Fragments: Modern Tradition is a collection of compositions written by Nana Vasconcelos for six films. The music is appropriately atmospheric, and takes on a myriad of ethnic influences from around the world. Indeed, the first track "Vento Chamando Vento" sounds amazingly similar to fellow multi-ethnicists Dead Can Dance. Vasconcelos utilizes a variety of percussion instruments – cowbells, shakers and drums – to achieve the sounds of open landscapes. The album is not all space and wind, however. A fine backing band helps Vasconcelos create a number of musical textures, including the incredibly peppy "Forro Para Antero" and the poly-rhythmic "Let's Go to the Jungle."
This 1979 recording is probably Afro-experimentalist Vasconcelos' finest. It presents his various facets – berimbao playing, intricate overlain vocals, fine percussion, even gorgeous guitar – simply and almost overwhelmingly. This is one of those performances that remind one to never let natural dogmatism get too out of hand.
This 1980 recording is probably Afro-experimentalist Vasconcelos' finest. It presents his various facets – berimbao playing, intricate overlain vocals, fine percussion, even gorgeous guitar – simply and almost overwhelmingly. This is one of those performances that remind one to never let natural dogmatism get too out of hand.
The art of the improvisers beyond all borders. Preaching equality for all the idioms, anticipating the gathering wave of “world music”, drawing on traditions from all the continents, Codona was like no other band. Its sound: simultaneously poetic and powerfully evocative and stamped, in every second, with character. Summoned into being by Collin Walcott in 1978, the trio provided an utterly original context for Don Cherry’s starkly melodic trumpet and for the multi-instrumentalism of all three players.
A newly remastered definitive anthology of one of the world's best loved popular singers. In her 30 year career, Mouskouri has sold over 300 million albums worldwide and continues to enthrall audiences everywhere. This selection draws from the full spectrum of her recording career. The task of compiling a single-disc best-of collection for legendary Greek chanteuse Nana Mouskouri is virtually impossible, but this 21-track retrospective, spanning the singer's career and incorporating a range of musical styles, is an excellent introduction for the novice or casual fan.
Nana, the protagonist is a woman starting from absolute poverty managed to climb the social ladder to the highest echelons.
Like the echo of a grand landscape, Metheny and Mays create an atmospheric meditation on traveling across the great open expanse of America As Falls Wichita, So Falls Wichita Falls. By turns introspective and hymn-like, soaring and transcendent, the music resonates with a rural spirit, to which the Brazilian percussion of Nana Vasconcelos brings a more universal feel. Both "It's For You" and the epic title track evoke sonic vistas that touch a nerve with their layered keyboards and guitars. "Ozark" is a dynamic track featuring piano propelled by gentle percussion, while "September Fifteenth" is a quiet and deeply moving dedication to pianist Bill Evans. "Estupenda Graca" is like a gentle prayer sung both as closure, and in anticipation of the travels to come.