An underrated late '60s album, this one has sometimes been overlooked because it seemed like a generic throwaway. But it included some outstanding song…
L.P. is the third album by the American pop rock duo The Rembrandts. It was released on East West Records on May 23, 1995. It is the duo's highest-charting album to date, reaching No. 23 on the Billboard 200 album chart, and has been certified platinum. The fifteenth track (which was a "hidden track" on the original album release) is "I'll Be There for You", which was used as the theme song for the popular sitcom Friends.
The longtime lead vocalist for Krautrock pioneers Can, Kenji "Damo" Suzuki was born in Japan on January 16, 1950. An expatriate street poet inspired by Jack Kerouac's On the Road, he spent the better part of the late 1960s wandering through Europe, and while busking outside a cafe in Munich in May of 1970 was discovered by Can members Holger Czukay and Jaki Liebezeit; asked to replace the group's former frontman Malcolm Mooney, Suzuki joined them onstage that very night, making his recorded debut later that same year on the LP Soundtracks. With Suzuki in the lineup, Can produced its most enduring and innovative work, including classic LPs like 1971's Tago Mago, 1972's Ege Bamayasi and 1973's Future Days; however, upon completing work on the latter, he left the band to become a Jehovah's Witness. Absent from music for a decade, in 1983 Suzuki began showing up unannounced to perform at shows by the band Dunkelziffer, eventually joining the group full-time and recording a pair of LPs; in 1998, he founded the Damo's Network label, issuing a series of live recordings including V.E.R.N.I.S.S.A.G.E., Seattle and the seven-CD box set P.R.O.M.I.S.E..
“SPRINGTIME” is an Italo-Disco cult album from the legendary Discomagic catalogue, featuring the great P.LION, alias PIERTO PAOLO PELENDI. It reaped sensational success in 1984, particularly with smash hit “HAPPY CHILDREN” which appeared in many European charts, such as the Italian Top 10. Tracklisting includes further hits such as “DREAM”and “KING OF THE NIGHT”.
After having won the Gramophone Award in 2014 for his recording of Prokofiev’s five piano concertos, exclusive Chandos artist Jean-Efflam Bavouzet here explores the complete works for piano and orchestra of another Russian composer of the twentieth century: Igor Stravinsky. Bartók’s Piano Concerto No. 2, Ravel’s Piano Concerto for the left hand, and Stravinsky’s Concerto for Piano and Wind Orchestra make good company. First, Bavouzet considers them ‘the greatest concertos of the twentieth century.