Miles Davis Amandla

Miles Davis - Amandla (1989) [Japanese SHM-SACD 2011] PS3 ISO + Hi-Res FLAC

Miles Davis - Amandla (1989) [Japanese SHM-SACD 2011]
PS3 Rip | SACD ISO | DSD64 2.0 > 1-bit/2.8224 MHz | 43:34 minutes | Scans included | 1,38 GB
or FLAC(converted with foobar2000 to tracks) 24bit/88,2 kHz | Scans included | 964 MB

Miles Davis - Amandla (1989) {Warner}  

Posted by tiburon at Feb. 27, 2014
Miles Davis - Amandla (1989) {Warner}

Miles Davis - Amandla (1989) {Warner}
EAC 1.0b3 | FLAC tracks level 8 | Cue+Log+M3U | Full Scans 300dpi | 270MB + 5% Recovery
Genre: Fusion, Jazz-Funk

Amandla doesn't sound like any of the contemporary jazz records of its time, as Miles Davis returns one last time to a leadership role he'd basically abdicated to Fender bassist/multi-instrumentalist Marcus Miller on the preceding Tutu and Siesta. By plugging in with the cream of his live collaborators on Amandla, Miles retained the big band sound of Tutu, but with a more humanized sense of interplay and swing. "Catembe" heralds the third world rhythmic locus which snakes its way through the entire album, while "Jo-Jo" and "Jilli" engender an ongoing call-and-response between front line and back line, between main and secondary themes, as Kenny Garrett's fat, burnished alto lines coil and strike around Davis's more circumspect, muted phrases.
Miles Davis - Amandla (1989/2011) [Official Digital Download 24bit/192kHz] RE-UP

Miles Davis - Amandla (1989/2011)
FLAC (tracks) 24 bit/192 kHz | Time - 43:50 minutes | 1,8 GB
Studio Master, Official Digital Download | Artwork: Front cover

Amandla was Miles' perfect departure from Tutu, and a comeback for himself and his right-hand man, the composer Marcus Miller. The album features investigations into the possibilities of contemporary synthesizers and drum machines. But unlike Tutu, Miles and Miller supply a satisfactory amount of real orchestral instrumentation, real drums, percussion and guitars.

Miles Davis - Kind Of Blue (1959) [MFSL, UDSACD 2085]  Music

Posted by v3122 at Dec. 4, 2016
Miles Davis - Kind Of Blue (1959) [MFSL, UDSACD 2085]

Miles Davis - Kind Of Blue (1959)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
2015 | Mobile Fidelity Sound Lab, UDSACD 2085 | ~ 157 or 109 Mb | Scans(jpg) -> 18 Mb
Jazz, Cool Jazz, Bop, Hard Bop

Kind of Blue isn't merely an artistic highlight for Miles Davis, it's an album that towers above its peers, a record generally considered as the definitive jazz album. To be reductive, it's the Citizen Kane of jazz – an accepted work of greatness that's innovative and entertaining…
The Miles Davis Quintet - Workin' With The Miles Davis Quintet (1956) [DCC, GZS-1063]

The Miles Davis Quintet - Workin' With The Miles Davis Quintet (1956)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
DCC, GZS-1063 | ~ 237 or 111 Mb | Scans Included
Jazz / Bop / Cool / Hard Bop

Workin' is the third in a series of four featuring the classic Miles Davis Quintet: Davis (trumpet), John Coltrane (tenor sax), Red Garland (piano), and Philly Joe Jones (drums). Like its predecessors Cookin' and Relaxin', Workin' is the product of not one – as mythology would claim – but two massively productive recording sessions in May and October of 1956, respectively…
Miles Davis - Cookin' with the Miles Davis Quintet (1956) [DCC, GZS-1044]

Miles Davis - Cookin' with the Miles Davis Quintet (1956)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1993 | DCC, GZS-1044 | ~ 229 or 123 Mb | Scans Included
Jazz, Cool Jazz, Bop, Hard Bop

Cookin' is the first of four albums derived from the Miles Davis Quintet's fabled extended recording session on October 26, 1956; the concept being that the band would document its vast live-performance catalog in a studio environment, rather than preparing all new tracks for its upcoming long-player…
Miles Davis - The New Miles Davis Quintet (1955) [DCC, GZS-1100]

Miles Davis - The New Miles Davis Quintet (1955)
EAC | Flac(Image) + Cue + Log & MP3 CBR 320Kbps
1996 | DCC, GZS-1100 | ~ 174 or 98 Mb | Scans Included
Jazz, Cool Jazz, Bop, Hard Bop

The New Miles Davis Quintet made its first visit to the recording studios on November 16, 1955. By October 26, 1956, when they made their last session for Prestige, Davis had signed with recording giant Columbia, he had featured the most influential band in all of jazz (which would spawn the most charismatic musician of the '60s), and was well on his way toward international stardom…
Various Artists - Miles Espanol - New Sketches Of Spain (2011) {2CD eOne EOM-CD-2104 Miles Davis related}

Various Artists - Miles Espanol - New Sketches Of Spain (2011) {2CD eOne EOM-CD-2104 Miles Davis related}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 667 Mb | MP3 @320 -> 269 Mb
Full Artwork @ 600 dpi (png) -> 412 Mb | 5% repair rar
© 2011 eOne Music | EOM-CD-2104
Jazz / Latin / Modern Creative / Fusion / Flamenco

Producer Bob Belden has turned reinventing the music of Miles Davis into a cottage industry, taking Davis to India for 2008’s Miles from India, and more recently Belden has given us Asiento, which re-imagined Bitches Brew as a slice of electronica. Now he gives us Miles Español, which finds Belden pairing veterans of Davis' various bands with musicians from Spain, Morocco, and Latin America on classic tracks from Davis' Sketches of Spain and Kind of Blue albums. Hearing Davis compositions with oud, bassoon, accordion, and bongos is certainly exotic and interesting, but one longs for the elegant, stately grace of the original albums.
Miles Davis Quintet - Freedom Jazz Dance: The Bootleg Series, Vol. 5 (2016) {3CD Set Columbia-Legacy 88985357372}

Miles Davis Quintet - Freedom Jazz Dance: The Bootleg Series, Vol. 5 (2016) {3CD Set Columbia-Legacy 88985357372}
EAC rip (secure mode) | FLAC (tracks)+CUE+LOG -> 1.05 Gb | MP3 @320 -> 459 Mb
Full Artwork @ 600 dpi (png) -> 0.98 Gb | 5% repair rar
© 1966-68, 2016 Columbia / Legacy / Sony Music | 88985357372
Jazz / Hard Bop / Modal Music / Trumpet

A 3CD box set collection chronicling Miles’ musical evolution in the studio from 1966-1968 working with his “second great quintet,” the latest edition in Columbia/Legacy’s acclaimed Miles Davis Bootleg Series provides an unprecedented look into the artist’s creative process, drawing on full session reels including all rehearsals, partial and alternate takes, extensive and fascinating studio conversation and more. Celebrating the 50th anniversary of Miles Smiles, the groundbreaking second studio album from the Miles Davis Quintet–Miles Davis (trumpet), Wayne Shorter (tenor saxophone), Herbie Hancock (piano), Ron Carter (bass) and Tony Williams (drums)–this definitive new collection includes the master takes of performances which would appear on the Miles Smiles (1967), Nefertiti (1968) and Water Babies (recorded 1967, released 1976) albums alongside more than two hours worth of previously unreleased studio recordings from original sessions produced by Teo Macero (with the exception of “Fall,” produced by Howard A. Roberts).
Miles Davis - The Last Word: The Warner Bros. Years (2015) [Official Digital Download]

Miles Davis - The Last Word: The Warner Bros. Years (2015)
FLAC (tracks) 24-bit/44,1 kHz | Time - 417:19 minutes | 4,91 GB
Studio Master, Official Digital Download | Artwork: Front cover

In 1985, Miles Davis shocked the music world by moving from Columbia to Warner Bros.. He immediately started working on an album called Perfect Way after a tune by Scritti Politti, later renamed Tutu by producer Tommy LiPuma. When Tutu (a tribute to Desmond Tutu) was released in 1986, it re-ignited Miles Davis’ career, crossing over into the rock and pop markets and winning him two Grammy Awards. A definitive collection of the later part of Miles Davis’ work, fully remastered, from the Warner Bros studio albums Tutu, Amandla and Doo-Bop, the Dingo and Siesta soundtracks, live recordings with Quincy Jones, and the likes of Kenny Garrett, Foley and Adam Holzman.