A new performing edition by Masato Suzuki, based on the autograph by Mozart and taking account of earlier completions by Eybler and Sussmayr. He has composed a new “Amen Fugue” to close the “Sequentia”, based on the sketch discovered in Berlin in 1960.
Since its creation in 1791, Mozart’s Requiem has become one of the truly iconic works in the history of music. For this recording of the work, Masaaki Suzuki and the Bach Collegium Japan commissioned a new performing edition. Masato Suzuki, himself a member of the BCJ and the son of Masaaki, has based his completion on Eybler’s and Süßmayr’s work, explaining his procedure in the liner notes to the disc. The recording was made at the Shoin Chapel in Kobe, where the team has previously recorded their complete cycle of Bach’s church cantatas. A stellar cast of soloists is headed by soprano Carolyn Sampson, who also shines in the famous soprano aria Laudate Dominum – one of the highlights of Vesperae solennes de confessore which conclude the disc.
The recipient of the 2012 City of Leipzig Bach Medal, Masaaki Suzuki has earned an enviable reputation as an interpreter of the music of J. S. Bach as a reviewer in Intl Record Guide has put it: 'With Suzuki you can hear Bach's heart beat'. To a wide audience he is known as the director of Bach Collegium Japan, and the moving force behind the ensemble's acclaimed recordings of Bach's complete sacred cantatas. Perhaps less well known is that he began his career at the age of 12! playing the organ at church services in Kobe, where he was born. Suzuki has remained true to the organ throughout his life, and for BIS he has previously recorded Bach's German Organ Mass, as well as programs of Buxtehude and Sweelinck. He here appears on a disc combining some of Bach's best-loved works for the instrument, including the D minor Toccata and Fugue, the Partitas on O Gott, du frommer Gott, BWV 767, the Canonic Variations, BWV769, and the celebrated Prelude and Fugue in E minor, BWV548.
]Yoshikazu Mera born May 21, 1971, in Miyazaki, Japan, is a Japanese countertenor. His range is three and a half octaves. Originally wanting to become a pop singer, Mera now primarily sings classical music from the West but also classical Japanese music. He appears frequently as a soloist with the Bach Collegium Japan, which under its conductor Masaaki Suzuki performs Baroque music. His 1998 recital disc "Nightingale" on Sweden's BIS Records was a major success in Japan.
The Mozart Requiem is one of the best-known sacred works in the classical repertoire. It was the composer's last work, and he left it unfinished at his death. British conductor Roger Norrington, a pioneer of authentic performing practice, and an outstanding group of singers present Duncan Druce's version of the Requiem, based on the latest Mozart research, together with other moving choral works.
Masaaki Suzuki is a Japanese organist, harpsichordist and conductor, and the founder and musical director of the Bach Collegium Japan. He also teaches and conducts at Yale University and has conducted orchestras and choruses around the world. He was born in Kobe to parents who were both Christians and amateur musicians; his father had worked professionally as a pianist. Masaaki Suzuki began playing organ professionally at church services at the age of 12.
Gramophone Classical Music Awards 2014 Choral category winner! Purely on grounds of performance alone, this is one of the finest Mozart Requiems of recent years. John Butt brings to Mozart the microscopic care and musicological acumen that have made his Bach and Handel recordings so thought-provoking and satisfying.
To the general public, Masaaki Suzuki is known as the inspired leader of Bach Collegium Japan, currently undertaking a complete cycle of Bach's cantatas for BIS. He has also received much praise for his on-going recordings of the harpsichord music by the same composer. But his début was actually as an organist – he started playing regularly at Sunday services at the age of 12! When going to the Netherlands to study, Suzuki pursued parallel courses, graduating with a soloist's diploma in both organ and harpsichord.
Mozart's Requiem is one of the truly iconic works in the history of music. A prime reason for this is of course its musical qualities; but even before that, legends had begun to form around the work - that it was written to fulfill an anonymous commission received through 'an unknown, grey stranger' - is the stuff of mystery novels, while the fact that Mozart fell ill and died while composing it has been exploited to great melodramatic effect. One thing that we know for certain is that its first performance took place at a memorial service for Mozart only days after his death. The performers used the composer's incomplete autograph, but very soon attempts to complete the work were set in motion by Mozart's widow. In 1800 the Requiem, in Franz Xaver Süssmayr's completion, appeared in print; it is this version that is still by far the most widely performed. Many have tried to improve on it, however, or make their own versions based on the autograph. For this recording, Masaaki Suzuki and the Bach Collegium Japan commissioned a new performing edition.