Matthew Gee All Stars Jazz By Gee! (1956) {riverside Ojccd 1884 2}

Matthew Gee All-Stars - Jazz By Gee! (1956) {Riverside OJCCD-1884-2}

Matthew Gee All-Stars - Jazz By Gee! (1956) {Riverside OJCCD-1884-2}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 207 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 300 dpi (jpg) -> 10 Mb | 5% repair rar
© 1956, 1996 Riverside / Fantasy / OJC | OJCCD-1884-2
Jazz / Bop / Cool / Trombone

Trombonist Matthew Gee was primarily a section player and a valuable sideman, but as this CD reissue shows, he could have been a significant soloist too. The two sessions (Gee's only two as a leader) feature him in an unusual quintet with altoist Ernie Henry (the trombone-alto blend has a unique sound) and at the head of a septet also including trumpeter Kenny Dorham, tenorman Frank Foster, and baritonist Cecil Payne. The music is quite bop-oriented and mixes together standards with three swinging Gee originals. An underrated and generally overlooked gem by a forgotten trombonist.
Julia Oleynik & Nicole Trunfio by Olivier Zahm for J Lindberg #2 Fall/Winter 2011

Julia Oleynik & Nicole Trunfio - J Lindberg Fall/Winter 2011
12 jpg | up to 1979*1308 | 10.2 Mb
Photographed by Olivier Zahm
Sierra Leones's Refugee All Stars - Living Like A Refugee (Anti- 6837-2) (EU 2006)

Sierra Leones's Refugee All Stars - Living Like A Refugee
FLAC | EAC, LOG & CUE | Artwork | Size: 537 MB
Cat#: Anti- 6837-2 | Country/Year: Europe 2006
George Lewis and His Ragtime Band - Jazz At Vespers (1954) {Riverside OJCCD-1721-2 rel 1992}

George Lewis and His Ragtime Band - Jazz At Vespers (1954) {Riverside OJCCD-1721-2 rel 1992}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 241 Mb | MP3 @320 -> 100 Mb
Full Artwork @ 300 dpi (jpg) -> 7 Mb | 5% repair rar
© 1954, 1992 Riverside / Fantasy / OJC | OJCCD-1721-2
Jazz / Ragtime / New Orleans Jazz / Clarinet

The recording captures Lewis's ensemble perhaps at zenith. "Jazz at Vespers" is one of the key albums in the George Lewis canon. It was recorded during a Vespers service in 1954 at Holy Trinity Episcopal Church in Oxford Ohio. This was the church of Rev. Alvin Kershaw, a jazz enthusiast who was one of the first to use jazz bands as part of a service. George Lewis was at his best playing spirituals, his clarinet gentle and introspective, weaving inside the melodies like a white dove. The band backed him sensitively.Highly recommended. Clean, clear recordings.
Arkadia Jazz All-Stars - Thank You Duke! Our Tribute To Duke Ellington (1999)

Arkadia Jazz All-Stars - Thank You Duke! Our Tribute To Duke Ellington (1999)
EAC | WavPack (log,image+cue) -> 348 Mb (5% Rec.) | Mp3 CBR320 Kbps -> 156 Mb (5% Rec.) | Scans included
Jazz | Label: Arkadia Jazz, #70003 | 1999 | 0:59:59

Everyone and their uncles were busy cranking out Ellington albums in 1999 – usually with the same imaginative titles ("A Tribute, "Our Tribute, " etc., etc.) – but this anthology has quite a few individual coups that stand out from the pack.
Art Blakey's Jazz Messengers - Ugetsu (1963) {Riverside 20-bit K2 Limited Edition}

Art Blakey's Jazz Messengers - Ugetsu (1963) {Riverside 20-bit K2 Limited Edition}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 414 Mb | MP3 @320 -> 134 Mb
Full Artwork @ 300 dpi (jpg) -> 20 Mb | 5% repair rar
© 2004 Riverside / Fantasy | RITB 9464-2 | 20-bit K2 remaster | LP RLP 464
Jazz / Hard Bop

This edition limited to 10,000 copies and 20-Bit K2 Super Coding. Ugetsu, a 1963 live set from the original Birdland, finds Art Blakey & His Jazz Messengers at the peak of their powers with one of their strongest lineups. The group primarily recorded sessions for Alfred Lion's Blue Note label, but this Riverside date is as strong as any of their previous outings. Having acquired the services of trombonist Curtis Fuller in 1961, the Messengers' front line was its most robust ever, with Wayne Shorter and Freddie Hubbard consistently turning in some of their best performances. Rounding out the rhythm section with Blakey are the equally powerful Reggie Workman and Cedar Walton.
La Perla Spring/Summer 2016 Campaign by Mert Alas & Marcus Piggott (part 2)

La Perla Spring/Summer 2016 Campaign (part 2)
13 jpg | 980*1400 | 11.37 Mb
Various models

All in One SEO Pack Pro v2.3.6.2 + License Key  

Posted by art_links at April 22, 2015
All in One SEO Pack Pro v2.3.6.2 + License Key

All in One SEO Pack Pro v2.3.6.2 + License Key | 1 MB
PHP | CSS | JS

All in One SEO Pack Pro v2.1 improves on the most popular WordPress SEO plugin. With All in One SEO Pack Pro you can set site-wide defaults in WordPress as well as customize the search engine settings for each individual WordPress post and page. All in One SEO Pack Pro gives you complete control over exactly what appears in the search engine results.
Gene Ammons' All Stars - The Big Sound (1958) {Prestige} (ft. John Coltrane)

Gene Ammons' All Stars - The Big Sound (1958) {Prestige} (ft. John Coltrane)
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 288 Mb | MP3 @320 -> 118 Gb
Full Artwork @ 300 dpi (jpg) -> 8 Mb | 5% repair rar
© 1991 Prestige / Fantasy / OJC | OJCCD-651-2
Jazz / Hard Bop / Soul Jazz / Saxophone

Along with its fellow CD, Groove Blues, this reissue fully documents all of the music recorded by tenor saxophonist Gene Ammons on the busy day of January 3, 1958. Although there were many guest soloists, only one of the four songs on this half of the set (Mal Waldron's "The Real McCoy") has appearances by John Coltrane (on alto) and the tenor of Paul Quinichette.
Dexter Gordon All-Stars - Dexter Blows Hot And Cool (1955) {2013 Ace Records Remaster}

Dexter Gordon All-Stars - Dexter Blows Hot And Cool (1955) {2013 Ace Records Remaster}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 149 Mb | MP3 @320 -> 91 Mb
Full Artwork @ 600 dpi (jpg) -> 254 Mb | 5% repair rar
© 2013 Ace Records | CDBOPM 006
Jazz / Bop / Saxophone

Ace Records’ Boplicity label was one of the earliest entries into the jazz reissues market in the mid-1980s. The short release schedule covered classic modern jazz from the 50s and 60s, taking in music originally released by Blue Note, Riverside, Prestige and various smaller independents. We are now re-launching the label as home for our small but distinct catalogue of 1950s and 1960s modern jazz. Featuring bonus tracks wherever possible, each release will strive for the highest quality in sound reproduction, using fresh transfers of the original master tapes.