Messiaen

Jean-Yves Thibaudet, Takashi Harada, Royal Concertgebouw, Riccardo Chailly - Olivier Messiaen: Turangalila-Symphonie (1993)

Olivier Messiaen: Turangalîla-Symphonie (1993)
Jean-Yves Thibaudet, piano; Takashi Harada, ondes martenot
Royal Concertgebouw Orchestra, conducted by Riccardo Chailly

EAC | FLAC | Tracks (Cue&Log) ~ 358 Mb | Mp3 (CBR320) ~ 175 Mb | Scans ~ 44 Mb
Genre: Classical | Label: Decca | # 436 626-2 | Time: 01:16:36

Along with Wit's Naxos recording, this is one of the best versions of Messiaen's phantasmagoric Turangalîla-Symphonie available, and it's very different: swifter, more obviously virtuosic in concept, perhaps a touch less warm in consequence, and engineered with greater “in your face” immediacy. The playing of the Concertgebouw, always a wonderful Messiaen orchestra, is stunning throughout. Chailly revels in the music's weirdness. The Ondes Martinot, for example, is particularly well captured. It's interesting how earlier performances tended to minimize its presence, perhaps for fear that is would sound silly, which of course it does, redeemed by the composer's utter seriousness and obliviousness to anything that smacks of humor. In any case, it's not all noise and bluster. The Garden of Love's Sleep is gorgeous, hypnotic, but happily still flowing, while the three Turangalîla rhythmic studies have remarkable clarity. Jean-Yves Thibaudet plays the solo piano part magnificently, really as well as anyone else ever has.
Bruce Levingston - Portraits: Glass, Ravel, Messiaen, Satie (2006)

Bruce Levingston - Portraits: Glass, Ravel, Messiaen, Satie (2006)
EAC | FLAC (image+.cue, log) | Covers Included | 01:02:18 | 220 MB
Genre: Classical | Label: Orange Mountain Music | Catalog: OMM 0025

Pianist Bruce Levingston is artistic director for a New York organization that commissions new music and one of the works commissioned by that group was Philip Glass' A Musical Portrait of Chuck Close, given its world-premiere recording on this album. Levingston suggested the idea to Glass of a musical tribute to the painter after viewing Close's painting of Glass. The piece is in two movements, the first of which is full of alternations – between major and minor, between meters, between a rocking figure and running scales – that give it an overall chiaroscuro effect.
Anatol Ugorski - Olivier Messiaen: Catalogue d'oiseaux; La Fauvette des jardins (2003)

Anatol Ugorski - Olivier Messiaen: Catalogue d'oiseaux; La Fauvette des jardins (2003)
EAC | FLAC (tracks+.cue, log) | Covers Included | 03:01:16 | 529 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 474 345-2

Messiaen's Catalog of Birds for piano is one of the wonders of modern music, a work apart from schools, movement, intellectual constructions, and programmatic declarations concerning the future of music. Perhaps the engaging, enigmatic, spellbinding nature of this music proceeds from Messiaen's unique source of inspiration: birdsong. Non-human, the source of Messiaen's music is nevertheless not alien since Messiaen celebrates the sounds of nature, which he, as a devout Catholic, experiences as a divine creation. It's difficult to imagine a better interpreter of Messiaen's powerful visions than pianist Anatol Ugorski, who plunges himself into Messiaen's spiritual universe with the passionate abandon of a devoted seeker.

Tom Winpenny - Olivier Messiaen: L'Ascension (2016)  Music

Posted by tirexiss at May 6, 2017
Tom Winpenny - Olivier Messiaen: L'Ascension (2016)

Tom Winpenny - Olivier Messiaen: L'Ascension (2016)
EAC | FLAC (image+.cue, log) | Covers + Digital Booklet | 66:33 | 225 MB
Genre: Classical | Label: Naxos | Catalog: 8.573471

The organ compositions of Olivier Messiaen firmly established the composer as a figure of 20th century music. This release features his well-known works L’Ascension and Le banquet celeste, along with two pieces which were discovered posthumously in 1997, Offrande au Saint-Sacrement, and Prelude. Organist Tom Winpenny does an outstanding job in these performances, which were recorded at the organ at St. Giles’ Cathedral, Edinburgh, Scotland.
Steven Osborne, Martin Roscoe - Olivier Messiaen: Visions de l’Amen (2004)

Steven Osborne, Martin Roscoe - Olivier Messiaen: Visions de l’Amen (2004)
XLD | FLAC (tracks+.cue, log) | Covers + Digital Booklet | 01:00:39 | 184 MB
Genre: Classical | Label: Hyperion | Catalog: 67366

Steven Osborne continues his enthralling performances of Messiaen's piano works, with Martin Roscoe joining him for the two-piano Visions de l'Amen. The two of them are flawlessly matched in their strength, control, and range of expression, even though for much of the work the two piano parts are largely independent. They move together from twinkling, distant starlight passages to powerful, brilliant solar flare-like passages. Osborne and Roscoe, although painting large pictures in the seven movements, demand that attention be paid to the details in the music.
Berliner Philharmoniker, Simon Rattle - Messiaen: Éclairs sur l’au-del... (2004) [Official Digital Download 24/44.1]

Berliner Philharmoniker, Simon Rattle - Messiaen: Éclairs sur l’au-del… (2004)
FLAC (tracks) 24-bit/44.1 kHz | Time - 60:14 minutes | 542 MB
Studio Master, Official Digital Download | Artwork: Digital booklet

Éclairs sur l'au-dela (Illuminations of the Beyond) was Messiaen's last work. It shares with his other large-scale orchestral pieces a sense of otherworldly grandeur, obsessively repeated rhythmic and melodic patterns, birdcalls, and a riot of orchestral color, among much else. Its eleven movements address different aspects of the title and, like virtually everything Messiaen wrote, could not be mistaken for any other composer.
London Philharmonic Orchestra & Christoph Eschenbach - Messiaen: Canyons Aux Etoiles (2015) [TR24][OF]

London Philharmonic Orchestra & Christoph Eschenbach - Messiaen: Canyons Aux Etoiles
Classical | FLAC (tracks) 24-bit/96 kHz | 100:51 min | 1.65 GB | Digital booklet
Label: LPO | Tracks: 12 | Rls.date: 2015

Commissioned to celebrate the bicentenary of the United States Declaration of Independence, Messiaen's Des canyons aux étoiles was inspired by the composer's tours around Utah's magnificent landscapes, including Bryce Canyon and Cedar Breaks, which so affected him with their beauty. This is no musical tourism however: the work takes the listener upwards, from the depths of the canyons, to the songs of birds, to outer space, and ultimately to the Celestial City.
Olivier Messiaen - Rudolf Innig - Livre du Saint Sacrament (1998, MDG "Gold" # 317 0623-2) [RE-UP]

Olivier Messiaen - Rudolf Innig - Livre du Saint Sacrament
2xCD | EAC+LOG+CUE | FLAC: 430 MB | Full Artwork: 187 MB | 5% Recovery Info
Label/Cat#: MDG "Gold" # 317 0623-2 | Country/Year: Germany 1998
Genre: Classical | Style: Contemporary, Organ

"…Each gesture, each interpretive nuance – and there are numerous reminders that Innig’s performance is personal and distinct – serves to enhance Messiaen’s faith. So one cannot escape the devout mystery and probity that Rudolf Innig brings in such full measure to the Livre du Saint Sacrement. This performance promises to invigorate the soul." (Fanfare)
Kathryn Stott - Solitaires: Ravel, Messiaen, Alain, Dutilleux (2015)

Kathryn Stott - Solitaires: Ravel, Messiaen, Alain, Dutilleux (2015)
EAC | FLAC | Image (Cue&Log) ~ 241 Mb (incl 5%) | Mp3 (CBR320) ~ 167 Mb (incl 5%) | Scans included
Genre: Classical | Label: BIS | # BIS-SACD-2148 | Time: 01:08:37

A solitaire in French is a single mounted jewel, a concept that seems less than apt for the rather hefty works recorded here by British pianist Kathryn Stott. But this fine recital holds together in another way: Ravel, who so often provides the temporal endpoint for traditional piano recitals, is here, to a greater or lesser extent, the launching point for the other three composers featured. Stott's reading of the neoclassical Le Tombeau de Couperin is beautifully precise and balanced, catching the economy of this Baroque-style suite to the hilt. That economy carries over into the later works, even the rarely performed Piano Sonata of Henri Dutilleux, a work that deftly fuses Ravel's sense of classical forms with a largely dissonant language. The opening Prelude and Fugue of Jehan Alain, actually two separate works that are reasonably enough combined here, is another seldom-played piece that makes an arresting curtain-raiser, and the final "Le baiser de l'Enfant Jésus" of Messiaen, part of the giant Vingt regards sur l'Enfant Jésus, is the splendid climax of the whole, its spiritual, dreamlike ascent at the end superbly controlled.
Patrick Gallois, Lydia Wong - French Flute Music: Poulenc, Messiaen, Dutilleux, Jolivet, Boulez, Sancan (2005)

French Flute Music: Poulenc, Messiaen, Dutilleux, Jolivet, Boulez, Sancan (2005)
Patrick Gallois, flute; Lydia Wong, piano

EAC | FLAC | Image (Cue&Log) ~ 224 Mb (incl 5%) | Mp3 (CBR320) ~ 144 Mb (incl 5%) | Scans included
Genre: Classical | Label: Naxos | # 8.557328 | Time: 00:59:33

Since the end of the seventeenth century French composers have shown a particular skill and deftness of touch in writing for the flute. The instrument owes much of its prominence in French music of the twentieth century to the use made of it in orchestral colouring by composers such as Debussy and Ravel, as well as to a group of highly gifted players associated in one way or another with the Paris Conservatoire. They include the soloist on this recording, Patrick Gallois, a pupil of Jean-Pierre Rampal. This collection of works composed during the last sixty years ranges from Poulenc’s Sonata, marked by rhythmic vitality and a delicate vein of sentimentality, Messiaen’s Le merle noir, inspired by bird song, to Boulez’s Sonatine, which the composer himself has characterised as ‘organised delirium’.