Mansurian Quasi Parlando

Tigran Mansurian - Quasi parlando (2014) [Kopatchinskaja, Lechner, Thompson]

Tigran Mansurian - Quasi parlando (2014)
Patricia Kopatchinskaja, violin; Anja Lechner, violoncello
Amsterdam Sinfonietta; Candida Thompson, conductor and lead violin

EAC | FLAC | Tracks (Cue&Log) ~ 263 Mb (incl 5%) | Scans included | Time: 01:02:35
Genre: Classical | Label: ECM | # ECM New Series 2323, 481 0667

Quasi Parlando is an important addition to ECM's documentation of the work of Tigran Mansurian, an often breathtaking account of highly original contemporary chamber orchestra music. Issued in the wake of his 75th birthday, the album presents four works for soloists and strings, and marks the ECM debut of the Moldovan violinist Patricia Kopatchinskaja, winner of the 2013 Gramophone Awards 'Record of the Year'. It opens with the Armenian composer's fiercely-concentrated Double Concerto for Violin, Cello and String Orchestra, and proceeds to new music performed by its dedicatees: the lyrical Romance, dedicated to Patricia Kopatchinskaja, and the intensely expressive Quasi Parlando, dedicated to German cellist Anja Lechner. Both are world premiere recordings, as is the Violin Concerto No 2, subtitled Four Serious Songs, which concludes the programme. Throughout, the soloists deliver committed performances, as does the Amsterdam Sinfonietta under the direction of Candida Thompson.
Tigran Mansurian - Quasi Parlando (2014) {ECM 2323} [Official Digital Download 24bit/96kHz]

Tigran Mansurian - Quasi Parlando (2014) {ECM 2323}
FLAC tracks 24bit/96kHz | Time 62:34 minutes | 1.05GB
Studio Master, Official Digital Download | Digital Booklet (PDF)

“Quasi Parlando” is an important addition to ECM’s documentation of the work of Tigran Mansurian, an often breathtaking account of highly original contemporary chamber orchestra music. Issued in the wake of his 75th birthday, the album opens with the Armenian composer’s fiercely-concentrated Double Concerto, and proceeds to new music performed by its dedicatees: the lyrical Romance, dedicated to Moldavian violinist Patricia Kopatchinskaja, and the intensely expressive Quasi Parlando, dedicated to German cellist Anja Lechner. Both are world premiere recordings, as is the Concerto No 2, subtitled Four Serious Songs, which concludes the programme. Throughout, the soloists deliver committed performances, as does the Amsterdam Sinfonietta under the direction of Candida Thompson.

Tigran Mansurian - Quasi parlando (2014)  Music

Posted by SERTiL at April 8, 2014
Tigran Mansurian - Quasi parlando (2014)

Tigran Mansurian - Quasi parlando
Classical | MP3 CBR 320 kbps | 62:30 min | 150 MB + 5% Recovery
Label: ECM New Series | Tracks: 08 | Rls.date: 2014-03-31

Quasi Parlando is an important addition to ECM's documentation of the work of Tigran Mansurian, an often breathtaking account of highly original contemporary chamber orchestra music. Issued in the wake of his 75th birthday, the album presents four works for soloists and strings, and marks the ECM debut of the Moldovan violinist Patricia Kopatchinskaja, winner of the 2013 Gramophone Awards 'Record of the Year'.

Tonu Korvits - Mirror (2016)  Music

Posted by Designol at Sept. 16, 2016
Tonu Korvits - Mirror (2016)

Tõnu Kõrvits - Mirror (2016)
Anja Lechner, violoncello; Kadri Voorand, voice; Tõnu Kõrvits, kannel
Tallinn Chamber Orchestra; Estonian Philarmonic Chamber Choir; Tõnu Kaljuste, conductor

EAC | FLAC | Tracks (Cue&Log) ~ 250 Mb (incl 5%) | Mp3 (CBR320) ~ 156 Mb (incl 5%) | Scans included
Genre: Classical | Label: ECM | # New Series 2327, 481 2303 | Time: 01:03:07

Mirror is the first ECM New Series album from Estonian composer Tonu Korvitz (born 1969), who emphasizes his links to his homelands music at several levels. The album begins with a fantasy on a song by Veljo Tormis. Like the older composer, Korvitz has been influenced by folk song and archaic musical tradition, which find their echo in the refined and texturally-rich spectrum of his own, labyrinthine pieces. His music is well served here by the Tallinn Chamber Orchestra and the Estonian Philharmonic Chamber Choir under Tonu Kaljustes assured direction and by soloist Anja Lechner. Lechners cello is foregrounded in Peegeldused Tasaset Maast (2013), Laul (2012, rev. 2013) and the albums largest piece Seitsme Linnu Seitse Und (2009, rev. 2012), a collaboration with the poet Maarja Kangro, which is both choral suite and cello concerto. In these seven dreams of seven birds the choir sings in Estonian and English and the cello conjures both birdsong and swooping flight.

Fernando Capone - Parlando degli Etruschi  eBooks & eLearning

Posted by SSCN1926 at April 8, 2015
Fernando Capone - Parlando degli Etruschi

Fernando Capone - Parlando degli Etruschi
Italian | Amazon Media EU | 2013 | EPUB | Pages 138 | ASIN: B00D4AU0Z8 | 1.63 Mb
Novanta. (Quasi) un secolo per chiedersi chi siamo e dove andiamo noi italiani - Piero Ottone

Novanta. (Quasi) un secolo per chiedersi chi siamo e dove andiamo noi italiani - Piero Ottone
Italian | 2014 | 238 Pages | ISBN: 8830439266 | EPUB | 378.9 KB

Cuore antichissimo di un Occidente che pare sfumare sempre più nei colori morbidi e caldi delle civiltà al tramonto, che cos'è oggi l'Italia, per molti già nazione europea di seconda fila la cui unificazione fu certo un azzardo se non addirittura un errore? Qual è il suo posto in un domani più ricco d'incognite che di certezze? Né autobiografia né libro di memorie, queste pagine hanno qualcosa dell'una e dell'altro, ma non sono ascrivibili a nessuno dei due generi letterari…
Armenian Piano Trios - Babadjanian, Mansurian, Tchebodarian, Hakhinian (Chilingirian, Spanoghe, Groote) (2004)

Armenian Piano Trios - Babadjanian, Mansurian, Tchebodarian, Hakhinian (Chilingirian, Spanoghe, Groote) (2004)
EAC Rip | FLAC, IMG+CUE, LOG, Scans (jpg) | 64:20 | 268.1 MB
Classical | Et'Cetera / KTC 1262

Arno Aroutiounovitch Babadjanian est né en 1921 à Erevan, et il est mort à Moscou en 1983. De père mathématicien de profession et flûtiste de musique traditionnelle arménienne, Babadjanian entra en 1928 au conservatoire d'Erevan, où il fut l'élève, de 1936 à 1938, du compositeur Barkhoudarian. Il entra ensuite à l'école de musique de Gnesin de Moscou, puis au Conservatoire de Moscou où il étudia le piano avec Constantin Igoumnov (1873-1948) et la composition avec Vissarion Chebaline (1902-1963)…

Tony Buzan, "Usiamo la memoria: Per ricordare quasi tutto"  eBooks & eLearning

Posted by TimMa at April 25, 2017
Tony Buzan, "Usiamo la memoria: Per ricordare quasi tutto"

Tony Buzan, "Usiamo la memoria: Per ricordare quasi tutto"
Frassinelli | 2004 | ISBN: 8876847898 | Italian | PDF | 204 pages | 7 MB

Come giudicate la vostra memoria? Temete che vi tradisca sul più bello nello studio, sul lavoro o in una situazione cruciale? Siete convinti che peggiori con gli anni? Avere sempre la risposta pronta e ricordare qualunque cosa si desideri (e a qualsiasi età) non è un'impresa da fenomeni, anzi, è un traguardo alla portata di tutti. Lo rivela Tony Buzan, uno dei maggiori esperti mondiali in materia: il nostro cervello è una macchina meravigliosa in grado di immagazzinare miliardi di dati pronti per essere usati. Il segreto è imparare ad acquisire e sistemare le nozioni così da potervi accedere subito, anche a distanza di tempo. …

Nina Sadowsky - Una coppia quasi perfetta  eBooks & eLearning

Posted by Karabas91 at April 21, 2017
Nina Sadowsky - Una coppia quasi perfetta

Nina Sadowsky - Una coppia quasi perfetta
Italian | 2017 | 188 Pages | ISBN: 8822705505 | EPUB | 0.3 MB
Tigran Mansurian - Requiem (Petersen, Redmond, RIAS Kammerchor, Munchener Kammerorchester; Liebreich) - 2017

Tigran Mansurian - Requiem (Petersen, Redmond, RIAS Kammerchor, Munchener Kammerorchester; Liebreich) - 2017
TR24.SM.OF | FLAC (tracks) 24-bit/96 kHz | PDF | 811.34 MB
Classical | ECM New Series

Tigran Mansurians Requiem erinnert an die Opfer des Völkermordes, der von 1915 bis 1917 im damaligen Osmanischen Reich an den Armeniern verübt wurde. In zutiefst bewegender Weise führt Mansurian die musikalische Tradition seines Landes, ihre Klangfarben und Stimmungen, mit dem lateinischen Bibeltext zusammen und erfüllt seine Komposition mit dem »leuchtenden Glanz der armenischen modalen Musik«, wie Paul Griffiths es in seinem Essay formuliert. Für Mansurian, der als bedeutendster Komponist Armeniens gilt und in dessen Musik, so die Los Angeles Times, »ein tiefer kultureller Schmerz besänftigt wird durch wundersam stille, herzzerreißende Schönheit«, bedeutet das Requiem einen Meilenstein. Das Requiem entstand im Auftrag des Münchener Kammerorchesters und des RIAS Kammerchors und wurde im Januar 2016 in der Jesus-Christus-Kirche in Berlin-Dahlem mit Manfred Eicher als Produzent aufgenommen..