Mozart Piano Concertos Murray Perahia

Olivier Cavé, Divertissement, Rinaldo Alessandrini - Mozart: Piano Concertos K. 415, 175 & 503 (2016)

Olivier Cavé, Divertissement, Rinaldo Alessandrini - Mozart: Piano Concertos K. 415, 175 & 503
Classical | FLAC (tracks)+cue, booklet | 77:09 min | 287 MB
Label: Alpha Classics | Tracks: 09 | Rls.date: 2016

Olivier Cavé has already made several acclaimed discs for Aeon (Clementi, Haydn, Bach, Scarlatti). This student of Nelson Goerner, Maria Tipo and Aldo Ciccolini invariably impresses listeners with the refinement of his playing. Today he presents a programme of three piano concertos with a conductor whose ventures into Mozart are always crowned with success: Rinaldo Alessandrini.
Gottlieb Wallisch, Piatti Quartet - Mozart: Piano Concertos 12, 13 & 14 (2013) [Official Digital Download - 24bit/192kHz]

Gottlieb Wallisch, Piatti Quartet - Mozart: Piano Concertos 12, 13 & 14 (2013)
FLAC (tracks) 24 bit/192 kHz | Digital Booklet | 2.43 GB
Genre: Classical | Official Digital Download - Source: Linn Records

The Quartet’s debut recording features master Mozartian Gottlieb Wallisch in a stunning performance of his fellow Austrian’s own rarely-heard chamber orchestrations in ‘Mozart: Piano Concertos Nos. 12, 13 & 14’. In contrast to the orchestral version the ensemble strikingly enhances the intricacies of the string writing and encourages immediate interaction among the five musicians.
Mozart: Piano Concertos No 24 And 25 / Brautigam, Willens, Die Kolner Akademie (2011)

Mozart: Piano Concertos No 24 And 25 / Brautigam, Willens, Die Kolner Akademie (2011)
EAC Rip | Flac (Image + cue + log) | 1 CD | Full Scans | 231 MB
Genre: Classical | Label: Bis | Catalog Number: 1894

Ronald Brautigam, with the congenial support of Die Kölner Akademie, under Michael Alexander Willens, here performs Mozart’s Piano Concertos Nos. 24 and 25, both composed in 1786. The C major concerto is in fact one of the most expansive of all classical piano concertos, rivalling Beethoven’s fifth concerto. Their grandeur immediately made them popular fare in the concert hall – Mendelssohn, for instance, had No.24 in his repertoire through the 1820s and 1830s.
Keith Jarrett - W.A. Mozart: Piano Concertos K.271, 453, 466. K.546 (1999) [2CD] {ECM New Series 1624/25} [Repost]

Keith Jarrett - W.A. Mozart: Piano Concertos K.271, 453, 466. Adagio and Fugue K.546 (1999) [2CD] {ECM New Series 1624/25}
EAC rip (secure mode) | FLAC+CUE+LOG -> 411 Mb | MP3 @320 -> 245 Mb
Full Artwork @ 300 dpi (jpg) -> 35 Mb
© 1999 ECM Records | 449 670-2 / ECM 1624/25
Classical / Piano

Jarrett brings to his Mozart repertoire steadiness of interpretation and relaxation that may surprise listeners who know him mainly for the adventurousness and quirks of his celebrated marathon solo recordings. A jazz pianist performing classical music might be expected to take rubato liberties. Jarrett does not. His reading of the magnificent pre-Romantic D-minor concerto No. 20, K. 466, employs effective dynamics without extremes in the direction of Arthur Rubenstein's daring and exuberance in the rondo, Mitsuko Uchida's mystique behind the beat in the romance movement or Clara Haskil's blurred articulation at the piano entry in the allegro.

Beethoven - Piano Concertos - Perahia  

Posted by daksya at Oct. 17, 2009
Beethoven - Piano Concertos - Perahia

Ludwig van Beethoven's Piano Concertos - Murray Perahia, Bernard Haitink w/ Royal Concertgebouw Orchestra
3 CDs, 177:23 | D D D | CBS | EAC, APE image, CUE, Logs | Scans | RS | 647 MB
Classical - Classical period | Orchestral Music - Piano Concerto | Composed 1798-1811 | Recording 1986-87
Jean Claude Pennetier - Mozart: Piano Concertos No. 21 & No. 24 (2017)

Jean Claude Pennetier - Mozart: Piano Concertos No. 21 & No. 24
Classical | WEB FLAC (tracks) & d. booklet | 57:52 min | 219 MB
Label: Mirare | Tracks: 06 | Rls.date: 2017

With these two piano concertos, Jean-Claude Pennetier establishes the authenticity of Mozart’s gift. The tenderness and fire of No. 21 mirror the anguish and inner intensity of No. 24. The two pieces are close to perfect and prove, as Mauriac put it, that: “As long as men inhabit the earth, just a few bars of Mozart can remind us of the paradise we lost, a paradise that may still exist as long as we can hear the echoes of its laughter and tears in such divine music.
Angela Hewitt - Mozart: Piano Concertos No 22 & 24 (2014) [Official Digital Download 24/96]

Angela Hewitt - Mozart: Piano Concertos No 22 & 24 (2014)
FLAC (tracks) 24-bit/96 kHz | Time - 63:16 minutes | 1.03 GB
Studio Master, Official Digital Download | Artwork: Digital booklet

Hyperion is delighted to present Angela Hewitt’s third volume of Mozart piano concertos. Writing in The Observer, Stephen Pritchard wrote of the first volume that ‘Judging from this first example, it’s going to be a journey as revelatory as her exploration of all the major keyboard works of Bach’.
Marie Kuijken, Veronica Kuijken & La Petite Bande - Mozart: Piano Concertos, K. 413, K. 414 & K. 415 (2017)

Marie Kuijken, Veronica Kuijken & La Petite Bande - Mozart: Piano Concertos, K. 413, K. 414 & K. 415
Classical | WEB FLAC (tracks) & d. booklet | 74:27 min | 294 MB
Label: Challenge Classics | Tracks: 09 | Rls.date: 2017

Mozart conceived three piano-concerti K.413, 414 and 415 in 1782, one year after he had settled in Vienna as a more or less freelance musician. By then he had already composed four concertos for piano and orchestra, one for three (or two) pianos and orchestra, and another one for two pianos and orchestra. It was also the period in which he was working on his opera Die Entführung aus dem Serail, K.384 and on the first String Quartet No. 14, K.387 of the six dedicated to Haydn in 1785.
Marie Kuijken, Veronica Kuijken & La Petite Bande - Mozart: Piano Concertos, K. 413, K. 414 & K. 415 (2017)

Marie Kuijken, Veronica Kuijken & La Petite Bande - Mozart: Piano Concertos, K. 413, K. 414 & K. 415 (2017)
Classical | MP3 CBR 320 kbps | 01:14:34 | 171 MB
Label: Challenge Classics | Release Year: 2017

Mozart conceived three piano-concerti K.413, 414 and 415 in 1782, one year after he had settled in Vienna as a more or less freelance musician. By then he had already composed four concertos for piano and orchestra, one for three (or two) pianos and orchestra, and another one for two pianos and orchestra. It was also the period in which he was working on his opera Die Entführung aus dem Serail, K.384 and on the first String Quartet No. 14, K.387 of the six dedicated to Haydn in 1785.
Maurizio Pollini, Wiener Philharmoniker - Mozart: Piano Concertos No.17 & No.21 (2006)

Maurizio Pollini, Wiener Philharmoniker - Mozart: Piano Concertos No.17 & No.21 (2006)
EAC | APE (image+.cue, log) | Covers Included | 57:15 | 252 MB
Genre: Classical | Label: Deutsche Grammophon | Catalog: 2894775795

One hates to admit it, but at this point in his career, pianist Maurizio Pollini is no longer a Mozart player. Although a supreme virtuoso, a passionate intellectual, and a consummate artist, Pollini has grown too brilliant, too intense, and too calculating for Mozart. Pollini's tone is crystalline, his textures are transparent and his tempos are perfect in this breathtaking 2005 recording of the G major and C major piano concertos, but it all seems too cold and too objective. Although he is also directing the Wiener Philharmoniker from the piano, this doesn't seem to encumber Pollini's virtuosity in any way; indeed, he appears to enjoy the challenge, audibly coaxing more force from the musicians' playing.