Joe Stampley (born June 6, 1943 Springhill, Louisiana in Webster Parish, Louisiana) is a country music singer. He is known for several hits in the 1960s and beyond.
He was born to R.C. Stampley, Jr. (|1920–2000), and Mary E. Stampley (1924–2004). His interest in music dates to boyhood, when he listened to his father's Hank Williams records and learned to play piano before he was ten years of age.
In the 1960s, Stampley was the lead singer for the rock group, The Uniques (not to be confused with the Jamaican and doo-wop groups with the same name.) The Uniques were based out of Shreveport, the largest city near Springhill, and began performing in Arkansas, Louisiana, and Texas. They were soon in great demand. In 1965, The Uniques recorded, "Not Too Long Ago", the first national hit for Paula Records. One year later, they-followed with "All These Things", which is still played on many oldies radio stations, especially in the south-central United States.
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This fabulous blues duo has existed for more than 20 years. The harp and guitar has been a traditional format in the blues history, and they are giving you the best of what they consider is the best of the acoustic blues tradition. Their music goes back to the 1920’s, 30’s and 40’s. The Jumper and Moe play in different styles like the Mississippi slide or harp style, or the sweet Piedmont way of guitar picking. We can find memories of Blind Blake, Mississippi John Hurt, Bo Carter, Leadbelly, Lightning Hopkins, Blind Willie McTell, Bukka White, Muddy Waters, Little Walter, BB King, Mississippi Sheiks, The Memphis Jug Band, Robert Johnson, and many more of the oldtimers in their music.
Eric Moe is an alchemist of expressive extremes, from what he calls ‘beautiful quiet music’ to ‘the rough, raucous stuff’. His exquisitely controlled music distils rare eloquence, grace, force and beauty from the incongruous elements of pop, rock, jazz, African drumming and classical sources as diverse as Mozart and Stravinsky. Edgy and lyrical, gritty and elegiac, the works on this disc synthesise the harmonies of Debussy, the drum licks of the Jimi Hendrix Experience, Bud Powell’s extraordinary pianism and much more besides into an exuberant musical fusion.
The usual stuff is here: arpeggio versus ostinato, ostinato versus arpeggio. And as always, the Philip Glass Ensemble's synthesizers double their woodwinds. But Glassworks is the most pleasant craftwork ever from the great minimalist exploiter – six warm pieces that approach the spirit of minimalist pioneer Erik Satie. Only instead of Satie's lyrical-to-antic jumps, Glass creates the ruminative-to-excitable kind. "Opening"'s softly rolled piano melody is music to fold your hands and muse by, and when Sharon Moe's French horn sets up "Floe," everything seems nice and level – until the flailing woodwinds and synthesizers of the ensemble crash in. Glassworks is tuneful in the most pleasingly direct sense – the arrangements define the melodies so cleanly they're instantly memorable.
No other music has held such revolutionary possibility as hip-hop and to celebrate 30 years of this innovative genre Ministry of Sound brings you the latest instalment in our epic Anthems series. The inspirational pioneers of this unique culture are all present on this essential release that begins with classic club anthems from artists such as Run DMC, A Tribe Called Quest, Dr Dre, Cypress Hill and Gang Starr. This anthology is summarised with a taste of where the scene has developed into the modern era with a collection of no1 smashes that still blow up the dance floors across clubs worldwide. Kick back and educate yourself in a sound that is breaking more barriers and reaching an ever-wider audience than ever before and still to this day. Anthems Hip Hop - the music that inspired a generation.
The Complete Motown Singles has been a dream project of Motown and soul fanatics for many years, ever since the first decade of Stax/Volt singles was compiled in an impressive nine-disc box set in 1991. The Complete Motown Singles might have seemed like a logical move to soul collectors and fanatics, but it remained in the realm of fantasy for many years because, as enticing as that set was, it was difficult to create.
Rare spiritual jazz by reed player Milton Marsh – one of the harder-to-find albums on Strata East – and one of just a couple incredible records to Marsh's name! Obscurity aside, this is prime Strata East – with some sprawling moments in a larger band formation that go just far out enough, but an overall approach that's pretty inside, very much in the label's strong 70s soul jazz tradition. There's a pretty large cast of players in action, including some legendary ones like saxophonist David Ware, percussionist Greg Bandy, Cedric Lawson on piano and others. Titles include "Vonda's Tune", the incredible "Monism" with its spoken word excerpt from Hazrat Inayat Khan's Sufi Message, nicely read by Marsh himself over an amazing mix of soulful strings and tense interplay, plus "Metamorphosis", "Community Music", "Sabotage 3 Preparations" and "Ode to Nzinga". A lost masterpiece!
Official 2016 remastered collection of 5 albums recorded for Prestige, housed in replica card sleeves with full original artwork. Includes 'Worktime', 'With The Modern Jazz Quartet', 'Tenor Madness', 'Moving Out', & 'Saxaphone Colossus'. The quality of the music collected here needs no comment, really. But what I like about this series of box sets is that the original LP covers are faithfully reproduced on the small paper sleeves, front and back, just like the Japanese do it with their ridiculously expensive miniature CD paper sleeves. All relevant discographic data, like musicians, recording dates etc., are listed on the CD labels, which is unique for this kind of box sets and a great service if you ask me.