…In great demand as a chamber player, Maisky has performed with a number of extraordinary musicians, including Vladimir Ashkenazy, Gidon Kremer, Peter Serkin, and Martha Argerich. Acclaimed for his renditions of concertos by Haydn and Schumann, Maisky is the only cellist to have received a Deutsche Grammophon offer to record Bach's complete works for the cello…
SCHUBERT: SONGS WITHOUT WORDS is an elegant recital by pianist Daria Hovora and cellist Mischa Maisky that allows us to hear Schubert songs, beautifully rich as they are with the texts as sung by many of our finest singers, here solely for the instrumental line. Somehow the interplay between melody and accompaniment (always an equal partnership in Schubert's hands) is heightened by this experience. Not that the entire album is appropriated by the cello standing in for a vocalist: the opening work is "Sonata for Arpeggione and Klavier" and is one of the highlights of the CD. But just listen to the performances of 'Standchen', 'An die Musik' and 'Du bist die Ruhe' and hear the extraordinary marriage between the piano and cello, singing as beautifully as any other version. This is one of those CDs that bears keeping out for multiple listenings in the late evening.
"The Bach Suites are the great baritone soliloquies of music, and Maisky has the voice for them: marvellously firm and unrestrained in the upper register, always true in pitch, never unpleasant and yet rarely giving the impression that anything as frivolous as tonal beauty is the goal … The recording captures the sense of a lone musician responding inquisitively and strongly, with all his mind and technique, to divine dictation." - The Times
Enigma Variations is the work that secured Elgars reputation as a composer of international significance. The 14 variations are all character portraits of friends, including his wife and the composer himself, the most famous being the ninth, the achingly nostalgic Nimrod. The Cello Concerto is Elgars last substantial work and has become not only one of his best loved, but also one of the most popular concertos ever written for the instrument.
These three sonatas - composed originally for the viola da gamba and harpsichord - are very musically-appealing compositions. And unlike previous Baroque cahmber-music tradition, the harpsichord is not relegated to mere continuo but projected into the spotlight as co-soloist - perhaps to showcase some of Bach's keyboard virtuosity. There are several fine period recordings of these works on viola da gamba and harpsichord (Savall, Peri, Crum, Wispelwey) or modern cello with harpsichord (Ma, Tortelier). But if your taste favors all modern instuments (cello, piano), then this circa-80's CD by the legendary Martha Argerich and Misha Maisky is the ticket.
Martha Argerich´s associations with violinist Gidon Kremer and cellist Mischa Maisky are surely among the pianist’s most substantial and musically rewarding collaborations.
Lang Lang revisits giants of Russia's Romantic musical soul, Tchaikovsky and Rachmaninov, to reveal another side of his prodigious talent–his finesse as a collegial interpreter of chamber music. This release, Lang Lang`s first ever chamber music recording, also features two giants of their instruments: Vadim Repin on violin and Mischa Maisky on cello. Lang Lang could not be in better company to reveal the inexhaustible inventiveness of Tchaikovsky's Piano Trio in A minor, op. 50 or the tender consolations of Rachmaninov's Trio élégiaque no. 1 in G-minor, a short early masterpiece composed before Rachmaninov was twenty.