Mick Taylor's career has seen him play with John Mayall, the Rolling Stones, and Bob Dylan. Now all that expertise is on show on this superb disc where Mick takes you through some of his most impressive styles and techniques, including blues bends, vibrato, standard and open-tuning slide, country string bending and more. Mick also jams with Arlen Roth and talks about his playing style. A fine instruction session from one of British rock's great players.
Chicago-based guitarist Melvin Taylor is a star in Europe, but it may take some time for U.S. audiences to catch on to just how phenomenally talented a bluesman he is. Part of the problem for Taylor may be his own natural eclecticism. He's equally adept playing jazz or blues, but in the last few years, he's forged a name for himself as a blues guitarist with a slew of releases for Evidence Music. Taylor may well be the most talented new guitarist to come along since Stevie Ray Vaughan.
For something less traditional but no less killing, try Melvin Taylor & The Slack Band’s Bang That Bell. A post-Hendrix exercise in funky-blue wah-wah wailing, this one has more allusions to Prince and the Isley Brothers than Muddy and the Wolf. In the course of a single tune (“Another Bad Day”) he can blend jazzy, Wes Montgomery-styled octaves with over-the-top wah-wah work and metalesque speed picking. But in spite of all the virtuosic six-string technique, Taylor can also get up into some nasty real-deal shuffles and earthy funk, as he proves so convincingly on “It’s Later than You Think,” which features some brilliant harmonica playing by Sugar Blue, and on a super-funky updating of the Earl King classic “Trick Bag.” And he digs into a slow blues, “A Quitter Never Wins,” with fangs bared. The closer, “Even Trolls Love Rock & Roll,” is a wild fretboard scorcher featuring guest guitar slinger Eric Gales. A tremendous guitarist and soulful singer, Taylor is a major versatile talent on the crossover blues-rock circuit that includes the likes of Robert Cray, Jonny Lang and Kenny Wayne Shepherd.
Advanced Blues In Six Weeks Is The Next Step From The Already Classic Electric Blues In Six Weeks .
Week five includes lessons on major and minor pentatonic motifs, note placements, major pentatonics for soloing, using the open high E string, using the E diminished chord and dominant arpeggios. Advanced blues in six weeks is the next step from the already classic 'Electric Blues In Six Weeks'. This series goes deep into the possibilities of blues soloing, analysing the true diversity between between some of the best blues guitar players who have explored the genre. From the string bending and jazz concepts of BB King to the amazing fast blues rock runs of Joe Bonamassa. Concepts such as diminished scale usage made popular by Robben Ford are demonstrated and taught for practical application.