Magnum are a British progressive rock band from Birmingham, England. Formed as a four piece by Tony Clarkin (guitar), Bob Catley (vocals), Kex Gorin (drums) and Bob Doyle (bass) in order to appear as the resident band at The Rum Runner night club in Birmingham. Magnum have undergone several changes in personnel over the years; however, the core of vocalist Bob Catley and guitarist/songwriter Tony Clarkin remain today.The release of the band's 17th studio album On the 13th Day is scheduled for September 2012.
Kari and David Ames have seemingly built the perfect life until Kari's dark past is unveiled following the kidnapping of their 6-year old daughter.
Essential: a masterpiece of progressive rock music
In my opinion, On the Third Day is the best album by ELO during their early progressive rock period. Even though this album started showing signs of Lynne's movement towards more radio-friendly material and simpler song structures, it still has masterpiece written all over it. The most major improvement was clearly the quality of production, Lynne's improved vocal delivery and even better guitar playing from a performer who would never be known for his prowess on this instrument. Richard Tandy is cut loose here and there providing some well-fitting keyboard work on New World Rising, Daybreaker, Dreaming of 4000 and the Grieg tribute In the Hall of the Mountain King.
8th Day were a studio-based congregation on Invictus Records: the post-Motown label from Holland/Dozier/Holland. There wasn't an official group lineup, and the musicians and singers in 8th Day were featured in other Invictus/Hot Wax groups – most notably in 100 Proof (Aged In Soul) – but sweating over the details of who did what and who was where misses the point of the Invictus sound: the sound and the songs took prominence over group membership, and why not? The team at Invictus was tremendous, creating big, "Wall of Sound" productions that were nevertheless nimble, stylish, and lush: a perfect expansion of the Motown aesthetic for the post-psychedelic, smooth, soul era.
It was only after Michael Jackson’s death that Italian trumpeter Enrico Rava gradually became aware that he had for many years been ignoring, in his words, “one of the great protagonists of 20th century music and dance. A total artist. A perfectionist. A genius. I felt the need to delve more deeply into Michael’s world. There was only one way to do that: play his songs.” Thus this live album, recorded at the Rome Auditorium with the Parco della Musica Jazz Lab. Enrico’s trumpet is at its most extroverted here, vaulting above the spirited arrangements by Mauro Ottolini. Michael Jackson’s protean pop songs have never been heard quite like this. Rava is currently playing European festivals with this programme.
This is a movie about people caught up in the moment just before a large or small change is about to take place in their lives. A combination of chance and fate delude the protagonists throughout. The movie attempts to describe the life of individuals in contemporary Israeli society, and the almost impossible attempt to simply live one's life. Whether he is a regular citizen or an important "boss", the life of every Israeli is consciously or unconsciously shaped by the national state of affairs.