That sound. One group conceived it. Defined it. Perfected it. The Modern Jazz Quartet was certainly one of the most distinctive voices in the history of jazz, thanks to the unique qualities of personal expression and collective vision of its members Milt Jackson, John Lewis, Percy Heath and Connie Kay (who had replaced original drummer Kenny Clarke by the time the band started recording this music). They were also exceptionally prolific during their tenure at Atlantic Records, producing 14 albums in eight years. And now, that MJQ sound gets the complete respect it deserves, thanks to our new box, The Complete 1956-1964 Modern Jazz Quartet Atlantic Studio Recordings.
Blues at Carnegie Hall is a live album by American jazz group the Modern Jazz Quartet featuring performances recorded at Carnegie Hall in 1966 at a benefit concert presented by The Manhattan School of Music and released on the Atlantic label.
Features 24 bit remastering and comes with a mini-description. A seminal album that defined the fresh sound of a whole new generation in jazz – that "third stream" movement that was different from the cool jazz of the west coast, and the fire of New York! The style here follows that same mix of jazz and higher-concept elements you'd hear on other Modern Jazz Quartet albums for Atlantic – but the music is expanded here with some great help from outside parties too.
The first of two albums the Modern Jazz Quartet recorded at the Music Inn in Lenox, MS, this LP is highlighted by "Oh Bess, Oh Where's My Bess," "Two Degrees East, Three Degrees West," "A Morning in Paris," and "England's Carol" which is the MJQ's reworking of "God Rest Ye Merry, Gentlemen." Clarinetist Jimmy Giuffre sits in with the group successfully on three numbers; best is "Fun." This is a worthwhile outing that has not yet been reissued on CD.
The Modern Jazz Quartet make a rare appearance on Verve Records in the 50s – splitting half the album here with the classic Oscar Peterson Trio! The live performance was recorded in Chicago, and definitely has the MJQ working in a looser vibe than on some of their late 50s recordings for Atlantic – a bit more open and swinging, in a Verve mode – with some of the bop inspiration that first showed up on their early Prestige recordings – as you'll hear on the cuts "Now's The Time", "Round Midnight", and "D&E Blues". The second half of the record features live material from Oscar Peterson's hip group with Herb Ellis on guitar and Ray Brown on bass – that great drum-less lineup that really lets Oscar take off on piano – on tunes that include "Big Fat Mama", "Should I Love You", "Indiana", and "Elevation".
Features 24 bit remastering and comes with a mini-description. The Modern Jazz Quartet Plays No Sun in Venice (originally titled The Modern Jazz Quartet Plays One Never Knows: Original Film Score for "No Sun in Venice") is a soundtrack album by American jazz group the Modern Jazz Quartet featuring performances recorded in 1957 for Roger Vadim's No Sun in Venice and released on the Atlantic label. This recording has six John Lewis compositions that were used in the French film No Sun in Venice. The music is quite complex and disciplined, making this set of lesser interest to fans who prefer to hear Milt Jackson playing bebop-oriented blues. However the versatile group was perfect for this type of music and these thought-provoking performances reward repeated listenings.