Among contemporary composers of orchestral music, Christopher Rouse is a prominent figure, noted for his extremely virtuosic scores as well as for his dark subject matter. Such fantastic – some might say nightmarish – pieces as the ultra-violent Gorgon (1984) and the enigmatic Iscariot (1989) are true to form in their evocation of mythology or religion, and even the elegiac Trombone Concerto (1991) has its suggestions of otherworldly things, particularly in its quotation of Leonard Bernstein's "Kaddish" Symphony and the haunting, dirge-like adaptation of the folk song Tsintskaro at the opening of the third movement. Yet Rouse's music is much more than its allusions, however meaningful, and it's possible to enjoy these works for their raw power and ethereal beauty without knowing anything about their references.
New version of the Paco de Lucía Integral, 27 CDs his complete work remastered. "Cositas Buenas", his last album, comes as a new in this new Integral. Now in a new economic format. This collection is a unique tour of the work of Paco de Lucia from 1964 to 2004. One of the least well-known of the extensive body of work recorded by the Algeciran, which contains some of the tracks that he would include months later on his 1981 record Solo Quiero Caminar with The Sextet. On two songs he counts on the participation of John McLaughlin and Larry Coryell, both of whom collaborated on a series of virtuoso trio performances, an idea promoted by Paco’s manager, Barry Marshall, towards the end of 1978 (Al di Meola soon took the place of Larry Coryell).
La buca is a bizarre comedy in "buddy movie" style set in an undefined city and in an unspecified era, in which modern-day events are mixed with Fifties elements, like cars, bicycles, street-lights, bistros, fur collars and black antique telephones.