Experiencing the Australian Chamber Orchestra and their leader Richard Tognetti in concert has been described in The Times as 'like taking a swig of a vitamin drink'. This is the first of two discs on BIS of Mozart's violin concertos. Contributing to this is the fact that the strings (both soloist and orchestra) play on gut strings, while the wind players perform on replicas of instruments from Mozart's time.
The Australian Chamber Orchestra and its enterprising leader, violinist Richard Tognetti, wade with these popular Mozart works into a field with plenty of competition, and the results, as usual with this popular group, range from good to superb. The performances are generally oriented toward historical practice; the string players use gut strings, tuned slightly below modern concert pitch, and the oboes and horns are historically appropriate instruments. In general matters of attack and phrasing, the players do not diverge too far from modern practice, and Tognetti, in his own notes (in English, German, and French), points out that even if treatises of the period laid down certain procedures in regard to these matters, the notoriously capricious Mozart might well have done something completely different.
Some say it's violinist Andrew Manze's tone that makes him distinctive, that there's a sweetness to his non-vibrato swells and a strength to his flexible bowing that make his playing so attractive. Some say it's Manze's phrasing that makes him distinctive, that there's a lyrical quality to his line and a molded quality to his dynamics that make his playing so appealing. Some say it's Manze's interpretation that makes him so distinctive, that there's a combination of fantasy, intensity, and effortless virtuosity that make his performances so persuasive. Some say it's all these things at once and this 2006 disc of the last three of Mozart's five violin concertos is the proof.
Following the success of her discs of Romantic and Late Romantic repertoire, Vilde Frang has recorded Mozart’s Concertos Nos. 1 and 5 ‘Turkish’ and the Sinfonia Concertante K364, enabling music lovers to hear the Norwegian violinist perform Classical repertoire on disc for the first time. The impetus for this album was a 2012 orchestral tour of Asia conducted by Jonathan Cohen in which Vilde performed Mozart’s Violin Concerto No. 5. The vibrancy of their musical collaboration was something both artists were keen to repeat and commit to disc. Jonathan’s Cohen’s chamber orchestra, Arcangelo, proved the ideal partner, joined by violist Maxim Rysanov in the Sinfonia Concertante.
Filmed in Vienna's Grosser Musikvereinssaal in the early 1980s, this fabled rendering of Mozart's complete violin concertos appears on DVD for the first time. Premier violinist Gidon Kremer unites with Nikolaus Harnoncourt and the Wiener Philharmoniker in a tribute to the musical genius Harnoncourt deems "the most Romantic composer of all".
Vladimir Spivakov belonged to the same artistic tradition established by Leopold Auer, and even it might be said he was the true inheritor of the crown afetr Oistrakh and Kogan in which majestic tune, virile temperament and dazzling technique.