Complete Artwork (jpg) => 365 MB | CD1:43’37; CD2:50’41
EAC Rip | Classical/Opera/Vocal | Label: Naxos | FServe/FSonic

Born near Ingolstadt in Bavaria, Simon Mayr spent the greater part of his career in Bergamo, a flourishing cultural and economic centre in the early nineteenth century. An important figure in the promotion of Viennese classicism in Italy, he combined, in his own style, the legacy of Vienna with the dramatic and melodic genius of Italy, and held a dominant position in Italian opera before the emergence of Rossini. His oratorio David in spelunca Engaddi (David in the Cave of Engedi), with a Latin text, was written in 1795 for the Ospedale dei Mendicanti in Venice, one of the four great charitable institutions there, known for the musical achievements of its members. The oratorio deals with the conflict between David and Saul, and the refusal of David to harm the Lord’s anointed, in spite of the opportunity offered him.
Orpheus Vokalensemble, Concerto Köln & Florian Helgath - Mayr: Missa in C Minor & Stabat Mater (2017)

Orpheus Vokalensemble, Concerto Köln & Florian Helgath - Mayr: Missa in C Minor & Stabat Mater
Classical, Sacred, Vocal | WEB FLAC (tracks) & d. booklet | 77:39 min | 367 MB
Label: Carus | Tracks: 23 | Rls.date: 2017

Johann Simon Mayr, born in Upper Bavaria, left a legacy of sixty operas and more than six hundred sacred and chamber music compositions. In the early 18th century, this extremely productive composer was one of the most successful opera composers in Northern Italy and his works were played all over Europe. It is all the more remarkable that he is practically unknown today. The quality of the music cannot be the reason, as is proved by the present recording of the Mass in C minor and the Stabat Mater. Excellent soloists, the Orpheus Vokalensemble and Concerto Köln under the baton of Florian Helgath do justice to the music.
Fabio Luisi, Orchestra Internazionale d'Italia, Davinia Rodriguez, Enea Scala, Michael Spyres - Mayr: Medea in Corinto (2016)

Mayr - Medea in Corinto (Fabio Luisi, Davinia Rodriguez, Enea Scala, Michael Spyres) (2016)
NTSC 16:9 (720x480) VBR | Italiano (LinearPCM, 2 ch) | (Dolby AC3, 6 ch) | 5.37 Gb+5.72 Gb (2xDVD9) | 167 min
Classical | Dynamic | Sub: Italiano, English, Deutsch, Francais, Korean

Mayr had established himself as a highly successful composer by the beginning of the 19th century. Medea in Corinto is one of his best-known operas, based on a libretto by Felice Romani. For decades after its 1813 première at the San Carlo Theatre in Naples, it provided one of the speciality roles for Isabella Colbran and Giuditta Pasta. In this recording, Italian conductor Fabio Luisi gives an intense reading of Mayr’s music and masterfully underlines its deep psychological dimensions, enhancing the drama that unfolds on stage. Luisi, a Grammy Award-winning artist, is also principal conductor of the Metropolitan Opera and general music director of the Zurich Opera. Michael Spyres and Enea Scala, take the important roles of Jason and Aegeus. The role of Medea is entrusted to the Spanish soprano Davinia Rodriguez, who effortlessly delivers Act I’s demanding cavatina with obbligato violin, usually omitted in most productions.

David in the Muslim Tradition: The Bathsheba Affair  eBooks & eLearning

Posted by interes at Nov. 22, 2015
David in the Muslim Tradition: The Bathsheba Affair

David in the Muslim Tradition: The Bathsheba Affair by Khaleel Mohammed
English | 2014 | ISBN: 0739197150 | 238 pages | PDF | 1,3 MB
David in Distress: His Portrait Through the Historical Psalms (The Library of Hebrew Bible/Old Testamen)

David in Distress: His Portrait Through the Historical Psalms (The Library of Hebrew Bible/Old Testamen) by Vivian L. Johnson
English | Mar. 1, 2009 | ISBN: 0567027341 | 176 Pages | PDF | 8.98 MB

This book analyzes the thirteen historical psalms (3, 7, 18, 34, 51, 52, 54, 56, 57, 59, 60, 63, 142) in the Psalter that refer to crucial moments in King David's life as recorded in the Samuel narrative (1 Sam 16-1 Kings 2).
Behold Your King: The Hope For the House of David in the Book of Zechariah (The Library of Hebrew Bible/Old Testamen)

Behold Your King: The Hope For the House of David in the Book of Zechariah (The Library of Hebrew Bible/Old Testamen) by Anthony Robert Petterson
English | Dec. 10, 2009 | ISBN: 0567092151 | 304 Pages | PDF | 1.91 MB

This book investigates the nature of the hope for the house of David in the final form of the book of Zechariah.

Pamela David in Maxim Argentina  Graphics

Posted by killco at Oct. 24, 2009
Pamela David in Maxim Argentina

Pamela David in Maxim Argentina
PDF | 6730x9040 | 6 photos | 5.6 MB

Masterclass - David Mamet Teaches Dramatic Writing  eBooks & eLearning

Posted by IrGens at July 24, 2017
Masterclass - David Mamet Teaches Dramatic Writing

Masterclass - David Mamet Teaches Dramatic Writing
.MP4, AVC, 800 kbps, 1280x720 | English, AAC, 128 kbps, 2 Ch | 4.2 hours | + PDF | 1.98 GB

Alan Curtis, Il Complesso Barocco - Conti: David [2007]  Music

Posted by Vilboa at April 14, 2017
Alan Curtis, Il Complesso Barocco - Conti: David [2007]

Conti - David (Alan Curtis) [2007]
Classical | Virgin 9463788772 | TT: 76.03+79.05 | EAC (FLAC, cue, log) | Covers | 734 Mb

The Florentine Francesco Bartolomeo Conti (1682-1732) was the finest theorbo player in early 18th-century Europe, and spent almost his entire career at the Habsburg court in Vienna. He composed sacred and secular vocal works special enough to warrant the attention of both Bach and Handel. Conti's oratorio David, a setting of a dramatic libretto by Apostolo Zeno, was first performed at Vienna in March 1724. The cast of singers included the tenor Francesco Borosini, soon afterwards a principal cast member for Handel in Tamerlano and Rodelinda (Conti's writing for Borosini descends to a low G, hence the decision here to cast baritone Furio Zanasi as Saul). Alan Curtis speculates that Borosini might have shown Conti's score to Handel because Conti's use of the theorbo to portray David playing the harp to soothe the insanely jealous Saul is neatly reflected in Handel's use of solo harp in his oratorio Saul (1738). Conti's difficult obbligato theorbo part in David's 'Quanto mirabile' is entrusted to the safe hands of Jakob Lindberg; the vocal part is sung by Marijana Mijanovic´, whose tuning and phrasing are better here than in her Handel recordings. Furio Zanasi's top register is stretched a notch too much for comfort at times but this never gets in the way of a convincing performance. Simone Kermes is beautifully emotive as Micol, Birgit Christensen's sparkling soprano is impressive, and Sonia Prina sings with exemplary sense of proportion and melodic line.

The Development of an Icon : Solomon Before and After King David  eBooks & eLearning

Posted by readerXXI at June 28, 2017
The Development of an Icon : Solomon Before and After King David

The Development of an Icon : Solomon Before and After King David
by John W. Herbst
English | 2016 | ISBN: 1498282474 | 235 Pages | ePUB | 1.39 MB